Architecture and Urban Design Fundamentals B.S. Architectural Engineering 1984 (U. Texas, Austin) M.Eng. Engineering Science 1992 (Penn State) Ph.D. Electrical.

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Presentation transcript:

Architecture and Urban Design Fundamentals B.S. Architectural Engineering 1984 (U. Texas, Austin) M.Eng. Engineering Science 1992 (Penn State) Ph.D. Electrical & Computer Engineering 1994 (U. Delaware) Plus 2 years (39 credits) of Urban and Environmental Design (U. California, San Diego) Ten years of Architectural experience in Texas, California, and Pennsylvania

 Form  Scale  Behavior  Context  Proportion  Balance  Symbolism  Tastes  Anthropomorphism  Color  Texture  Rhythm

 Recently in the U.S. and many developing countries we accept geometric shapes with sharp edges  In the past, Euclidian (columns, domes) were more accepted  Frank Lloyd Wright said “Form follows function.” He later clarified this: “ Form follows function - that has been misunderstood. Form and function should be one, joined in a spiritual union.”

 Architecture may relate to the scale of humans ◦ If not, architecture may be  Monumental, impressive  Intimidating, frightening ◦ Columns on building can give illusion of scale ◦ Surroundings and adjacent buildings can scale-up or scale-down a building

 Bodies create space ◦ Activities  Ergonomics ◦ Group interactions ◦ Beliefs ◦ Movement through spaces ◦ Flow - interior to exterior  Bank of widows and French doors invite outside in

 Architecture can be an expression of a time  Can relate to other buildings  Can relate to land

 Relation between spaces ◦ Between rooms in a floor plan ◦ Between elements of a facade

 Symmetry ◦ May symbolize order, or wealth ◦ May put people at ease (perceived stable)  Asymmetry ◦ Can symbolize revolt ◦ Can evoke feeling of movement & excitement, or comfort ◦ Can arise from organic vernacular growth  Medieval cities ◦ Frank Lloyd Wright made entrances low and dark to surprise with final destination. ◦ Also, light at end of corridor draws you in.

 Power  Status  Change  Tradition  Spirit

 Change over time  Vary across cultures

 Animate the inanimate ◦ Equate columns with humans  “Entasis” in columns is a slight curvature to resemble hips

 Harmonized colors ◦ Use different hues of same color or pair hues of colors close to each other on color wheel

Random Ordered Smooth Rough

 Like Music

VIDEO: Piazza San Marco, Venice Italy Visited by JT Wunderlich three times

 Described using our architectural vocabulary

URBAN DESIGN “Urban Planning” “City Planning” “Urban Studies” “Environmental Design”

 Five elements of “Lynch Analysis” (Kevin Lynch)Kevin Lynch ◦ PATHS: Streets, sidewalks, trails, and other channels in which people travel ◦ EDGES: Boundaries such as walls and shorelines ◦ DISTRICTS: Areas distinguished by some identity or character ◦ NODES: Focal points, intersections ◦ LANDMARKS: Easily identifiable objects which serve as external reference points

URBAN DESIGN PATHS EDGES DISTRICTS NODES LANDMARKS SOURCE (Urban Design Graphics): 9/urban-design-graphics/ 9/urban-design-graphics/

 Readings ◦ Lynch, Kevin (1960). The Image of the City. Cambridge MA: MIT Press.The Image of the City ◦ Wunderlich, Joseph T. (1987). The Evolution of City Boundaries. UCSD USP173 course paper.The Evolution of City Boundaries ◦ Wunderlich, Joseph T. (2015). Lynch analysis of Kyoto, Osaka, and Narita, Japan. Elizabethtown College lecture notes. ( PPT )Lynch analysis of Kyoto, Osaka, and Narita, Japan PPT