Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall3-1 Chapter 3: Solving Problems Analytically and Creatively 1 Developing Management.

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Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall3-1 Chapter 3: Solving Problems Analytically and Creatively 1 Developing Management Skills

Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall3-2 A Model of Problem Solving Step 1: Define the Problem – Differentiate fact from opinion – Specify underlying causes – Tap everyone involved for information – State the problem explicitly – Identify what standard is violated – Determine whose problem it is – Avoid stating the problem as a disguised solution 2

Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall3-3 A Model of Problem Solving Step 2: Generate Alternative Solutions – Postpone evaluating alternatives – Be sure all involved individuals generate alternatives – Specify alternatives that are consistent with goals – Specify both short- and long-term solutions – Build on others’ ideas – Specify alternatives that solve the problem 3

Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall3-4 A Model of Problem Solving Step 3: Evaluate and Select an Alternative – Evaluate relative to an optimal standard – Evaluate systematically – Evaluate relative to goals – Evaluate main effects and side effects – State the selected alternative explicitly 4

Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall3-5 A Model of Problem Solving Step 4: Implement and Follow Up on the Solution – Implement at proper time and in the right sequence – Provide opportunities for feedback – Engender acceptance – Establish ongoing monitoring system – Evaluate based on problem solution 5

Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall3-6 Constraints on the Analytical Problem- Solving Model Defining the problems – Lack of consensus on the problem – Acceptance of problem definition – Symptoms are often confused with the real problem – Confusing information 6

Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall3-7 Constraints on the Analytical Problem- Solving Model Generating Alternatives – Alternatives are evaluated as they are proposed – Few possible alternatives are usually known – The first acceptable solution is usually accepted – Alternatives are based on what was successful in the past 7

Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall3-8 Constraints on the Analytical Problem- Solving Model Evaluating and Select an Alternative – Information on alternatives is limited – Search for information occurs close to home – The type of information is constrained by other factors – Gathering information is costly – Preferences for the best alternatives are not always known 8

Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall3-9 Constraints on the Analytical Problem- Solving Model Implementation and Follow up – Acceptance is not always forthcoming – Resistance to change – Uncertainty about what part of solution to monitor – Political and organizational processes must be managed – It may take a long time to implement a solution 9

Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall3-10 Impediments to Creative Problem Solving Most people assume creativity is one dimensional Almost everyone has created blocks that inhibit our creativity 10

Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall3-11 Four Types of Creativity Insert Figure

Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall3-12 Key Dimensions of the Four Types Insert Figure

Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall3-13 Conceptual Blocks Mental obstacles that constrain the way problems are defined. 13

Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall3-14 Two Examples 1.Percy Spencer’s Magnetron led to the invention of the microwave 2.Spence Silver’s Glue led to the development of the enormously popular Post-It Notes 14

Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall3-15 Conceptual Blocks 1.Constancy 2.Commitment 3.Compression 4.Complacency 15

Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall3-16 deBono’s Ways of Thinking Vertical Thinking – Continuity – Chooses – Stability – Searches for what is right – Analytic – Where the idea came from – Develops an idea Lateral Thinking – Discontinuity – Changes – Instability – Searches for what is different – Provocative – Where the idea is going – Discovers the idea 16

Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall3-17 Multiple Thinking Languages Words Symbols Sensory (i.e. smell) Feelings and emotions Visual imagery 17

Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall3-18 Multiple Thinking Languages The more languages available to problem solvers, the more creative the solution will be. 18

Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall3-19 The Matchstick Configuration 19

Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall3-20 Perceptual Stereotyping When individuals define present problems in terms of problems that they have faced in the past. 20

Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall3-21 Shakespeare Riddle 21

Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall3-22 Ignoring Commonalities Creativity is blocked when individuals fail to find the common thread that exists between dissimilar problems. 22

Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall3-23 Name That Ship! Insert figure

Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall3-24 Examples of Compression Artificial Constraints 24 Separating Figure From Ground

Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall3-25 Examples of Complacency Noninquisitiveness: Unwillingness to ask questions Bias against thinking: Proclivity to avoid doing mental work 25

Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall3-26 Insert Table

Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall3-27 Stages in Creative Thought Preparation Incubation Illumination Verification 27

Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall3-28 Ways to Improve Problem Definition Make the strange familiar and the familiar strange – Synectics Elaborate the definition Reverse the definition 28

Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall3-29 Ways to Generate More Alternatives 1.Defer judgment – Brainstorming 2.Expand current alternatives 3.Combine unrelated attributes 29

Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall3-30 Rules of Brainstorming 1.No evaluation of ideas is permitted 2.Wild ideas are encouraged 3.Quantity before quality 4.Build on ideas of others 30

Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall3-31 Hints to Facilitate Creative Problem Solving Give yourself relaxation time Find a place where you can think Talk to other people about ideas Ask other people for their suggestions about your problems Read a lot Protect yourself from idea-killers 31

Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall3-32 A Model of Analytic and Creative Problem Solving Insert figure

Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall3-33 Three Principles for Fostering Creativity 1.Pull people apart; put people together 2.Monitor and prod 3.Reward multiple roles 33

Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall3-34 Enabling Creativity in Others 34

Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall3-35 Behavioral Guidelines Follow the four-step procedure for analytical decision-making Employ the four types of creative decision-making Implement steps to overcome conceptual blocks 35

Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall3-36 Behavioral Guidelines Use techniques to elaborate the problem definition Foster creativity among those with whom you work 36