LLEA Lingua Inglese 2 Spoken narrative analysis

Slides:



Advertisements
Similar presentations
What makes an effective short story?
Advertisements

VCE English – Units 1 & 2 Kambrya College 2013/2014.
1 Areas of need set out in the SEN code of practice Speech, language and communication.
Literary: anything having to do with written works (books, poems, stories…)
Social Text Analysis.
1 Lingua Inglese 1 LM Spoken narrative analysis CONVERSATIONAL NARRATIVE Lecture 1A+B.
Elements of a Short Story. Overview Short stories often contain structural and character elements that should be familiar to you. These elements can be.
DISCOURSES: CONVERSATIONS, NARRATIVES AND AUTOBIOGRAPHIES AS TEXTS © LOUIS COHEN, LAWRENCE MANION & KEITH MORRISON.
Digital Storytelling. Encouraging, thoughtful and emotionally direct writing.
Elements of a Short Story. OVERVIEW Short stories often contain structural and character elements that should be familiar to you. These elements can be.
1 Lingua Inglese 1 LM Spoken narrative and media ANALYSING MEDIA TALK 1 Video blogs and news talk.
Myths, Legends & Folktales. Storytelling is common to every culture. Most people enjoy listening to stories. Storytellers have catered for the need for.
TEXT TYPES Writing III. TEXT TYPES & SCHOOL LEARNING (Droga & Humprey, 2005: 9) Common curriculum outcomesText types Classify and describe phenomenaFactual.
INTRODUCING GENRE AS MEDIA STUDIES. WHAT IS GENRE? Genre = “TYPE” in French It is used to classify media products into groups or categories. In order.
Language - Reasoning ECERS -R Georgia CTAE Resource Network Instructional Resources Office July 2009.
Teacher(s): Time: The Course Organizer Student: Course Dates: This Course: Pre-K/ Kindergarten Language Arts Course Questions: is about Course Measures.
Narrative Vocabulary Notes
Topic 4 Sociolinguistic approaches to narratives: Norrick
Teaching English to Speakers of Other Languages
Qualitative Data Analysis
Elements of a Short Story
A sociolinguistic model of narrative: Labov (1972)
Facilitating Early Language Learning
SPANISH HIGH SCHOOL SPANISH III – Unit 4 Lesson 1
Teaching English to Speakers of Other Languages
Creative Writing Report
Myths, Legends & Folktales
A world, a character and a problem
Norrick Resting on Labov and Waletsky (1967), Labov (1972), and Polanyi (1981, 1985), develops a new model for the analysis of narratives Steps for analysis.
Narrative Inquiry.
Short Stories of Realistic Fiction
Elements of Narrative Text
Characterisation Questions
Lingua Inglese 1 LM Spoken narrative and media
Textual Analysis and Textual Theory
Narrative Codes – Roland Barthes
DISCOURSES: CONVERSATIONS, NARRATIVES AND AUTOBIOGRAPHIES AS TEXTS
UNIT 1 Media products and audiences.
Elements of a Short Story
Andrew Goodwin’s Theory (Applied to music videos)
Music Videos Theories Andrew Goodwin
Ethnography of Communication Somayyeh Pedram GS31063
Discourse How to analyse speech.
Fantasy-Theme Criticism
Text Types Texts are classified into types based on the functions they serve. 写出漂亮的句子 英语写作中的常见错误.
The Tale of the Three Brothers
The Importance of Stories in Society
DRAMA.
Narrative Voice (Some basic types of narrators you will encounter when reading a short story)
SPANISH HIGH SCHOOL SPANISH III – Unit 6 Lesson 1
RIGHT Getting the Story
W1Ab: Follow a writing process to generate a draft.
Elements of a Short Story
English 2413 Lecture 3 Narration and Point of View
Elements of a Short Story
“The Hitchhiker” A Radio Play.
A SPEAKER’S GUIDEBOOK 4TH EDITION CHAPTER 8
Text Production Narratives.
Elements of Fiction.
Daily Journal What is the main setting and who are some of the characters in your life story? How does this make you who you are?
Film and Literary Sources: 12 Years a Slave (2013)
Short Written Texts.
Drama Kindergarten-Sixth Grade
Elements of a Short Story and Characterization
Point of View Review 1.
Narration “STORIES”.
Narration Unit 3.2 Week 9.2.
Oral Traditions & Storytelling
Defining Communication
Storytelling and More! – Introduction
Presentation transcript:

LLEA Lingua Inglese 2 Spoken narrative analysis CONVERSATIONAL NARRATIVE Lecture 1A+B

veni, vidi, vici Is this a story ? Is it a narrative What makes a story a story? What makes a narrative a narrative?

Narrative v story Narrative is systematic in many forms of communication (books, plays, films) Narrative refers to the basic elements of a story but does not constitute the story A story needs to have a point (tellability) and a context and this is what we need to analyse

Conversation and narrative Conversation is the natural home of narrative, and the most familiar context of storytelling Conversational storytelling illustrates all the important features of narrative Narrative is a standard, familiar part of conversation We all tell stories: to make a point to catch up on each others’ lives to report news to entertain each other

The structure of stories (1B) Propp (fairy stories) Structuralists (Todorov, Barthes) Bruner (narrative thought) Labov (conversational stories)

Tellability/reportability (2A) Storytelling depends on the listener Keeping the audience interested but keeping the story credible Interaction - how stories get told; the actual telling of the story is important

Classifying narrative types Time Content Setting Genre INTERACTION past, present, future “ghost” stories medical, legal etc. report, confession TREATING A STORY AS SOCIAL BEHAVIOUR

Who tells the story (3A) The role of the speaker The role of the listener Who constructs the story? How is it constructed? Question and answer?

How stories get started and ended (3B) Openings - does the teller offer to tell a story? How Closings - who brings the story to an end? How

Turn-taking (4A) How do speakers and listeners interact? Short turns? Long turns? Interruptions? Questions and answers? Level of social affiliation between speakers

Types of narrator - 4B Roles Identities

Story function (5A) How does the story fit into the discourse? Is it a retelling? Is it part of a set of stories? Is it contested? Why is it being told?

Story themes (5B) personal anecdote dramatic events trouble embarrassment nostalgia and reminiscence fantasy

Interactional approach to storytelling stories are social events stories are a form of social behaviour stories maintain social relationships so… WE ARE INTERESTED IN HOW THEY ARE CONSTRUCTED NOT WHAT THEY ARE ABOUT

Not the “what?” but the “how?” When we analyse a story we are not so much interested in WHAT happened but in HOW it is constructed and how the speaker makes it interesting and credible for the listener at the same time (how the tellability is foregrounded)