Do Now Use the following four Surrealist paintings as primary sources, what can you infer about the early 1900s?

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Presentation transcript:

Do Now Use the following four Surrealist paintings as primary sources, what can you infer about the early 1900s?

The Metamorphosis of Narcissus

Geopolitical Child Watching the Birth of the New Man

The Angel of the Home

Europe After Rain

Themes in Early Modern Art 1.Uncertainty/insecurity. 2.Disillusionment. 3.The subconscious. 4.Overt sexuality. 5.Violence & savagery.

Edvard Munch: The Scream (1893) Expressionism  Using bright colors to express a particular emotion.

Franz Marc: Animal Destinies (1913)

Wassily Kandinsky: On White II (1923)

Gustav Klimt: Judith I (1901) Secessionists  Disrupt the conservative values of Viennese society.  Obsessed with the self.  Man is a sexual being, leaning toward despair.

Gustav Klimt: Wrogie sily (1901) Gustav Klimt: Wrogie sily (1901)

Gustav Klimt: The Kiss (1907-8)

Gustav Klimt: Danae (1907-8)

Henri Matisse: Carmelina (1903) Henri Matisse: Carmelina (1903) FAUVE  The use of intense colors in a violent, and uncontrolled way.  “Wild Beast.”

Henri Matisse: Open Window (1905) Henri Matisse: Open Window (1905)

Georges Braque: Violin & Candlestick (1910) CUBISM  The subject matter is broken down, analyzed, and reassembled in abstract form.  Cezanne  The artist should treat nature in terms of the cylinder, the sphere, and the cone.

Georges Braque: Woman with a Guitar (1913) Georges Braque: Woman with a Guitar (1913)

Georges Braque: Still Life: LeJeur (1929)

Pablo Picasso: Les Demoiselles d’Avignon (1907)

Picasso: Studio with Plaster Head (1925)

Pablo Picasso: Woman with a Flower (1932) Pablo Picasso: Woman with a Flower (1932)

Paul Klee: Red & White Domes (1914)

Paul Klee: Senecio (1922)

George Grosz Grey Day (1921) George Grosz Grey Day (1921) DaDa  Ridiculed contemporary culture & traditional art forms.  The collapse during WW I of social and moral values.  Nihilistic.

George Grosz: Daum Marries Her Pedantic Automaton George in May, 1920, John Heartfield is Very Glad of II ( ) George Grosz: Daum Marries Her Pedantic Automaton George in May, 1920, John Heartfield is Very Glad of II ( )

George Grosz The Pillars of Society (1926) George Grosz The Pillars of Society (1926)

Raoul Hausmann: ABCD ( )

Marcel Duchamp: Fountain (1917)

Marcel Duchamp: Nude Descending a Staircase (1912) Marcel Duchamp: Nude Descending a Staircase (1912)

Salvador Dali: Soft Construction with Boiled Beans (Premonition of Civil War), 1936 Surrealism  Late 1920s-1940s.  Came from the nihilistic genre of DaDa.  Influenced by Feud’s theories on psychoanalysis and the subconscious.  Confusing & startling images like those in dreams.

Salvador Dali: The Persistence of Memory (1931)

Salvador Dali: The Apparition of the Face and Fruit Dish on a Beach (1938)

Salvador Dali: Geopoliticus Child Watching the Birth of a New Man (1943)

Functionalist Architecture Bauhaus  A utopian quality.  Based on the ideals of simplified forms and unadorned functionalism.  The belief that the machine economy could deliver elegantly designed items for the masses.  Used techniques & materials employed especially in industrial fabrication & manufacture  steel, concrete, chrome, glass.

Walter Gropius: Lincoln, MA house (1938)

FRQ Use at least three examples from philosophy, art, literature, or science to explain the changes in European attitudes after WWI.