LOG ON to your computers and go to stukonis. wikispaces LOG ON to your computers and go to stukonis.wikispaces.com (do not go to ANY other site) Scroll down to today’s assignment and download AND OPEN both “Chapter 2 Textbook” and “Chapter 2 Vocabulary” SAVE IT TO YOUR Z Drive

Chapter 2 Vocabulary PowerPoint Chapter 2 Vocabulary PowerPoint *Some slides will compare more than one term 37 terms/20 slides total Assistant Director (AD) & Production Assistant (PA) Gaffer & Grip Lighting Director Audio & Audio Engineer Makeup & Makeup Artist Camera Operator Pre-Production, Production, & Post Production Cast & Talent CG Operator Production Manager Crew & Staff Production Team Cue & Director & Floor Manager Production Values & Scenery Editing & Editor Scriptwriter Executive Producer & Producer Video &Video Engineer Frame & Framing Graphic Artist & Special Effects

Assistant Director (AD) & Production Assistant (PA) ts of the production process. Each area of television production is interconnected to many others. The interrelationships resemble a spider web, Figure 2-1. To learn proper camerawork, you must understand proper lighting technique. Proper lighting technique is dictated by the colors on the set and the costumes. The colors of the set and costumes directly affect the kind of special effects used in the program. Special effects are created in the sp

Lighting Director Decides the proper placement and color of lighting, and which lamps should be used in the instruments.

Continue working on PowerPoint Instructions Continue working on PowerPoint DUE ON TUESDAY. On each slide (20 total) you will need: The Vocabulary Terms as your Title (Large) The Definitions (short and sweet, readable) A Picture to match the terms (clearly related to content) SAVE every few minutes. DO NOT LOSE YOUR WORK!

Example Lighting Director The lighting director decides the proper placement and color of lighting, and which lamps should be used in the instruments. Example

Assistant Director (AD) WHAT NOT TO DO Text is too long, wordy, and no-one will read it! It was not put in easy-to read terms! Picture doesn’t match content The role of an Assistant Director on a film includes tracking daily progress against the filming production schedule, arranging logistics, preparing daily call sheets, checking cast and crew, and maintaining order on the set. They also have to take care of the health and safety of the crew.[1] The role of an Assistant to the Director is often confused with Assistant Director but the responsibilities are entirely different. The Assistant to the Director manages all of the Director's in development, pre-production, while on set, through post-production and is often involved in both personal management as well as creative aspects of the production process. Historically, Assistant to Director was a stepping stone to directing work; Alfred Hitchcock was an AD, as was James McTeigue. This transition into film directing is no longer common in feature films. It is more common now for an Assistant to the Director to transition to a production management or producer role than to directing. In America, an Assistant to the Director is not a unionized role, but Assistant Directors of every level require membership to the Director's Guild of America. The DGA strictly monitors and regulates employment frequency and duration, salary, and promotions of Directors and are usually completely different from the requirements of filmmaking and should not be confused. Assistant Director (AD) Title is small and hidden

Saving from a school computer Save to your *Z: (Student ID #) Drive on your computer 

Saving from Home Save to “My File Locker” on Edline.

To Turn In On your TV Productions Edline Page Click this link to turn it in. Follow the instructions on the next page.