Chapter 10 The Television Commercial: The Mechanics.

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Chapter 10 The Television Commercial: The Mechanics

Television Commercial Formats TV scripts What’s the difference in a radio script and TV script? Left column for video, right for audio Video in CAPITAL LETTERS Spoken words: upper/lower case MUSIC and SFX: CAPS TALENT INSTRUCTIONS. For example: (QUIETLY) Single-space video, double-space audio (script). Double-space between speaker and shot changes.

Television Commercial Formats (cont.) What’s a storyboard? (remember the video of the Pepsi boy-in-the- bottle spot?) Storyboard helps show the client or producer what spot will look like See Figure 10.2, p. 139; script, video instructions below the sketches Timing copy Spots must be precisely timed. Read copy aloud and time it. Allow for parts with audio but no copy.

Producing TV Commercials In what ways can you use graphics? Reinforce audio with graphics (include information also contained in the script) Does info shown in a graphic have to be in the script? No … saves time to include some features as a graphic

Shot Composition Long shot (LS) or Wide Shot (WS) Medium Shot (MS) Closeup (CU) Camera Movement Pan, tilt, dolly, zoom. Transitions Cut, dissolve, fade (in or out) Special Effects Wipe, split screen, CG, Chromakey.

Guidelines for Writing Television Spots Ways you can gain attention in a TV spot? No one way … may start with wide, establishing shot or a closeup. Don’t forget the AIDA formula Identifying the client or product name: How often should you include the product name? Early and often … As often as you can without making the commercial dull or obnoxious Include the name of the client/product in a slogan (Visine. Gets the red out.)

Guidelines for Writing Television Spots (cont.) Balancing Audio and Video What does “see and say” mean? Show the items as they’re described (as you say “truck,” show the truck) Should you have several selling points or one main point? Emphasize the single strongest sales point, so as not to confuse the viewer.

Guidelines for Writing Television Spots (cont.) Avoid overwriting Are the pictures or the words more important? The video … most important in presenting the message. Don’t use more words than you have to. More complicated messages need more words. Stressing the final spot How should you end the spot? Name of the sponsor/product, slogan, address or location Use the conclusion as final reminder … if viewer remembers nothing but sponsor’s name and slogan, you’ve done your job