As a formal style, Baroque is characterized by

Slides:



Advertisements
Similar presentations
Gardner’s Art Through the Ages, 13e
Advertisements

Chapter 24 Baroque, 1600 to 1700 (Italy and Spain)
Baroque Architecture & Sculpture Bernini and Ribera Can you discuss the specific formal characteristics of work? Can you explain why the work is Baroque?
GB Represent a famous vision describe with frank clarity by Teresa arrow transporting her to a state of ecstatic oneness with God. Charged with.
Baroque Italy Kirby Fitzpatrick Laira Kelley Rachel Masterson Christina Pistilli Sydney Toth.
By: Ms. Susan M. Pojer Horace Greeley HS Chappaqua, NY.
Baroque Gianlorenzo Bernini ( ) Šv.Teresa iš Avilos Marble.
Baroque Art in Italy and Spain. Italian Baroque.
Chapter 24 Italy & Spain Baroque & Rococo Art.
Baroque Baroque – the modern world.
~Lake Oswego Art Literacy~ Caravaggio 1571 – 1610 Italian Baroque Painter Sick Bacchus 1593, oil on canvas, 26” x 20-1/2”, Galleria Borghese, Rome Italy.
Northern Renaissance to Baroque Rebekah Scoggins Art Appreciation February 14, 2013 (Happy Valentine’s Day!) Chapter 16 continued.
Baroque Art in Italy and Spain William V. Ganis, PhD.
Museo del Prado by Alexandro Velazquez Hours: Monday10:00 am – 8:00 pm Tuesday10:00 am – 8:00 pm Wednesday10:00 am – 8:00 pm Thursday10:00 am – 8:00 pm.
HWH Unit 3 Chapter 5.2. Baroque Art (late 1500s-late 1600s)  Major characteristics Rich, full-bodied colors ○ Uses light and contrast Full of energy.
ART HISTORY 2051 Baroque: Italy & Spain. Baroque painting: Italy –Caravaggio ( ) style: “realist” tendency –rejection of Mannerism –interest in.
Caravaggio How can we think about the frame of a painting? The frame of a painting represents the boundaries of the work of art— of the image. With the.
Baroque.  Naturalism : depiction seeking to imitate nature, not idealistic in the least.  Impasto : thick and heavily applied pigment (paint)  Renaissance.
Baroque Cloze Learning. C_________ painted C________ __ S________ M__________ in This artist uses extreme contrast, or t___________. A_________.
Baroque Art 17th Century Europe.
Baroque Art and Mannerism
The Baroque Era lasted began around 1600 in Rome and spread in Europe.
Baroque Art and Architecture An Introduction The Incredulity of St. Thomas by Caravaggio.
Baroque Slides You Must Know. Bernini The Baldacchino 1624 bronze, partly gilt St. Peter’s, Vatican.
Caravaggio and Bernini Lisa Bergman p. 7. Caravaggio’s Biography Caravaggio was known for painting in a dark manner. He was said to be an “evil genius”
Baroque Style of Art & Architecture ► ► Dramatic, emotional. ► Colors were brighter than bright; darks were darker than dark. ► Brought together.
Caravaggio How can we think about the frame of a painting? The frame of a painting represents the boundaries of the work of art— of the image. With the.
Baroque Art.
Caravaggio or La Tour Why? La Tour was an artist in France. He was one of Caravaggio’s followers; he became the court painter to King Louis XIII in 1639.
Mannerism Mannerism is a period of European painting, sculpture, architecture and decorative arts lasting from the later years of the Italian High Renaissance.
Chapter Nineteen Baroque Art. Baroque Art of Italy and Flanders Counter-Reformation: an effort by the Catholic Church to lure people Baroque art:a style.
Baroque Visual Art. Influences Techniques and styles of the Renaissance started to fade as new theories and beliefs started forming –Sun being the center.
Chapter 24 Italy & Spain Baroque The style began around 1600 in Rome, Italy, and spread to most of Europe The Baroque is often thought of as.
Diego Velázquez. The Water Seller of Seville Diego Velázquez 1623 oil on canvas As a formal style, Baroque is characterized by open compositions in which.
Slide Identification Summative Examination on Baroque Art in Europe and Eighteenth-Century Art in Europe and North America Stokstad chapters 19 and 26.
Baroque Art: Types of Paintings religious images portraits history paintings still lifes genre* (scenes from every day life) * Genre painting is a fairly.
CHAPTERS REVIEW. CHAPTER 22 ITALY HIGH AND LATE RENAISSANCE & MANNERISM 1. Last Supper Da Vinci 2. Philosophy (School of Athens) Raphael.
Baroque Art in Italy & Spain
Baroque Era – defined by a music period
Diego Velazquez
The Baroque Era in the Arts
The Supper at Emmaus – Diego Velázquez (1622–23)
SEVENTEENTH-CENTURY EUROPE [Map 23-01]
Michelangelo DAVID Marble, height 17' (5
WHO? Cerasi Chapel, Santa Maria del Popolo Pontormo ( )
WHO? chiaroscuro Bronzino ( ) Pope Paul III (pont ) Veronese ( )
Italian Renaissance Sculpture
Posentation Activity Preparation
Baroque
What adjectives come to mind when you listen to the music?
Caravaggio or La Tour Why?
Baroque Era – defined by a music period
Juan Valencia Visual Arts
Northern Ren Baroque Review Chapters
Baroque Era – defined by a music period
Baroque Art History AWN 3m1.
Diego Velázquez.
Baroque Art & Architecture.
Chapter 24 Italy & Spain
The greatest artist of all time
EXAMINATION NUMBER ONE
Baroque Painting Artwork Created from 1400 – 1700 AD Theme:
Baroque Slides You Must Know
Baroque Slides You Must Know
Comparisons What could you argue? What would is most important about each work? What should be the focus of your discussion?
Presentation transcript:

Baroque Slide Identifications #1 Caravaggio, Velázquez, Bernini, Rignaud As a formal style, Baroque is characterized by open compositions in which elements are placed or seem to move diagonally in space a loose, free technique in which the artist uses rich colors and dramatic contrasts of light and dark tenebrism : a technique in which forms emerge from a dark background into a strong light that often falls from a single source outside the painting visual verisimilitude; naturalism; a desire for realism Often in Baroque Art, the viewer is purposefully drawn into the frame of the work of art so that the viewer becomes a participant. This effect may be achieved through the composition or the content of the work. The viewer was expected to be emotionally involved in the work of art; the work was intended to draw the viewer in visually and/or emotionally.

1. Artist? 2. Title? Las Meninas or The Family of Philip IV Diego Velázquez 1656-1657 oil on canvas

3. Artist? 4. Title? David Caravaggio 1609-10 oil on canvas The head of Goliath is a self-portrait of Caravaggio. Simon Schama argues that “n Caravaggio's time it was believed that artists were given their talent by God to bring beauty to the world and to put mortal creatures in touch with their higher selves or souls. Caravaggio never did anything the way it was supposed to be done. In this painting of the victory of virtue over evil it's supposed to be David who is the centre of attention, but have you ever seen a less jubilant victory? On his sword is inscribed "Humilitus Occideit Superbium", that is, humility conquers pride. This is the battle that has been fought out inside Caravaggio's head between the two sides of the painter that are portrayed here. For me the power of Caravaggio's art is the power of truth, not least about ourselves. If we are ever to hope for redemption we have to begin with the recognition that in all of us the Goliath competes with the David."

5. Title? The Calling of St. Matthew Caravaggio 1599-1600 oil on canvas Contarelli Chapel, San Luigi dei Francesi, Rome

6. Artist? 7. Title? The Sacrifice of Isaac Caravaggio 1601-02 oil on canvas

8. Artist? Portal of the Hospicio de San Fernando Perdo de Ribera 1722 Madrid

9. Artist? 10. Title? Sick Bacchus Caravaggio 1593 oil on canvas

11. Artist? 12. Title? Bernini Saint Teresa of Avila in Ecstasy 1647-52 marble Cappella Cornaro, Santa Maria della Vittoria, Rome

13. Artist? 14. Title? The Surrender at Breda (The Lances) Diego Velázquez 1634-35 oil on canvas

15. Artist? 16. Title? The Rokeby Venus or The Toliet of Venus ca. 1650

17. Title? Boy Bitten by a Lizard Caravaggio 1594 oil on canvas

18. Artist? 19. Location? Bernini The Baldacchino 1624 bronze, partly gilt St. Peter’s, Vatican

20. Artist? Christ in the Carpenter's Shop George de La Tour 1645 Oil on canvas, 137 x 101 cm Musée du Louvre, Paris

21. Artist? 22. Title? The Water Seller of Seville Diego Velázquez 1623 oil on canvas

23. Caravaggio’s The Incredulity of Saint Thomas is considered an excellent example of Baroque painting, because The Incredulity of Saint Thomas Caravaggio 1601-02 oil on canvas

24. Rigaud has created a deliberate representation of King Louis XIV’s absolute power by ____________.

25. Bernini’s Beata Ludovica Albertoni is considered an excellent example of Baroque sculpture, because