MFL: Making the New National Curriculum work for your Primary or Secondary School insetcourses.com tutor: John Bald Monday 20 October 2014 Please ensure your mobiles are switched off 1

ANNE SWARBRICK, PRESIDENT, ASSOCIATION FOR LANGUAGE LEARNING,

DR RACHEL HAWKES, ALL PRESIDENT,

AN OLD PROBLEM... (FROM CHAUCER, G, PROLOGUE, LATE C14 ) And frenssh she spak ful faire and fetisly, After the scole of stratford atte bowe, For frenssh of parys was to hire unknowe.

...AND A NEW SOLUTION... Use the findings of brain research to inform teaching Identify what works, and build on it Identify what doesn’t work, and cut it out Reference: Language Understanding, Towards a Post-Chomskyan Linguistics. Terry Moore and Chris Carling,

BRAIN CELLS AND CONNECTIONS (FROM THE LEARNING BRAIN, BLAKEMORE AND FRITH, 2005) As we learn, brain cells form connections with each other that build into networks. These connections are strengthened with practice.

SANTIAGO RAMON Y CAJAL: NOBEL PRIZE

ERIC KANDEL In Search of Memory: the Emergence of a New Science of Mind (NY, 2006). ( 8

BRAIN CELL (FROM NEUROSCIENCE AND EDUCATION, TEACHING AND LEARNING RESEARCH PROJECT, 2007)

ROYAL INSTITUTION CHRISTMAS LECTURES

ROYAL INSTITUTION CHRISTMAS LECTURES 2011 NEWBORN

ROYAL INSTITUTION CHRISTMAS LECTURES 2012: SIX MONTHS

ROYAL INSTITUTION CHRISTMAS LECTURES 2011: THREE YEARS

THE BRAIN ADAPTS ITSELF TO DIFFERENT LANGUAGES Reading Aloud in English and Italian, evidence from brain scans (active areas in black) Left: reading system of English and Italian combined Centre: sound processing more active in Italian Right: word form area more active in English (fromThe Learning Brain, Blakemore and Frith, 2005)

DYSLEXIA’S BROKEN BRIDGES Centre image shows reduced functions in isthmus and in temporal cortex

THE AREAS OF THE BRAIN USED FOR WRITTEN AND SPOKEN LANGUAGE ARE INTERLINKED AND OVERLAP (DR. MATT DAVIS, MRC, LANGUAGES TODAY, SPRING 2013) Hearing Reading Both

WE PROMOTE THE FORMATION OF NETWORKS IN CHILDREN’S MINDS BY Understanding the adjustments they need to make to their thinking Explaining these clearly in terms children understand. Clear and attractive presentation Teaching spoken and written language together, so that children can see the links between them. Encouraging and answering questions Encouraging them to practise

WE HINDER THE FORMATION OF NETWORKS BY Copying, which requires children to switch their attention continually between the master version and their own. These jerky movements thinking and the formation of connections. Overloading, by presenting too much new written material at a time, or presenting spoken language that is too fast for children to understand.

COPYING, C1700 BC (FROM THE HISTORY OF WRITING, S.R FISCHER)

COPYING ERRORS FROM A YEAR 7 MIXED- ABILITY CLASS Quel as âge tu. Quel âge as-tu? O habite tu Ou j’habites-tu Où habites-tu? Où habite a Londres. J’habite à Londres. Common t’appelle tú_ Comment t’appelles-tu? Je onzo age J’ai onze ans Ja un douze J’ai douze ans (experienced teacher, pupils had models of the sentences they were trying to write, from which they could copy.) For more examples, see Heather Rendall, Classic Pathfinder 6, CILT

THE NEW NATIONAL CURRICULUM Uses the full capacity of the brain to build understanding and learning Allows teachers to take professional decisions Expects all children to make progress

ASSESSMENT WITHOUT LEVELS: COMMON EUROPEAN FRAMEWORK OF REFERENCE. A: Basic User B: Independent User C: Proficient User Downloadable – enter Common European Framework in any search engine.

GRAMMAR FOR COMMUNICATION. Presents the key features of the language clearly enough for learners to use them while they are thinking about what they want to say. Is based on sentence building rather than translation – translation can then be used to provide reinforcement. Should include positive and negative forms from the outset. Should focus on verb and subject, and should treat “tense” (old French, tens) as a synonym for time rather than a term denoting a different verb form. Must be introduced early, and is then practised as key patterns recur in all subsequent work. Needs to be combined with idiom, so that pupils learn to phrase things as a native speaker would, and a systematic approach to learning vocabulary..

KEY FEATURES OF FRENCH… The French like their spoken language to flow, and their written language to be precise. All nouns have a gender. (Very occasionally, two – le or la professeur) The form of verbs varies more than in English, and the negative is tricky.

... A SUGGESTED FIRST ORDER... Colours have key features – vert, bleu, rouge, blanc, jaune, orange, noir, violet, marron. Say together, study, look away, write on sleeve. Bonjour! (G’day). Drop the tongue to pronounce. Sing and point (to self and people) pronouns Sing and point être. I usually do negative first. Sentence building with family and pets introduces gender and avoir, positive and negative.

MY FIRST STEPS IN SPANISH. Colours. Rojo, azul, verde, amarillo, marrón introduce most of the variations between Spanish and English pronunciation, and the accent. As with French, say together, study, look away and write on sleeve. Explain ¡Buenos Días! as a greeting, and what it means. Sing Ser to 10 green bottles, with actions, explaining how Spanish takes advantage of its word endings to omit the short words we have to put in front of verbs. Introduce masculine/feminine, via the idea of boys’ and girls’ words for younger children. Eg soy una niña/un niño. Build sentences about family/pets, around tengo/no tengo.

... AND BEYOND... Extend outwards from family and pets to other areas of interest. Encourage expression through recording, playbacks, blogging, podcasting. Make and cultivate links to a school in a country that speaks the language. Develop understanding of the shared Latinate and Greek words that are the foundation of much European public language. Explore software, internet connections and websites, Youtube, Wickipedia, Taught By Song, Little Tails, BBC sites, news sites...google translate...(discuss...) Introduce children’s books, make talking versions using Mantralingua (or other) talking pens, Mantralingua talking tablet, IPC. Set up a languages section in the library. Start a club. Please, start a club. And invite parents. Think about Flame/CLIL, perhaps beginning with Take 10 (Devon) Sign the staff up for British Council Comenius Courses in the holiday. Generous grants, good teaching, good food, good learning.

…AND A WAY OF TEACHING FLOW IN FRENCH Explain that vowels are voice sounds, and that two together can be jerky – say je ai. Can they hear the jerk? Demonstrate the technique of dropping the first vowel and replacing it with an apostrophe. Write apostrophe on the board. Who thinks it’s an English word? Explain that apostrophe comes from the Greek word for gap, and that we have a gap when we take out a letter. So, we have j’ai. Have children study j’ai, then clean it off/minimise it, and have them trace it with their finger on their sleeve or desk. Nearly all will get it right. Praise. Write and explain the sentence J’ai un chat, noting the letter at the end of the word that is not pronounced. Repeat the tracing.

WITH CLICKER…

EXTENSIONS SUGGESTED BY Y4

SENTENCE MODELLING… Presents new structures clearly and simply Extends opportunities for study, explanation and questions Lets children compose written sentences as they do spoken ones, Eliminates the to-and-fro brain switches involved in copying Letting us teach written and spoken language together Allows children to say what they want to say Lets us present advanced language clearly and flexibly Raises achievement in reading and writing Is easy to use, and can be practised on mobile devices.

YEAR 7, GIRL, ASSESSED AS DYSLEXIC, BEFORE SENTENCE BUILDING WORK

YEAR 7, GIRL, ASSESSED AS DYSLEXIC, AFTER SIX WEEKS’ SENTENCE BUILDING WORK

Year 7, boy assessed as dyslexic

YEAR 4, HIGHER-ATTAINING GIRL

SOME Y9 TOP SET SPANISH, LESSON 1.

Je (point to self, whole hand –finger pointing is rude) Tu (point to a friend, whole hand – they can’t help smiling !) Il (point to a boy, not your tu friend) Elle (ditto a girl) Nous Big circular sweep with both hands Vous Point to teacher with both hands – explain that vous is a mark of respect to a grown up. Ils Point to two boys both hands Elles Point to two girls both hands French Verb song ( song copyright ©Joe Biswell and John Bald)

A POSSIBLE ORDER FOR VERBS Pronouns only with actions Etre (negative with shaking of head) Etre positive (might try with nodding head) Some regular verbs - eg regarder, écouter, jouer, penser, manger (these bring out regular patterns) Any other verb the children would need to use to say something.

SOME PATTERNS IN FRENCH VERBS Tu ends in s ils/elles end in nt Nous ends in -ons (not nous sommes) Vous ends in –ez (not vous êtes and vous faites) These patterns recur in almost all tenses, including those made with auxiliary (helping) verbs, conditionals and subjunctives.

FOOTNOTE: SPANISH VERBS Spanish takes a shortcut – unless there is a need to emphasise it, the pronoun is incorporated into the verb. Spanish verbs can be sung to Ten Green Bottles, using the same gestures as for the French Negatives are easy – just begin with no. Tengo is a good starting point, as it can be used to say so many things, and the first person is easy to spell.

SOME REFERENCES Clicker 6 + Acapello voices The Learning Brain, Blakemore S and Frith U Blackwell 2005 Zim Zam Zoum, Vale Venga Vamos. Spell it Out. D Crystal, 2012 In Search of Memory. Eric Kandel, Norton Learner English, Swan M and Smith B, CUP (idiom in different languages)

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