NSS Seminar Series Teacher Seminar Teaching English through Drama.

Slides:



Advertisements
Similar presentations
The curriculum – how inclusive is it?. Questions driving curriculum development Three key questions 3 How well are we achieving our aims? 1 What are we.
Advertisements

Personal, Social, Health and Economic education How PSHE education contributes to meeting the requirements of the Secondary National Curriculum.
Speaking, Listening and Learning: Working with children in Key
Active Learning and Your Child
Rationale To encourage all students to take a full part in the life of our school, college, workplace or wider community. To provide opportunities to enable.
Creating inclusive outdoor learning environments.
Reception Curriculum Evening. Activities within the EYFS are based on what children already know about and can do. They recognise children’s different.
New Swannington Primary School EYFS Open Evening 2014.
Curriculum for Excellence in Ardnahoe Nursery School.
Planning for Learning (through play)
Stages in Integrating technology Elaine Hoter. Stage 1: Awareness 1 I am aware that technology exists but have not used it – perhaps I’ve even avoiding.
Linking the Fairs to the 2013 Ontario Curriculum Social Studies 1 to 6 and History and Geography 7 and 8.
Mark Orrow-Whiting Programme Adviser, QCA
Module 2: Assessment in Creative Arts © 2006 Curriculum K-12 Directorate, NSW Department of Education and Training.
An Exploration of Who You Are and Who You Want to Be! Henrico High School 2011.
Whose learning is it anyway?
1 The New Primary National Curriculum St Helen’s CE Primary School.
Introduction to Course of Study in Drama Stages 5 and 6.
Using technology to improve learning Stella BurtonBeaumont Community Primary school1.
Presentation on the draft framework for Personal, employability, learning and thinking skills for all 11- to 19-year-olds October 2005.
Lead ▪ learn ▪ protect ▪ engage ICT in the EYFS Workshop Every child an entitlement: Use of ICT in the classroom contributes to the.
HM Inspectorate of Education 1 Literacy and Numeracy Across the Curriculum May 2008.
A big picture of the curriculum Adapted with thanks to colleagues at the Council for Curriculum, Examinations and Assessment (CCEA) Working draft: With.
Lead ▪ learn ▪ protect ▪ engage Technology for the Youngest Julia Briggs (eLIM) and Abi Green (Huish Primary) Every child an entitlement:
Thinking Actively in a Social Context T A S C.
1 A proposed skills framework for all 11- to 19-year-olds.
Curriculum for Excellence Aberdeenshire November 2008.
Home, school & community partnerships Leadership & co-ordination Strategies & targets Monitoring & assessment Classroom teaching strategies Professional.
Developing Student Leadership in PE. Sports Colleges have a higher percentage of pupils involved in leadership and volunteering programmes compared to.
Interstate New Teacher Assessment and Support Consortium (INTASC)
A big picture for Outstanding Citizenship. Three key questions 3 How well are we achieving our aims? 1 What are we trying to achieve? 2 How do we organise.
Transforming lives through learning Arts and culture education ‘Content and outcomes in Scotland‘ Education Scotland September 2013.
PSHE AND ASSESSMENT. Ofsted and the QCA have reported that assessment remains the weakest aspect of PSHE provision in schools.
Strathkinness Primary School An introduction to the Curriculum for Excellence – 24 th March 2010 (Revised March 30 th 2010 with new links added)
The Areas of Interaction are…
Curriculum Futures Looking after learners, today and tomorrow To develop a modern world-class curriculum that will inspire and challenge all learners and.
Social & Emotional Development Carrie Simpson 2014.
Social & Emotional Development Carrie Simpson
Pedagogy for the 21 st Century LSS Retreat, November, 2010.
Making our curriculum world class Looking after learners, today and tomorrow Mike Rumble Curriculum Adviser.
A Focus on Health and Wellbeing Wendy Halliday Learning and Teaching Scotland.
Workshop How can school leaders make the new curriculum work for their pupils? Peter Hall Jones.
The World Around Us and the Media Integrating ICT.
CEDAR INTERNATIONAL SCHOOL Middle Years Programme CEDAR INTERNATIONAL SCHOOL.
Spiritual Moral Social and Cultural SMSC 1 SMSC what does it mean?! How to fit SMSC into what you already do SMSC and its importance How to make.
A big picture of the curriculum. Adapted with thanks to colleagues at the Council for Curriculum, Examinations and Assessment (CCEA) Working draft July.
R Hipkins Rosemary Hipkins New Zealand Council for Educational Research Key competencies in the curriculum: reflecting on implementation and assessment.
What is Creativity? “Creativity is a process which generates ideas that have value to the individual. It involves looking at familiar things with a fresh.
BRINGING IT ALL TOGETHER Use of Rich Tasks. What is a Rich Task? Accessible to all levels Provides an opportunity to explore mathematics Involves testing,
IB ARTS La Paz Community School. IB learner profile Inquirers: They develop their natural curiosity. They acquire the skills necessary to conduct inquiry.
Independent Enquirers Learners process and evaluate information in their investigations, planning what to do and how to go about it. They take informed.
Drama Cultivating Creativity and Individuality. Personal Curriculum Goals Drama curriculum that is forward looking so that student’s earlier learning.
UK – Saudi Arabia Contact Seminar – Day 2. Programme Overview: Day 1: Getting to know each other and our education systems Day 2: Visit to a Saudi School.
Leading International Curriculum and Learning Teachers Pete Hall Jones.
Secondary Curriculum Review Implications for teacher trainers.
Marking and Feedback CPD Student approach to marking.
International Baccalaureate Middle Years Programme IB MYP.
Middle Years Programme The unique benefits of the MYP.
Introducing Drama. Victorian Curriculum F–10 Released in September 2015 as a central component of the Education State Provides a stable foundation for.
Beginning Social Communication High School: Lesson Five.
Three Fundamental Concepts in MYP Liberty Middle School IB MYP Program.
MY TIME, OUR PLACE Framework for School Age Care In Australia Prepared by: Children’s Services Central April 2012 Team Meeting Package.
A Creative Curriculum Nurturing creativity and imagination A Discussion Document for the Creative Learning Group Joan Parkhouse Senior Curriculum Support.
 To help you to understand the curriculum which is covered in the Early Years Foundation Stage.  To understand how we teach in order to cover the requirements.
Supporting Your Child in the IB MYP and Diploma Programme.
Early Years Curriculum Information Evening
The curriculum aims to enable all young people to become
Introducing Drama.
Coaching.
My Attitudes What I Show!.
Presentation transcript:

NSS Seminar Series Teacher Seminar Teaching English through Drama

O ur N ew D evelopments

New Interface

Buddy Community

Working hand in hand with schools and teachers Workshops for teachers - Workshops for teachers School-basedcourses - School-based courses English DayCamps - English Day Camps...

Rebecca Patterson Drama: What it can offer the curriculum

Help! What on earth is she talking about? I wonder if I am making any sense? Becky Hong Kong Teachers

Some questions that you may be asking now. What are they doing? What is happening? Where are they? Where is the teacher? Are they learning anything?

WHAT IS DRAMA? ‘droa’ meaning ‘I do’ or more richly ‘I struggle to find meaning’ This ‘struggle’ takes shape through the enactment of events, where all involved aim to express meaning using their bodies, voices, emotions, intellect and imagination symbolically and interactively These ‘enactments’ are structuring using DRAMA CONVENTIONS. These conventions “are not structures in themselves, they are more like building blocks or palette that is used…to create the structures” (Neelands, 1998) The tools of drama are used in many different contexts: As an act of communication with an audience (theatre) In a therapeutic process In education and training

Drama in the National curriculum in England Drama in schools can be found: sometimes studied as an art form in its own right in primary phases and at KS3 (at Key Stage 4 & 5 through specific examination courses) included in the English curriculum Orders at all Phases used as a method of learning in various subject areas However, times of change are upon us with The Creativity Agenda and the new ‘Curriculum for Living’ and The Big Picture (QCA). It has become increasingly more recognised that drama can meet the needs of our pupils and the education system by: Engaging and motivating pupils (making learning relevant and fun) Developing empathy and tolerance through ‘felt’ experiences Supporting Every Child Matters (5 areas: Safe, Healthy, Enjoy & Achieve, Economic Stability, make a Positive Contribution)

According to recent writers, drama classroom activity… is “Processual” (O’Toole1992) is continually negotiated/re-negotiated (ditto) is concerned primarily with the “making of meaning” as opposed to the acquisition of propositional knowledge. (Neelands) Connects with modes of learning other than linguistic/literary (as in Howard Gardner’s “Theory of Multiple Intelligences”) Is a social art form Is often most “creative” when tasks are tightly structured or constrained : paradoxically, not when complete freedom is offered to learners. Can suspend normal classroom hierarchies and relationships (as in the use of Teacher In Role)

Using drama helps teachers to; create a secure environment for learning to take place help pupils to adapt to an ever changing society have greater expectations explore and define roles and responsibilities in the classroom.

Seeing possibilities for the future Teaching five outcomes through Drama Be healthy Stay safeEnjoy and achieve Make a positive contribution Achieve economic well being Exploring my emotions and feelings through imaginative settings Challenging others and being challenged myself Through imagining and realising my ideas and intentions Appreciating traditions and developing sensitivity to cultural differences Communicating and expressing myself effectively and in a range of ways appropriate to needs. Understanding and interpreting myself and others through role play. Understanding how others see me Developing a confidence in different unusual situations Learning new ways to communicate and share ideas and feelings Learning to lead, manage and support. Developing a sense of identity and self worth Considering the impact of myself on others around me. Becoming enthusiastic, creative and critical; developing a taste for performance Expressing myself imaginatively and creatively; joining a dramatic group Developing an awareness of opportunities in in the creative and cultural industries Being exposed to new Knowing what to do in dangerous situations Communicating my thoughts, ideas and feelings. Learning to appreciate a wide range of dramatic experiences

A child who….. Is a reflective learner Is responsive to change Is a risk taker Is a confident collaborator Is a creative contributor Is an independent enquirer Is unafraid to fail, to try, to question, to challenge, to investigate…..

A teacher who is … creative making connections questioning communicates well confident takes risks thirst for knowledge curious generates ideas flexible perseveres listens and reflects critical self-editing skilled shaper literate willing to have a go thinks for themselves shows initiative gets on well with others makes a difference acts with integrity self-esteem ‘can do’ attitudelearns from mistakes is independent

Just like a child!

 Push back boundaries  Take some risks  Are brilliant but unpredictable  Have big ideas By using drama in our classrooms we can become the people who…. Allow yourself to be the child in your classroom.