Voices: Past and Present By Judith Maginnis Kuster (part of a presentation by Judith Maginnis Kuster and Judith Duchan for the 2004 ASHA convention, Philadelphia,

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Presentation transcript:

Voices: Past and Present By Judith Maginnis Kuster (part of a presentation by Judith Maginnis Kuster and Judith Duchan for the 2004 ASHA convention, Philadelphia, PA)

Voices: Past and Present a web site developed to preserve some of the oral history of our profession, specifically in the area of stuttering.

We’re going to jump to the end 1. The RESULTS 2. The USES 3. The PROCESS (as time allows)

Voices from the Past (with a few from the Present) ASHA panel on “recovery” 1959 Symposium on Stuttering 1968 ASHA panel on “recovery” A few presentations about the nature and treatment of stuttering in the past

Wendell Johnson responding to “should a psychologist or a psychiatrist be a necessary part in the therapy process with a person who stutter.”

Carl Rogers talks about the kind of person that should be recruited into a helping profession.

I was surprised to learn from Bryng Bryngelson about another study in England that was similar to a controversial study done in Iowa in 1939.

“Scientific truth is a direction, not a destination.” Bryng Bryngelson, 1965

Lee Edward Travis responds to the direction he sees the field going in relation to stuttering after the 50’s and 60’s - “are we losing sight of the person?”

Charles Van Riper speaks of the need for a national self-help organization (in years before NSA began) and shares his famous “Birch Tree” story.

Voices from the Present (with a few from the Past) 1977 ASHA Panel on “recovery” 1984 ASHA Tribute to Sheehan ASHA Panel on “Recovery” ASHA Panel “Understanding the Speaker’s Experience of Stuttering”

No audio clips of these folks today - you can talk to many of them here at the ASHA convention or listen to them online when you get home.

There is nothing new under the sun!

Uses - Voices: Past and Present Appreciating our roots

“... If we are to know where we are, we should know where we were.” (1982) “If we are to know where we are going, we should know where we began.” (1982)

Uses - Voices: Past and Present Appreciating our roots Having unique participants in conferences - ISAD

Past online conferences - ISAD

Thomas Alexander’s poem “The Cure” from the 1968 ASHA convention in Denver, Colorado

2004 ISAD online conference

Uses - Voices: Past and Present Appreciating our roots Having unique participants in conferences - ISAD Uses for teaching Uses for clinical practice Uses for research

The Process: Some of the challenges Finding appropriate equipment

TEAC A-2300SD reel-to-reel recorder Marantz Professional Digital Recorder Panasonic Stereo Cassette player Sonic A earphones BOSE earphones

Challenges presented by the tapes themselves Shreds and patches Poor quality of some of the tapes

Poor quality of some tapes

Challenges presented by the tapes themselves Shreds and patches Poor quality of some of the tapes Editing challenges Decisions that needed to be made Learning how to edit

Sound Scope software - online shareware available for about $40

The Process: Some of the challenges Finding appropriate equipment Challenges presented by the tapes TIME

Time to actually do the work. Sense of urgency since shelf-life of tapes is limited some tapes had already disappeared.

The Process: Some of the challenges Finding appropriate equipment Challenges of the tapes themselves TIME Gaining permission to put them online Finding pictures of some of the presenters Access issues

Several of Kuster’s heroes Dean Kaye Herth who approved a 3 credit release time Faculty Research Grant for spring semester. MSU, Mankato tech staff (Jeff Henline, Christian Dinger, and Agnes Lumenta) who set up the server, helped me start the project, and provided technical support. Bill Fabian, Australia, who converted large MP3 files for me. Bob Quesal and Tom Kuster who advised me about Sound Studio My department chair, Bruce Poburka, who ordered a digital recorder for me to use and Peter Papageorge, an exhibitor at ASHA who loaned me a recorder for the 2003 panel. The MSU Music Library and Kent Kalm who gave me recorders to use. Renee Shellum and Tom Kuster who provided earphones. Fred Murray, Jane Fraser, Woody Starkweather, Steve Hood, Lee Reeves, and Ed Feuer who provided tapes. The many people who gave permission for me to put the tapes online.

What is past is prologue