ART CRITICISM

UNDERSTANDING ART CRITICISM Art criticism is studying, understanding, and judging works of art. Henri Matisse, The Dessert: Harmony in Red, 1908, Hermitage Museum, St. Petersburg, Russia

What if you don’t know what an artwork is communicating? Solving art mysteries is one of the jobs that art critics set out to accomplish. What if you don’t know what an artwork is communicating? How can you figure it out? ---- FOLLOWING THE STEPS OF ART CRITICISM CAN HELP YOU DISCOVER LOTS OF CLUES TO REALLY UNDERSTAND AND APPRECIATE A WORK OF ART.

THE STEPS OF ART CRITICISM In each step of art criticism, you are answering a different question. The four steps of art criticism are: Description: What do I see? Analysis: How is the work organized? Interpretation: What is the artist trying to communicate? Judgment: Is this a successful work of art?

DESCRIPTION Look at the work of art here: What do you see?

Red room Wall paper Chairs, wooden, cane seat Table, table cloth Woman Fruit & wine Cut flowers in vase Trees, bushes, flowers, building Window Colors- red, blue, green, yellow, white, black Landscape

How is the work arranged? ANALYSIS Look again at the painting by Henri Matisse How is the work arranged? Break down the painting into its composition, or the way the art principles are used to organize the art elements.

ELEMENTS OF ART / DESIGN Color= Line= Shape= Form= Space= Texture=

ELEMENTS OF ART/DESIGN Color=red- jarring color blue, yellow, green, black, white Line=straight-outline table, chairs / curvy- flower pattern Shape=geometric / organic Form= flattened Space=crowded space, flattened plane Texture=patterns

PRINCIPLES OF ART / DESIGN Unity= Balance= Contrast= Emphasis= Movement= Rhythm= Proportion=

PRINCIPLES OF ART/DESIGN Unity= color, shape & line Balance= woman-chair, room-window Contrast= red-green, black-white pattern-solid, curve-straight Emphasis= woman arranging fruit Movement= diagonal bottom right to top left, curved lines of pattern & trees

INTERPRETATION What do you think Matisse is trying to communicate? Give your opinion based on the clues you have collected. What ideas, moods, emotions, and stories do you think the artwork communicates?

How does the predominant redness make you feel? In Matisse's Harmony in Red (Red Room) 1908-9, red is the predominant color in the painting. How does the predominant redness make you feel?

The color red usually makes one feel warmth because it is associated with the sun and fire, but also because the color red has a physiological affect that excites and stimulates. More energy is reflected from warm colors than from the cooler ones. "Warm" colors - red, yellow and orange - traditionally are thought to evoke feelings of heat, whether psychological or real.

Artists understand the power of color in affecting the viewer's feelings. Throughout art history, artists have used color to convey and heighten the emotional content of a painting. In the early twentieth century, artists began to focus on color as a direct translation of their feelings, and to use color as an emotional force. This group of artists was called the Fauves (or the wild beasts in French) and they included Henri Matisse (1869-1954), Maurice de Vlaminck (1876-1958), and Andre Derain (1880-1954.)

How would you feel about the painting if it was mostly green How would you feel about the painting if it was mostly green? Or overwhelmingly blue instead of red? This painting went through three successive stages. First it was green, then blue, after it hung at the Salond‘Automne in 1908. It was finally delivered in scarlet to the Russian collector Shchukin to decorate his dining room. Did you know that the color red in many restaurants is there only to make customers hungry, and to encourage them to order more than they normally would. Red walls and décor also cause people to eat faster, since the color increases our normal levels of energy.

What affect did the final location for the painting (dining room) have on Matisse’s color and subject choice?

Matisse also limits his perspective in this work. He Matisse also limits his perspective in this work. He makes breaks in the line around the table, frames the chair, the window, and the little house in an innovative manner by cutting them off, and encloses two of the planes, the green and the blue in a window.

JUDGMENT Do you think this work is successful? Why or why not? What reasons can you give for your idea of why this is a good or bad artwork?