Baroque Art Characteristics Powerful use of chiaroscuro. Contrasting of light and shadow. They range from brilliant to deep gloom. Dramatic compositions.

Slides:



Advertisements
Similar presentations
Chapter 15 American Art The Early Years During the twentieth century, the center of the art world shifted from Paris to New York City. Regionalist.
Advertisements

NLC Gardiner 2002 Portraits in Art. NLC Gardiner 2002 The history of portraits Historically portraits were made just as we take photographs today. Before.
Baroque Art Cynthia Noble.
Essential Question: How did the Renaissance change art in Western Europe? Warm-Up Question: Define these terms: Renaissance Humanism Classicism Why did.
Charcoal Introduction to Chiaroscuro Italian : chiaro, bright, light (from Latin clārus, clear) + oscuro, dark (from Latin obscūrus).] Chiaroscuro- is.
REMBRANDT
5/5/ This piece is titled the Night’s Watch. a. True b. False 2.Rembrandt placed himself in the painting. a. True b. False 3.The militiamen who.
Rembrandt Van Rijn ( ) Master of Light and Shadow
 To scientifically measure Rembrandt’s palette  To find patterns throughout his lifetime  To comment on the life of a great artist.
1 The Judgment of Paris By Peter Paul Rubens. 2 The Judgment of Paris.
VI. Northern Renaissance Art Peter Brueghel the Elder, Hunters in the Snow (Winter) 1565.
The Beginnings of Modern Art Traditions Renaissance Mannerism Baroque Rococo.
Baroque Cloze Learning. C_________ painted C________ __ S________ M__________ in This artist uses extreme contrast, or t___________. A_________.
Baroque Art.
Baroque Art Slides # Baroque Historical Background: The Baroque came about in Rome near the end of the 16 th century – much of the art was patronized.
MANNERISM New movement which replaced the artistic Renaissance in Italy in ’s Mannerism = “in the manner of…” Deliberate distortion of rules.
6th GRADE ART CLASSICAL ROCOCO NEOCLASSICAL GOTHIC ROMANTIC
WORLD HISTORY II Chapter 1: The Renaissance & Reformation
■ Essential Question: – How did the Renaissance change art in Western Europe? ■ Warm-Up Question: – Define these terms: Renaissance Humanism Classicism.
Baroque Art Characteristics Powerful use of chiaroscuro. Contrasting of light and shadow. They range from brilliant to deep gloom. Dramatic compositions.
Medieval & Renaissance Art Art is reflective of the historical setting Characteristics of Medieval Art  Different Mediums  Byzantine Icons Characteristics.
BAROQUEARTBAROQUEART. BAROQUE ART Originated in Italy The artistic and musical style after the Renaissance Ornate, sensual, expressive, realistic,
Rembrandt van Rijn ( ) Northern Renaissance.
The Northern Renaissance The spread of the Italian Renaissance to England, France, Germany, and Flanders.
Renaissance Art. The Italian Renaissance New breakthroughs in art: Linear perspective (mathematical) Chiaroscuro – light and shadow Triangular symmetry.
Art 102 Fall 2013 Rembrandt Lecture. Rembrandt Left a record of his life in self-portraits Is a Protestant—his paintings show a Protestant sensibility.
Spain Dates and Places: 1600 to 1700 Iberian peninsula and the Americas People: Catholic nation War leaves economy in decline Absolute monarchs DIEGO VELÁZQUEZ,
Welcome to Form and Value You will use this presentation to complete the Form and Value section of your sketchbook. So take notes! If you don’t finish.
 In trying to provide an exact portrayal of their world, the artists of the north (especially the LowCountries) and Italy took different approaches.
Rembrandt & Rubens By Lucy Dirksen. Rembrandt Most well known artist in the Western World Most accomplished in etching Did many self- portraits.
BAROQUE By: J.P. and Jeremy A.D.. IN THE BAROQUE PERIOD  Protestant Reformation  Church was trying change society and bring back to God.
The Renaissance.
Explain the statement in a paragraph using one art example from a previous period. Art mirrors culture.
 Baroque is derived from the Italian word “barocco” which means “misshapen pearl.”  rejected the classical styles of the Renassiance.  Art.
Baroque Art Artistic style that used exaggerated motion and clear, easily interpreted detail to produce drama, tension, exuberance, and grandeur.
Baroque – Dutch Flemish
Renaissance Art Characteristics Composition: balanced, static forms, often triangular in shape Medium: wall frescoes, egg tempura on wood panels, later.
Caravaggio or La Tour Why? La Tour was an artist in France. He was one of Caravaggio’s followers; he became the court painter to King Louis XIII in 1639.
Early Modern Art Catholic Baroque Art Vs. The Protestant Dutch Masters “The Annunciation” – Sebastiano Mazzoni “Courtyard of a House in Delft” – Pieter.
Medieval Art Subjects Religious and holy figures Themes Religious Style Unrealistic Lacking depth Lacking background Technique Two dimensional.
BAROQUE 17 TH CENTURY. WHERE DOES “BAROQUE” COME FROM? Pejorative word to define an exuberant and exaggerated art in contrast to Renaissance art and New.
Characteristics: They rejected mannerism - they regarded the first hand examination of nature very important. They wanted their paintings to look realistic(verisimilitude)
Italian Baroque Paintings
Chapter Nineteen Baroque Art. Baroque Art of Italy and Flanders Counter-Reformation: an effort by the Catholic Church to lure people Baroque art:a style.
Using Raphael’s “School of Athens” (below) from the Renaissance, find three specific Ancient Greek influences.
AP Art History PowerPoint Project by Arnold James h_rembrandt_the night watch_james.
Painting Forms Focal Artist: Rembrandt van Rijn. Painting Vocab 1.Chiaroscuro - using strong contrasts of light and dark to achieve a sense of volume.
Section 2 The Renaissance in the North Explain how the printing revolution shaped European society. Describe the themes that northern European artists,
16 Dutch Baroque Art Review. Overview Protestant Dutch Republic began a golden age of prosperity and artistic creativity Characterized by – Predominance.
Baroque Humanities Mrs. Adkins. History/Background Began in Italy Catholic Church is still very powerful. Catholic Church (The Council of _______)
Baroque Art Late 1600’s to Early 1700’s in Europe and Italy.
Key terms Tenebroso Cockle shell Drama Caravaggisti Dynamic Composition The Conversion of St. Paul Caravaggio Italian Baroque.
Baroque Art and Architecture The art of Absolute Monarchs, Constitutional Monarchies and the Dutch Renaissance.
ART HISTORY 132 Baroque: Spanish. Diego Velázquez ( ) biography: –1623: became court painter to Phillip IV –1628: Rubens’ visit to SP influenced.
The Netherlands in the 17 th Century FRANS HALS, Archers of Saint Hadrian, c Oil on canvas, approx. 6’ 9” x 11’. Frans Halsmuseum, Haarlem.
The Baroque is often thought of as a period of artistic style that used exaggerated motion and clear, easily interpreted detail to produce drama, tension,
Baroque ► 1600 – ► Portuguese word “barocca” ► “a pearl of irregular shape.” ► Implies strangeness, irregularity, and extravagance. ► The more.
Mannerism and Baroque Art Art of the Counter Reformation.
The Renaissance in Venice
Baroque Art and Architecture
Art of the Reformation Baroque & Dutch Realism
Baroque Art.
BAROQUE ART
Baroque Lesson 2.
Baroque Art History AWN 3m1.
Counter-Reformation Baroque Bourgeois Baroque Artistic Baroque
Baroque Art.
Baroque Painting Artwork Created from 1400 – 1700 AD Theme:
Presentation transcript:

Baroque Art Characteristics Powerful use of chiaroscuro. Contrasting of light and shadow. They range from brilliant to deep gloom. Dramatic compositions with strong diagonals and swirling action. Genre scenes – scenes that told stories of everyday life.

Caravaggio An Italian artist who influenced the work of Rembrandt and Dutch artists. He was a master of light and shadow. He unified complex compositions with dramatic effects. Martyrdom of St. Matthew, 1600

Bruegal A Flemish artist. His painting can be seen as a parable, a story that contains a symbolic message. Concerned with detail.

Bruegal Hunter in the Snow, 1565

Bruegal Peasant Wedding, 1568

Rembrandt Baroque artist from Holland. Dramatic use of light and shadow and strong contrast. Influenced by the spotlighting of the theater. Expressive portrait painter of groups and individuals. Work largely devoted to sacred subjects. Also painted mythological subjects.

Rembrandt created many ways of painting which allowed him to create more realistic representations. An example of one of his techniques would be the use of stippling. Stippling is when many dots put together with different colors, make up an image that looks very real. This relates to how computers work. There are many different pixels all of which have different colors, but when put together they create images. Rembrandt used mostly oil to create some of his famous masterpieces. Rembrandt being Dutch, his paintings were based off of the Dutch Golden Age, a time of wealth and cultural achievement. Naturalism : Naturalism is a type of art that pays attention to very accurate and precise details, and portrays things as they are.

Rembrandt The Anatomy Lesson of Dr. Tulp, 1632

Rembrandt Detail of Anatomy Lesson

Rembrandt Self-portrait with Saskia, 1636 Etching

Rembrandt Self-portrait, 1640 Oil on canvas

Rembrandt The Night Watch, 1642 Corporate portraits-each person in painting paid to be in it.

Rembrandt The Mill, 1650 Oil on canvas

Rembrandt Lion Resting, , pen & ink

Rembrandt Self-portrait, 1660 Oil on canvas

Rubens Captured the dynamic spirit of the Baroque style. He used rich colors, dramatic design and powerful, twisting figures. Used light to illuminate the important parts of his paintings.

Mannerism is a period of European art that emerged from the later years of the Italian High Renaissance around It lasted until about 1580 in Italy, when the Baroque style began to replace it, but Northern Mannerism continued into the early 17th century. Mannerism is notable for its intellectual sophistication as well as its artificial (as opposed to naturalistic) qualities. Mannerism favors compositional tension and instability rather than the balance and clarity of earlier Renaissance painting. Peter Paul Rubens - Flemish painter, considered the most important of the 17th century, whose style came to define the animated, exuberantly sensuous aspects of baroque painting. Combining the bold brushwork, luminous color, and shimmering light of the Venetian school Rubens created a vibrant style, with an energy that emanates from tensions between the intellectual and the emotional, the classical and the romantic.

Rubens Daniel in the Lion Den, 1615

Rubens Dance of the Villagers, 1636

Rubens Self-portrait,

Comparison of Rembrandt and Rubens Descent from the Cross, Rembrandt Descent from the Cross, Rubens