Vivaldi, Concerto for Violin in A minor (RV35), Op. 3, Nr 6 (L‘estro armonico)Concerto for Violin in A minor (RV35) (Wallfisch) (2’40“, 4‘44“) Bach Violin Concert in A minor (BWV 1041)Violin Concert in A minor (BWV 1041) (Wallfisch) (3‘50“, 9‘35“) Bach Concertos continued..

Suites and Partitas English Suites for Harpsichord (BWV ) French Suites for Harpsichord (BWV ) Partitas for Keyboard, Clavier-Übung 1 ( ) Suites for Solo Cello (BWV ) Partita for Solo Flute (BWV 1013) Sonatas and Partitas for Solo Violin ( ) Ouvertüren, or Orchestral Suites ( Misc. for keyboard, lute, and other instruments

What is a Suite? Partita?

Suite Nr. 1 in A major, BWV 806 Prelude, Allemande, Courante I, Courante II, Double I, Double II, Sarabande, Bourrée I, Bourrée II, Gigue. This suite is unusual in that it has two Courantes, and two Doubles for the second Courante. Suite Nr 2 in A minor, BWV 807 Prelude, Allemande, Courante, Sarabande, Bourrée I, Bourrée II, Gigue Suite Nr 3 in G minor, BWV 808 Prelude, Allemande, Courante, Sarabande, Gavotte I, Gavotte II, Gigue Suite Nr 4 in F major, BWV 809 Prelude, Allemande, Courante, Sarabande, Menuet I, Menuet II, Gigue Suite Nr 5 in E minor, BWV 810 Prelude, Allemande, Courante, Sarabande, Passepied I, Passepied II, Gigue Suite Nr 6 in D minor, BWV 811 Prelude, Allemande, Courante, Sarabande, Double, Gavotte I, Gavotte II, Gigue English Suites for Harpsichord

Suite Nr. 1 in A major, BWV 806 Prelude, Allemande, Courante I, Courante II, Double I, Double II, Sarabande, Bourrée I, Bourrée II, Gigue. (This suite is unusual in that it has two Courantes, and two Doubles for the second Courante.) Suite Nr 2 in A minor, BWV 807 Prelude, Allemande, Courante, Sarabande, Bourrée I, Bourrée II, Gigue Suite Nr 3 in G minor, BWV 808 Prelude, Allemande, Courante, Sarabande, Gavotte I, Gavotte II, Gigue Suite Nr 4 in F major, BWV 809 Prelude, Allemande, Courante, Sarabande, Menuet I, Menuet II, Gigue Suite Nr 5 in E minor, BWV 810 Prelude, Allemande, Courante, Sarabande, Passepied I, Passepied II, Gigue Suite Nr 6 in D minor, BWV 811 Prelude, Allemande, Courante, Sarabande, Double, Gavotte I, Gavotte II, Gigue English Suites for Harpsichord

Suite No. 1 in D minor, BWV 812 Allemande, Courante, Sarabande, Menuet I/II, Gigue Suite No. 2 in C minor, BWV 813 Allemande, Courante, Sarabande, Air, Menuet, Menuet – Trio (in BWV 813a), Gigue Suite No. 3 in B minor, BWV 814 Allemande, Courante, Sarabande, Anglaise, Menuet, Trio, Gigue Suite No. 4 in E-flat major, BWV 815 Allemande, Courante, Sarabande, Gavotte, Air, Minuet, Gigue Suite No. 5 in G major, BWV 816 Allemande, Courante, Sarabande, Gavotte, Bourrée, Loure, Gigue Suite No. 6 in E major, BWV 817 Allemande, Courante, Sarabande, Gavotte, Polonaise, Menuet, Gigue French Suites for Keyboard

Suite No. 1 in D minor, BWV 812 Allemande, Courante, Sarabande, Menuet I/II, Gigue Suite No. 2 in C minor, BWV 813 Allemande, Courante, Sarabande, Air, Menuet, Menuet – Trio (in BWV 813a), Gigue Suite No. 3 in B minor, BWV 814 Allemande, Courante, Sarabande, Anglaise, Menuet, Trio, Gigue Suite No. 4 in E-flat major, BWV 815 Allemande, Courante, Sarabande, Gavotte, Air, Minuet, Gigue Suite No. 5 in G major, BWV 816 Allemande, Courante, Sarabande, Gavotte, Bourrée, Loure, Gigue Suite No. 6 in E major, BWV 817 Allemande, Courante, Sarabande, Gavotte, Polonaise, Menuet, Gigue French Suites for Keyboard

Baroque Dance Definitions – Principal Dances ALLEMANDE. Duple metre, eighth- or sixteenth-note upbeat, quasi-contrapuntal texture, running passages. COURANTE. Triple metre or compound duple, moderate tempo, emphasis on the hemiola effect. Most often follows allemande. SARABANDE. Triple metre, moderat to slow tempo, often with elaborate onamentation written into it, emphasis on the second beat. GIGUE. Triple meter or compound duple, emphasizing the triplet patterns. Often contrapuntal, often inverting fugal subject at the beginning of the second half of a binary form.

BOUREE. fluent dance in duple metre and binary form. Four-measure phrases in C/ or 2, quarter-note upbeat, syncopations in quarters and halves. Quicker than a gavotte FORLANE. From northern Italy. Becomes a gay dance (with lascivious connotations) in compound duple (6/8 or 6/4) with dotted rhythms. GAVOTTE. Gracious dance in duple metre. Usually in four-measure phrases that begin and end in the middle of the bar, metre is c/ or 2. Rhythmically simple and avoids syncopation. Slowe than bourée and rigaudon. LOURE. Slow and majestic French gigue with heavy accents. Usually in 6/4 metre with upbeats, dotted figures, syncopations and hemiolas. May have contrapuntal texture. PASSEPIED. Lively, simple dance in triple metre (often 3/8). Has upbeat, regular two or four-measure phrases, homophonic texture. Often exploits hemiola (3/4 in 3/8). RIGAUDON. Cheerful in duple metre. Typically has quarter-note upbeat, four-measure phrases in C/ or 2 and binary form. Phrases often begin with half-note motion increasing to no more than eighths. Sometimes indistinguishable from a bourée and is faster than a gavotte. Folk dance from southern France. SICILIANO. Late baroque dance evoking gentle pastorale mood, usually through slow 6/8 or 12/8 time and simple phrases with repeated dotted figures, often beginning on upbeat. Considered to be a slow gigue.

Sonata No. 1 in G minor, BWV Adagio 2.Fuga (Allegro) 3.Siciliana 4.Presto Partita No. 1 in B minor, BWV Allemanda – Double 2.Corrente – Double (Presto) 3.Sarabande – Double 4.Tempo di Borea – Double Sonata No. 2 in A minor, BWV 1003 (later transcribed for harpsichord, BWV 964) 1.Grave 2.Fuga 3.Andante 4.Allegro Sonatas and Partitas for Solo Violin Partita No. 2 in D minor, BWV Allemanda 2.Corrente 3.Sarabanda 4.Giga 5.Ciaccona Sonata No. 3 in C major, BWV Adagio 2.Fuga (including subject from the chorale, “Komm, heiiger Geist” 3.Largo 4.Allegro assai Partita No. 3 in E major, BWV Preludio 2.Loure 3.Gavotte en rondeau 4.Menuet I 5.Menuet II 6.Bourrée 7.Gigue