Presentation is loading. Please wait.

Presentation is loading. Please wait.

Approaches in Designing Stationery Systems

Similar presentations


Presentation on theme: "Approaches in Designing Stationery Systems"— Presentation transcript:

1 Approaches in Designing Stationery Systems
08/28/2016 Design for Advertising Miriam Ahmed

2 Letterhead: First Things First
When designing a letterhead, start by placing the most important elements on the art board first, and design those. First, most important: the graphic mark On stationary, graphic marks do not need to be more than 1 inch big, (unless you’re deliberately designing unconventionally). Scale your graphic mark down to suit. Then decide on a placement. One that is unconventional so that your design will stand out from the crowd and be memorable. Keep practical letter requirements in mind and leave a large, clear area for typing an actual letter. Unless bleeding, keep your graphic mark at least half inch margin away from the edge of your paper and within 3 inches from top or bottom, or 1.5 inches from either side. 09/5/2013 Design for Advertising

3 Letterhead: First Things First
09/5/2013 Design for Advertising

4 Letterhead: First Things First
09/5/2013 Design for Advertising

5 Letterhead: Contact Info Then insert the second most important information: contact info including address, phone, fax, , website, social media icons, etc. You can also add the name of the contact person and his/her title. Place this information in harmony with the graphic mark. In an unconventional place. 09/5/2013 Design for Advertising

6 Letterhead: First Things First
09/5/2013 Design for Advertising

7 Letterhead: Typography
Then DESIGN the text. Select a legible typeface that complements the graphic mark design. Quite frequently, the typeface used in the logo, as long as it is legible at small sizes, will work well. Your contact info should not be smaller than 8 points, and should not be more than 12 points unless your unconventional design demands it. Add type treatments like tracking, leading, weight, italics, uppercase letters, corporate colors, rotation, type-on-path. Use type treatments to emphasize and differentiate information 09/5/2013 Design for Advertising

8 Letterhead: First Things First
09/5/2013 Design for Advertising

9 Letterhead: First Things First
09/5/2013 Design for Advertising

10 Letterhead: First Things First
09/5/2013 Design for Advertising

11 Letterhead: First Things First
09/5/2013 Design for Advertising

12 Letterhead: Graphic Elements
Then add secondary design elements Place in unconventional locations Try large-scale cropped designs that bleed You may need to slightly reposition previously designed elements (graphic mark and contact info) Avoid the cliché watermark, instead use saturated colors and opaque elements Do not take away from the space for typing the contents of the letter Remember to design the reverse side of the letterhead page 09/5/2013 Design for Advertising

13 Letterhead: First Things First
09/5/2013 Design for Advertising

14 Letterhead: First Things First
09/5/2013 Design for Advertising

15 Letterhead: First Things First
09/5/2013 Design for Advertising

16 Envelope: Consistent Design
Envelope design should contain the graphic mark, contact info, and design elements in locations and sizes that match the letterhead Remember to design the reverse side of the envelope, and the flap Flaps can be die-cut into shapes that complement your design theme Insides of envelopes can also be designed – eg. With solid colors, or patterns Use US Post Office restrictions Name and address in top left To: address in middle Clear space on top right for postage stamp Clear space on bottom right for barcode printing 09/5/2013 Design for Advertising

17 Envelope: Post Office Requirements
09/5/2013 Design for Advertising

18 Business Card: Consistent Design
Business card design should contain the graphic mark, contact info, and design elements in locations and sizes that are consistent with the letterhead and envelope BUT: business cards should stand out more therefore they should be designed more boldly or innovatively Business cards have 2 sides. Place the graphic mark on 1 side, and contact info on the other. Don’t put the graphic mark on both sides. Business cards can be die-cut into shapes that complement your design theme 09/5/2013 Design for Advertising

19 Business Card Design 09/5/2013 Design for Advertising

20 Business Card Design 09/5/2013 Design for Advertising

21 Business Card Design 09/5/2013 Design for Advertising

22 Business Card Design 09/5/2013 Design for Advertising

23 Business Card Design 09/5/2013 Design for Advertising

24 Business Card Design 09/5/2013 Design for Advertising

25 Business Card Design 09/5/2013 Design for Advertising

26 Business Card Design 09/5/2013 Design for Advertising

27 Business Card Design 09/5/2013 Design for Advertising

28 Assignment 6 – Visual Identity
PART 1: Refine Graphic Mark Keeping the 4 rules of graphic mark design in mind, refine your designs for both Live on U and Drizzle PART 2: Stationery Design Following the guidelines in this presentation, design a letterhead, envelope and business card for both firms DUE: Wed Sept 30, 2016


Download ppt "Approaches in Designing Stationery Systems"

Similar presentations


Ads by Google