CREATIVE CRITICAL RESPONSE Assessment objectives: AO1 (6 marks): Articulate creative, informed and relevant responses to literary texts, using appropriate.

Slides:



Advertisements
Similar presentations
IB Oral Presentation Presentation dates: January-February (tentative)
Advertisements

SUPPORTING NOTES FOR PRACTICAL UNIT “In addition to presenting the extract (s) from their selected play, the students will need to provide supporting notes.
ETA Study Day June 2011 Area of Study – Belonging Section III – Analytical Response The Crucible - Miller.
G325 Section A  to explore section A of the exam  to understand what this section will require  To begin to apply understanding in approaching a plan.
Linking Poems AS Unit F661: Poetry and Prose Robert Browning.
AS English Literature F662 Literature Post-1900 (40%)
What must students cover
Writing in the Exam AS Unit F661: Poetry and Prose Robert Browning.
ENGLISH LANGUAGE AND LITERATURE B NEW SPECIFICATION.
AQA English Literature B
Preparing for the A2 exam Summer 2014 English Language B.
Drama 2.5 Perform a substantial acting, technical or production role V2 Credits5.
Thursday 9 th September 2010 Welcome to AS Language & Literature Success criteria: I understand the structure of the course. I know what will be expected.
7 Stages of Grieving “Why does this play matter in the world in which we live?”
AS English Literature Unit One – Drama Antony and Cleopatra by William Shakespeare.
Highfields School Thursday 8 October Welcome, thank you for coming Our Core Purpose To be an inclusive, happy community that values every individual.
Top Girls – Act Two Starter: Our key word for today’s lesson is: Repartee Working with a partner, write down what you think the definition for this word.
Miss L. Hamilton Extend your Bishop Justus 6 th Form Year 12: AS Level English ‘Struggle for Identity in Modern Literature’ Lesson One Year.
AQA ENGLISH LANGUAGE GCSE & ENGLISH LITERATURE GCSE
Starter: reminder of the AS exam structure Paper 1: 3 questions assessing AOs 1, 3 and 4. – 2 questions on how language is used to create meanings and.
Writing to Analyse, Review, Comment. ReaderSubjectWriter.
The Level 2 Exam What do each of the underlined words mean? Apply knowledge of and make judgements about drama processes and performance in a new.
GCSE English Language 8700 GCSE English Literature 8702 A two year course focused on the development of skills in reading, writing and speaking and listening.
The History Boys : An Introduction Alan Bennett. The AS level: Where does it fit? Paper 2 (Drama and Prose post-1900): 1 hour 45 - One question on The.
You will have a question which asks you to consider a theme in relation to the whole of The Bloody Chamber and to compare the treatment of that theme to.
GCE English Literature Tuesday 13 November - Everglades Hotel, Derry Wednesday 14 November - Tullylagan Hotel, Cookstown Thursday 15 November - Stormont.
SAETA Refresher Course 2016 Ideas for Creating Texts for Stage 1 Alex Cape.
COMMENTARY LL2 - Coursework. Assessment Objectives Below is the breakdown of how many marks you get for each Assessment Objective you meet: AO1: Select.
GCE English Literature Support Events 4,5 and 6 March 2009.
Tennyson Look over the notes you were completing where you were applying a theoretical lens to two of the poems. You are going to share 5 of your points.
Higher Drama Unit Assessment and Course Assessment.
Approaches to Component 3: Interpreting Theatre Written exam.
Welcome to GCSE English language and English literature
A Level English Literature AQA English Literature A
Exam Practice Paper 1 AO1: Apply appropriate methods of language analysis, using associated terminology and coherent written expression. AO2: Demonstrate.
Unit 1 Question Style: USA
Higher Drama Unit Assessment and Course Assessment
GCSE 2015 English Literature.
Lesson 1 – La Belle Dame Sans Merci
GCSE 2015 English Language.
LQ: Can I comment on the writer’s purpose and meaning?
Use the 9 steps to success!
Making Connections: guidance on non-exam assessment
The Coursework L/O: To consider what we have studied to date and how I can use it in my coursework.
Literature Paper 1 exam Section A: Shakespeare Macbeth
GSCE LANGUAGE EDUQAS CRITERIA
English Language GCSE PAPER 1: Fiction and Imaginative Writing 40% of English Language GCSE In preparation for this exam you will: Study selections from.
English Language Assessment Objectives
Section B: The 19th-century novel
English Language GCSE.
A Level English Language
English Language Paper 2
LQ: Can I explain the factors which shape my identity?
CLIFS AO1: Articulate informed, personal and creative responses to literary texts, using associated concepts and terminology, and coherent, accurate written.
Today you will answer one of the following questions:
A guide to comparisons: structure, language, tone and meaning in the poetry. AO1: Articulate creative, informed and relevant responses to literary texts,
How are you are assessed by the examiner…
LITERATURE Assessment Criteria Currently Achieving Grade
A Level English Literature
To know the format of questions in the poetry section of the exam
What does this Candidate do well?
LQ: Can I understand the mark scheme and assessment criteria?
KS3 Drama Levels.
Assessment Objectives
Assessment Objectives
Assessment Objectives...
A Streetcar Named Desire
AO1 Read, understand and respond to texts. Maintain a critical style and develop an informed personal response. Use textual references, including quotations,
Language in the Media Lesson 2.
GCSE.
Presentation transcript:

CREATIVE CRITICAL RESPONSE Assessment objectives: AO1 (6 marks): Articulate creative, informed and relevant responses to literary texts, using appropriate terminology and concepts, and coherent accurate written expression. AO4 (12 marks): Demonstrate understanding of the significance and influence of the context in which literary texts are written and received.

Choosing your topic Clear viewpoint Real purpose Defined audience Linked to one or both plays from the explorative study Meet AO1 and AO4 objectives Sensible balance between being ‘creative’ and being ‘critical’

Example 1 Script for a talk to class on two very different interpretations of your main play.

Example 2 An outline pitch for the BBCs ‘Shakespeare Re-told’ series, describing how you would re-tell it for a twenty-first century viewing audience.

Example 3 Script for a talk to give to the actors involved in a particular scene outlining the challenges and how you plan to explore them in rehearsal.

Example 4 Extract from an actor’s autobiography giving an account of how they interpreted a lead part in one of the plays and brought this out on stage.

Example 5 A section in a National Theatre programme for a production of one of your plays, persuading the audience that it has important things to say about the modern world.

Example 6 View a performance for which there are reviews. Write your own review of the performance in which you give your own views and provide a response to the views expressed by others.

Example 7 Write TWO letters to the editor of The Times Literary Supplement, one praising a recent performance of Othello the other criticising it.