Kerrie Poliness. Conceptual Art Conceptual art is where the idea or concept behind a work of art may be more important than the art work itself. First.

Slides:



Advertisements
Similar presentations
Poster & Project Presentations The Robert Gordon University
Advertisements

Conceptual Art.
HYPERREALISM SCULPTURES Art Studio. What is Form?  Form has 3 dimensions: Length, Width & Height.  In the art world, Form can exist in two ways:  “Real”
Art Awareness Lemons and Oranges Pablo Picasso Main Aux Fleurs "Every child is an artist. The problem is how to remain an artist once he grows up.“ ~ Pablo.
Year 12 ENGLISH Creating and Presenting: ‘the imaginative landscape’
Experiential Learning Cycle
‘RANK: picturing the social order ’ KEY STAGE 2 Learning pack for use in the gallery.
Planning for Inquiry The Learning Cycle. What do I want the students to know and understand? Take a few minutes to observe the system to be studied. What.
St Helens High School Building Construction
Area of interaction focusSignificant concept Human Ingenuity: Why do humans create, develop or change products or solutions? Innovation: Some people innovate.
Art Unit 2 Folio Britt Westaway. Mind Map What is Culture?
Sample pages of student research by Beth Walldorf.
:: Process + Product :: Instructional Art :: Software Art ::
Reflective practice Session 4 – Working together.
© 2009 South-Western, Cengage LearningMARKETING 1 CHAPTER 21 Entrepreneurship Participating Event Purpose The purpose of the Entrepreneurship Participating.
Cell Structure and Function
Q1 Geometry Performance Task
Frank Stella Purity Precision Impersonality Abstraction
Art Syllabus  In Art, students will learn about various artists, their art and the context in which it was created. Students will research, explore, and.
Studio Art I How do artists use tools and techniques to create a realistic image?
Georgia O'Keeffe [American Painter, ]. Georgia O’Keeffe was born on her family’s large Wisconsin farm in She would become one of America’s.
Games Development 2 Concurrent Programming CO3301 Week 9.
CMAP the Foundation of Assignments in TPC 12 The first step in planning a communication is to analyze the audience and purpose via a CMAP statement…
 starter activity Your teacher will give you a slip of paper with a question. Go up to a student and ask the question. Tell her the answer if she doesn’t.
Art Analysis and Criticism When evaluating a work of art, it is always important to make a thorough inventory of the various characteristics and ideas.
+ CULTURAL FRAMEWORK + REFRESH ON FORMAL FRAMEWORK.
Sol LeWitt Visual Art and Mathematics. What is art?
Acquiring the art of classroom discourse: A comparison of teacher and preservice teacher talk in a fifth grade classroom Henning, J. E. & Lockhart, A.
MOMA Art Lab APP Lesson Plan. Metropolitan Museum of Art This APP if free through the Apple App Store. Available for use on the iPad only. (MOMA, 2013)
Relief Sculpture Name: Date: Per. Relief Sculpture: Sculpture that is on a flat surface but raised to different levels.
1 Module F1 Modular Training Cycle and Integrated Curriculum.
Ms. Fisher Mrs. Kebert Ms. Spaulding Mrs. Walker.
Fundamentals of Software Development 1Slide 1 Artwork: An introduction to programming primitives Draw a picture [1 minute]Draw a picture [1 minute] –It.
Positive Behavior Management Using Effective Practices in Classroom Management.
Media Arts and Technology Graduate Program UC Santa Barbara MAT 256 Visual Design through Algorithms Winter 2006 Artistic Experimentation Process.
TIJ 1O1. Problem Solve…  Determine the missing information on the paper given to you and get the completed message to Mrs. Venier.  Rules:  No signing.
PROGRAM DEVELOPMENT CYCLE. Problem Statement: Problem Statement help diagnose the situation so that your focus is on the problem, helpful tools at this.
Writing survey questions. What do you want to know?  Before you begin to compose your survey questions, you understand the purpose of your survey and.
Textured tiles Can be art!.
Action Plan Asma Naz DA College for Women-VIII Fine Arts, Intermediate.
Chapter Six Creating a Place for the Arts. Every child is an artist. The problem is how to remain an artist once they grow up. - Pablo Picasso.
RJ Argumedo, Rudi Monson Marvin Camras Elementary School 6 th and 8 th grade, Language Arts Where Do I Belong?
Proposal. Project Concept For my final project I’m am attempting to add a new school twist to the style of street artist by using realistic digital painting.
Case Studies and Review Week 4 NJ Kang. 5) Studying Cases Case study is a strategy for doing research which involves an empirical investigation of a particular.
Feedback.
EARTH ART CORY RATHBURN. Main Ideas Used natural and organic materials. (gravel, water, soil, etc.) Would use the organic material to construct their.
GROUP ROLES. GROUP LEADER Should be kind, not put anybody or their ideas down Works well with others Guides the discussion; Asks questions Helps the group.
May 19, 2010 You need: Notebook paper Questions for video on Elizabeth Murray Pen/Pencil.
SBAC-Mathematics November 26, Outcomes Further understand DOK in the area of Mathematics Understand how the new SBAC assessments will measure student.
An Introduction to the Conceptual Framework
Looking at Art – Formal Analysis paper 1.go to a museum; spend time looking at the art and choose one work that especially interests you -- something you.
Able Pupils in Art & Design. Definition Gifted learners : pupils who have abilities in one or more subjects excluding art & design, music, PE or performing.
Unit 3: Lesson 1 - The Need for Programming Languages
Picasso Sylvette first met Picasso in 1954 when she was a girl in the southern French town of Vallauris. When the artist convinced her to pose for.
Asset List & Content Creation
The Need for Programming Languages
TASK.
Foundations of Programming: Introduction to Programming
Conceptual Art Slides: #48-50
For all jobs and scores all instructions must be complete!!!
OBSERVATIONAL DRAWING Techniques
For all jobs and scores all instructions must be complete!!!
Conceptual Art.
Alici Merrette PreTest/PostTest
U3L1 The Need For Programming
Unit 3: Lesson 1 - The Need for Programming Languages
ELEMENTS & PRINCIPLES COLLAGE!
A continued lesson in Movement Art II - Senick
Characteristics of a historian
Presentation transcript:

Kerrie Poliness

Conceptual Art Conceptual art is where the idea or concept behind a work of art may be more important than the art work itself. First coined in the 1960s, conceptual art has come to embrace a range of practices - including art projects that remain as written statements or instructions for others to carry out.

Museum of Contemporary Art Australia Kerrie Poliness follows a history of twentieth century abstraction with her wall drawings that can be produced (though never precisely) on any flat surface, in any dimension, and by any individual following the artist’s instructions.

Sol Lewitt "An architect doesn't go off with a shovel and dig his foundation and lay every brick. He's still an artist."

John Cage

TASK TASK is an improvisational event with a simple structure and very few rules. TASK can be a planned, more formal set-up with an application process and a pre-determined number of selected participants TASK’s open-ended, participatory structure creates almost unlimited opportunities for a group of people to interact with one another and their environment. TASKs’ flow and momentum depend on the tasks written and interpreted by it’s participants.

RESPOND Instructional Drawing Challenge Ask your students to complete a 5 minute drawing of lines, shapes, and colors. Next have them compose detailed step-by-step directions as to how the artwork should be carried out. Once the directions are written, each student should exchange their directions with someone else in the class. Students should re-create the artworks to the best of their ability based on the directions their classmates have composed. After they have finished the artwork, students should exchange back with the “author” of the artwork. Authors should compare the executed artwork with the one they originally envisioned. Is the replica what they intended? Were their directions clear enough for the work to be executed in the way they desired? How close was the instructional drawing to the original? THINK Ask students to reflect on the following: How important is it to give clear instructions for the replication of the drawing? Following the exercise, re-visit the idea of who is the artist and what is the art in this scenario – is it the original drawing? Is it the instructions? Is it the replica? Have their thoughts changed from the previous slide?

DEBATE This artwork is part of the museum collection (owned by the museum). What exactly does the Museum own? The instructions? The artwork each time it is drawn? The idea?

Display

Sources: 1.Museum of Contemporary Art Australia 2.Chicago Museum of Contemporary Art Williams College Museum of Art National Gallery of Art activities/new-angles/sol-lewitt.htmlhttp:// activities/new-angles/sol-lewitt.html 5. MOMA and-instruction-based-arthttp:// and-instruction-based-art