The Beginning of Modern Painting: The Renaissance 1420 - 1600.

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Presentation transcript:

The Beginning of Modern Painting: The Renaissance

Legacy of the Middle Ages… Notions of honor, duty, loyalty, and love European cities / The middle class The state system - representative government English common law -concept of liberty Equality and the sacred worth of the individual Universities Corporations, Bookkeeping & Banking Preserved Greco-Roman scholarship Growth of secularism

Humanism: A philosophical world view which focused on human potential and achievement in this world – Secularism. Petrarch ( ) and Boccaccio ( ) encouraged the study of Greek and Roman writings to understand their ideas and values Constantinople fell to the Ottoman Turks. Byzantine scholars fled to Italy with collections of manuscripts – many of which were thought to be lost forever. Humanist scholars influenced artists and architects to carry on the classical tradition. A Humanist education (studia humanitatis) grammar; rhetoric; poetry, moral philosophy and history – create a citizenry able to speak and write with eloquence and clarity and be ready to participate in the civic life of the community

Characteristics of Renaissance art Oil on stretched canvass Linear Perspective Contraposto- showing action Chiaroscuro- Use of light and shadow- Sfumato-without lines or borders, in the manner of smoke Pyramid configuration Realism and naturalism Details, including artist’s name.

The Birth of Venus, 1482 Sandro Bottecelli

Sandro Bottecelli, Prima Vera 1478

A Roman fresco-The Three Graces

The Renaissance: Why In Italy?

Patrons of the Arts… Cosimo de Medeci

Medieval art

Giotto ( ): pre-cursor to the Renaissance

St. Francis Gives His Cloak to the Poor, Giotto

The Last Supper, Giotto

The “Three Friends” in Florence Brunelleschi ( ) Donatello ( ) Masaccio ( )

Il Duomo, Brunellschi, 1436

David, Donatello, 1430 (David was the patron hero of Florence)

Masaccio, The Tribute Money, 1426

The High Renaissance: Da Vinci ( ) Michelangelo ( ) Raphael ( ) Titian, ( )

DaVinci, “The ideal Renassance Man” or “The Universal Man

The Last Supper, 1495

Ginevra de Benci, DaVinci, 1474

Mona Lisa, Pyramid composition Linear perspective Light & shadow Relaxed & natural Layers of glaze-3D quality No solid lines- sfumato

“mirror writing” -13,000 pages

Michelangelo Sculptor, painter, poet & architect.

Lorenzo, The Magnificent

Pieta, , his first masterpiece

Moses

The Sistine Chapel, 1512

Raphael, “The most popular” most completely expressed all the qualities of the High Renaissance

St. George Fighting the Dragon, Raphael, 1504

Madonna and Child, Raphael, 1505

Raphael’s Three Graces, 1505

School of Athens,

socrates

Diogenes

Patron of both Michelangelo and Raphael: Pope Julius II, 1511

Baldassare Castiglione ( ), Raphael's portrait of the famous Humanist philosopher Lorenzo di Medici, Raphael’s portrait of “The Magnificent”

Titian, Self-portrait The Father of Modern Painting- no wood panels, no frescoes; only oil on canvass.

Madonna with child and saints, Titian

John On The Island Of Atmos, Titian

Adam and Eve Expelled… Titian,

Characteristics of Renaissance art Oil on stretched canvass Linear Perspective Contraposto- showing action Chiaroscuro- Use of light and shadow- Sfumato-without lines or borders, in the manner of smoke Pyramid configuration Realism and naturalism Details, including artist’s name.

Post- Renaissance painting

Tintoretto,

"Christ at the Sea of Galilee" -- Tintoretto

El Greco, “View of Toledo” c 1600

Rembrandt,

Fran Hals, Laughing Cavalier, 1624

Peter Paul Rubens,

Durer,

Any Questions…