1. Harlem Renaissance To what extent should the fruits of prosperity be shared with everyone in America? How has America benefitted from the rise of black culture? Why did blacks move into northern cities?

2. The Great Migration (1910-1970)

3. Harlem Renaissance Harlem Renaissance is the name given to the period from the end of World War I and through the middle of the 1930s Depression, during which a group of talented African-American writers, thinkers and artists produced a sizable contribution to American culture. The Harlem Renaissance helped to redefine how Americans and the world understood African American culture. It integrated black and white cultures, and marked the beginning of a black urban society. The Harlem Renaissance set the stage for the Civil Rights Movement of the 1950s and 60s.

4. Important Features of the Harlem Renaissance No common literary style or political ideology defined the Harlem Renaissance. What united the participants was the sense of taking part in a common endeavor and their commitment to giving artistic expression to the African American experience. The Harlem Renaissance was more than just a literary movement: it included racial consciousness, "the back to Africa" movement led by Marcus Garvey, racial integration, the explosion of music particularly jazz, spirituals and blues, painting, dramatic revues, and others.

5. Harlem Renaissance Geographical Characteristics Economic Characteristics Political Characteristics Social Characteristics

6. Remember the Great Migration? There were plenty of reasons for blacks to leave the south, but little economic advantage to moving northward. With outbreak of World War I, this dynamic changes because: – war generates new opportunities for industry End result: The Great Migration assembled black populations in northern cities like Chicago and New York in unprecedented numbers. The concentration, in New York city, occurred on the upper west side, in Harlem.

7. Harlem, New York

8. Growing African American Middle Class A growing African American middle class developed as a result of improved educational and employment opportunities for African Americans.

10. Political Agenda for Civil Rights Leaders such as W.E.B. Du Bois, Marcus Garvey and the NAACP helped to inspire racial pride in the middle and working class.

11. The Harlem Renaissance gave birth to many important publications, such as Crisis magazine, edited by W. E. B. Du Bois, giving black writers a forum where their voices could be heard.

12. Social Characteristics Music Visual Arts Literature

13. Modernism & the Harlem Renaissance Blacks view the surge in art, music and literature as the creation of a new cultural identity. Whites see it as another new, exotic, and trendy form of entertainment.

14. Music of the Harlem Renaissance Bessie Smith Duke Ellington Louis Armstrong Cab Calloway

15. The Jazz Age “Jazz music is idiosyncratic by nature where the performer creates the rhythm. There is truly no incorrect way to play Jazz. J.A. Roger wrote, “Jazz isn't just music, but also a spirit that can express itself in almost everything," It was in many ways a revolt against constraints because it was so joyous. Typically instrumented by piano, string bass, and drums, jazz began to take charge of the new era of music. “ – Kwa King, “The Jazz Age”

16. Duke Ellington Ellington was a jazz composer, conductor, and performer during the Harlem Renaissance. He played the Cotton Club, where he experimented with and developed the style that would quickly bring him worldwide success. Ellington would be among the first to focus on musical form and composition in jazz. Ellington wrote over 2,000 pieces in his lifetime. Should we hear one?hear

17. The Cotton Club The Duke Ellington Orchestra was the "house" orchestra for a number of years at the Cotton Club. The revues featured glamorous dancing girls, acclaimed tap dancers, vaudeville performers, and comics. All the white world came to Harlem to see the show. The first Cotton Club revue was in 1923. There were two new fast paced revues produced a year for at least 16 years.

18. Louis Armstrong Louis Armstrong was a jazz composer and trumpet player during the Harlem Renaissance. He is widely recognized as a founding father of jazz. He appeared in 30 films and averaged 300 concerts per year, performing for both kids on the street and heads of state.

19. Bessie Smith Bessie Smith was a famous jazz and blues singer during the Harlem Renaissance. Smith recorded with many of the great Jazz musicians of the 1920s, including Louis Armstrong. Smith was popular with both black and white music fans.

20. Visual Artists of the Harlem Renaissance Palmer Hayden Hale Woodruff Edward Burra Aaron Douglas John Henry Adams Laura Wheeling Waring Jacob Lawrence

21. The Harlem Renaissance Palmer Hayden: Midsummer Night in Harlem. Oil on canvas.

22. Palmer Hayden “The Janitor Who Paints”

23. Palmer Hayden

24. Jacob Lawrence Jacob Lawrence grew up in a settlement house in Harlem during the Harlem Renaissance. Lawrence's parents were among those who migrated between 1916-1919, considered the first wave of the migration. His own life in Harlem and the struggle of other Black Americans inspired his earliest work

25. Jacob Lawrence’s Work Jacob Lawrence painted his Great Migration series during the 1940s to capture the experience of African Americans during the 1920s

26. Jacob Lawrence

30. Hale Woodruff

31. Edward Burra, 1934

32. Edward Burra

33. Harlem Renaissance - Literature In the autumn of 1926, a group of young African American writers produced Fire!, a literary magazine. With Fire! a new generation of young writers and artists, including Langston Hughes, Wallace Thurman, and Zora Neale Hurston, took ownership of the literary Renaissance.

34. Writers of the Harlem Renaissance Sterling Brown Claude McKay Langston Hughes Zora Neal Hurston James Weldon Johnson Countee Cullen Nella Larson Richard Wright

35. Harlem Renaissance: Langston Hughes The diverse literary expression of the Harlem Renaissance was demonstrated through Langston Hughes’s weaving of the rhythms of African American music into his poems of ghetto life. Langston Hughes Library of Congress,

36. How do you interpret this poem? “I, Too” by Langston Hughes I, too, sing America. I am the darker brother. They send me to eat in the kitchen When company comes, But I laugh, And eat well, And grow strong. Tomorrow, I’ll be at the table When company comes. Nobody’ll dare Say to me, “Eat in the kitchen,” Then. Besides, They’ll see how beautiful I am And be ashamed – I, too, am America.

37. Harlem Renaissance: Zora Neale Hurston Diversity was also demonstrated through Zora Neale Hurston’s novels such as, Their Eyes Were Watching God (1937). Hurston used life of the rural South to create a study of race and gender in which a woman finds her true identity. Zora Neale Hurston Library of Congress,

38. Harlem Renaissance Review Geographical Characteristics Economic Characteristics Political Characteristics Social Characteristics

39. Claude McKay “America” Although she feeds me bread of bitterness, And sinks into my throat her tiger’s tooth, Stealing my breath of life, I will confess I love this cultured hell that tests my youth! Her vigor flows like tides into my blood, Giving me strength erect against her hate. Her bigness sweeps my being like a flood. Yet as a rebel fronts a king in state, I stand within her walls with not a shred Of terror, malice, not a word of jeer. Darkly I gaze into the days ahead, And see her might and granite wonders there, Beneath the touch of Time’s unerring hand, Like priceless treasures sinking in the sand.