Classical Art History Alive! Pg. 316 ‘Discobolus’

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Presentation transcript:

Classical Art History Alive! Pg. 316 ‘Discobolus’ Figures were lifelike but often idealized (more perfect than in real life) Figures were nude or draped in togas (robes) Bodies looked active, and motion was believable Faces were calm and without emotion Scenes showed either heroic figures or real people doing tasks from daily life

Medieval Art History Alive! Pg. 317 ‘Narthex Tympanum' Most art was religious, showing Jesus, saints, people from the Bible, and so on Important figures in paintings were shown as larger than others around them Figures looked stiff, with little sense of movement Figures were fully dressed in stiff-looking clothing Faces were serious and showed little feeling Paint colors were bright

Renaissance Art History Alive! Pg. 317 ‘The School of Athens’ Artists showed religious and nonreligious scenes Art reflected a great interest in nature Figures were lifelike and three-dimensional, reflecting an increasing knowledge of anatomy Bodies looked active and were shown moving Figures were either nude or clothed Scenes showed real people doing everyday tasks Faces expressed what people were thinking Paintings were often symmetrical (balanced, with the right and left sides having similar or identical elements)

New Techniques also emerged. Renaissance artists embraced some of the ideals of ancient Greece and Rome in their art. The purpose of art would no longer be to glorify God, as it had been in Medieval Europe. Artists wanted their subjects to be realistic and focused on humanity and emotion. New Techniques also emerged.

Art and Patronage Italians patrons (financial supporters) were willing to spend a lot of money on art Art communicated social, political, and spiritual values and therefore, the consumption of art was used as a form of competition for social & political status.