1960s Motown “Motor town” Motown developed and defined itself in the context of the early civil rights movement, where assimilation into the mainstream.

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Presentation transcript:

1960s Motown “Motor town” Motown developed and defined itself in the context of the early civil rights movement, where assimilation into the mainstream of American life was seen as desirable. (Pop) Berry Gordy Jr., founder of Tamla Records 1959 - Motown Record Corp. 1960 “Motown Sound” = soul + pop  79 records in the Top Ten of the Billboard Hot 100 record chart between 1960 and 1969 Purchased by Music Corporation of America (MCA) in 1988 “Motown was about music for all people - white and black, blue and green, cops and the robbers. I was reluctant to have our music alienate anyone.” - Berry Gordy

Gordy’s genius Motown targeted primarily African American personnel, groomed for long careers. Completely “in-house” and secretive operation under the control of Gordy Label included Hitsville USA studio, Jobete Publishing, and International Talent Management(ITM). First act= The Miracles (The Matadors) - William “Smokey” Robinson (VP) Constructed multi-tracked leads and rich gospel harmonies over strong rhythm and horn tracks with signature base lines from James Jamerson. = a musical formula that was perfect metaphor for early civil rights era: upbeat black pop that was irresistibly danceable and threatening to no one in tone or content. “Sound of Young America”

Gordy’s Genius continued Gordy built all acts from the ground up West Grand Boulevard 1959-66 -modeled after automotive assembly line 1. Hitsville U.S.A., 1959 – (ground floor) administrative office, tape library, control room, Studio A; (upper floor) Gordy living quarter (1959–62), artists and repertoire (1962–72) 2. Jobete Publishing office, 1961 – sales, billing, collections, shipping, and public relations 3. Berry Gordy Jr. Enterprise, 1962 – offices for Berry Gordy Jr. and Esther Gordy Edwards 4. Finance department, 1965 – royalties and payroll 5. Artist personal development, 1966 – Harvey Fuqua (head of artist development and producer of stage performances), Maxine Powell (instructor in grooming, poise, and social graces for Motown artists), Maurice King (vocal coach, musical director and arranger), Cholly Atkins (house choreography), and rehearsal studios 6. Two houses for administrative offices, 1966 – sales and marketing, traveling and traffic, and mixing and mastering 7. ITMI (International Talent Management Inc.) office, 1966 – management - 450 employees, $20 million http://www.oprah.com/own-master-class/motown-history-berry-gordy-on-how- the-record-label-began-video http://teachrock.org/lesson/assembling-hits-at-motown/

First Generation Motown artists 1959 Barrett Strong “Money” - one of Motown’s most enduring songs 1959 The Miracles “Shop Around” 1960 Marvin Gaye “Pride and Joy” 1961 Marvelettes “Please Mr. Postman” - first number 1 single 1961 The Temptations “My Girl” 1961 “Little” Stevie Wonder “Fingertips” “I don't ever balk at being considered a Motown person, because Motown is the greatest musical event that ever happened in the history of music.” -Smokey Robinson https://www.youtube.com/watch?v=E2E_RSJAhY U https://www.youtube.com/watch?v=ltRwmgYE Ur8&list=PLNm0EG4cnn3Uh7xAhpe63iJVtT76Hol W6

Motown hits its stride 1963- Motown Records signs U.K. license deal 1964 Mary Wells “My Guy” tops Beatles in charts In 1964 the Supremes (Primettes) were signed to lead writer/producer team of Eddie Holland, Lamont Dozier, and Brian Holland. - Florence Ballard, Mary Wilson, and Diana Ross Turned out 5 number one singles in a row-“Where Did Our Love Go”, “ Baby Love”, “Come See About Me”, “Stop, In the Name of Love”, “ Back in My Arms Again” https://www.youtube.com/watch?v=izzKUoxL11E In 1967 Patti Labelle replaced Ballard, but didn’t hinder success 12 number one singles on Billboard Hot 100 Most successful Motown and American vocal group to date Motown booms https://www.youtube.com/watch?v=-o85xeYvh5o

Little Stevie Wonder Born May 13, 1950 in Saginaw, Michigan as Stevlan Hardaway Judkins - blind due to prematurity and oxygen rich environment Mother changed last name to Morris at the age of 4. Showed a knack for music and singing at a very early age By age 11 he was well versed in numerous instruments including drums, harmonica, and piano Ronnie White, of the Miracles, discovered Stevie and brought him to audition for Gordy at Motown in 1961 - signed him immediately to a deal earning 2.50 a week, and royalties that rolled over into a separate account Gordy dubbed him “Little Stevie Wonder” First number one hit “Fingertips, Part 2” 1963 https://www.youtube.com/watch?v=hjCfRvcXuY0 After little more success Motown dropped the Little from his artist title and began letting him compose for himself and other Motown artist

The WOnder After re-emerging in the Motown industry he soon wrote “Tears of a clown” for the Miracles which would become a number one hit years later when released as a single Released numerous hit singles in the mid 60’s including “Uptight”, “With a Child’s Heart”, “My Cherie Amour”, and “ Signed, Sealed, Delivered”. https://www.youtube.com/watch?v=WvRwR-hZDVY In 1970, at age 20, Stevie married Syreeta Wright who helped him create Where I’m Coming From album. - Despite the distaste of Gordy, the album aimed to touch on the social injustices of the decade (Followed the footsteps of Gaye’s “What’s Going On”) In 1971 Stevie let his Motown contract expire to venture in a different direction musically However, he co-wrote and played numerous instruments for The Spinners “It’s a Shame”, to showcase his talents as an weapon in ongoing negotiations with Gordy over creative autonomy

Wonder Continued In 1972 he resigned with Motown and released the album Music of My Mind - album was a full length artistic statement with songs flowing together thematically The same year he released album Talking Book, featuring No.1 hit “Superstition”, “You are the Sunshine of My Life”- which between the two won three Grammy Awards https://www.youtube.com/watch?v=0CFuCYNx-1g 1973 released Innervisions, which ranks 23 on Rolling Stones 500 Greatest Albums of All Time Later that year involved in car wreck that left him in a coma for 4 days, and resulted in a partial loss of his sense of smell and taste 1976 released double album Songs in the Key of Life which is recognized by many artists as one of the most influential albums in pop history Following 1976 he moved into more of a commercial and humanitarian role - example: Martin Luther King Jr. Day -- http://www.biography.com/people/stevie-wonder-9536078/videos/stevie-wonder- martin-luther-king-day-3270723700 https://www.youtube.com/watch?v=8YG6zT-qXv4

Marvin Gaye Grew up in Washington D.C. with a music background Dropped out of high school joined the Air Force, but was discharged Came back home and formed the Marquees, and began working with Bo Diddley who got them their first contract with Okeh Records 1960 they disbanded and he relocated to Detroit where he signed with Motown after playing at Gordy’s house during a Christmas party 1963 he released his first top 10 single “Pride and Joy” https://www.youtube.com/watch?v=InxUleV2d0k 1964 recorded at duet album with Mary Wells featuring “How Sweet it is” (HDH) https://www.youtube.com/watch?v=beW9AH1Goxg Because of songs success he recorded a series of duets with Tammi Terrell featuring “Aint No Mountain High Enough” https://www.youtube.com/watch?v=RBNUkTUehnc In 1967 Terrell collapsed in Gaye’s arms on stage, where it was discovered she had brain cancer In 68 he released his first number one “ I Heard it Through the Grapevine” but was beginning to have issues with Motown’s restrictions on his music 1970 Terrell died and Gaye took an extended absence while battling depression He returned to Motown later that year with his own composition ready to record titled “ What’s Going On” https://www.youtube.com/watch?v=H-kA3UtBj4M

Gaye Continued The song was based on witnessing of police brutality at an anti- war rally in Berkely, CA. Gordy refused to release the politically driven song, and Gaye went on strike until Gordy finally gave in the following year The song made it to number one on the R&B chart in 1971 and sold over 2 million copies Gaye became instrumental in the change to politically and socially driven songs launched by Motown Gaye then resigned with Motown for $1million, the most lucrative deal by a black artist at that time He released another number one in 73 with “Let’s Get it On” https://www.youtube.com/watch?v=x6QZn9xiuOE Gaye continued to release hits into the 80s, such as “Sexual Healing” On April 1, 1984 he was shot to death in his bed by his own father Marvin Gaye Sr. http://www.biography.com/people/marvin-gaye-9307988

Southern Soul Rivals Motown 1965 is a pivotal year for the civil rights movement: Malcolm X assassination, Voting Rights Act, March from Selma to Montgomery, Watts Rebellion in L.A. 1966 SNCC leader Stokley Carmichael begins promotion of black power, Black Panther Party is founded Combination of events brings activism for integration to the forefront and becomes apparent in music While Motown still rejected producing “black music” or anything socially controversial, other labels began to promote just that with their black artists Atlantic records began to collaborate with a number of Southern Studios, most notably Stax-Volt in Memphis, and Fame in Muscle Shoals to produce what became known as Southern Soul These collaborations captured the spirit of the emerging black militancy Did not use overdubbing and mechanical usages like Motown Sam Cooke’s “A Change is Gonna Come” https://www.youtube.com/watch?v=wEBlaMOmKV4

The Voices of Southern SOul Aretha Franklin Floundered with Columbia for years before signing with Atlantic Quickly became the physical symbol for the “black is beautiful” slogan under Jerry Wexler “Respect”- went straight to number one and went from a demand for equal rights to a cultural cry for freedom. https://www.youtube.com/watch?v=n0POmdK18WU stood as not only a spokesman for African Americans’ rights, but for the empowering of all women as well James Brown Always very politically outspoken, and geared toward black audiences Stood as a model of self determination for African Americans Complete businessman and showman Made no concessions in music to mainstream sensibilities Voice became the echo of the cultural nationalism developing in segments of the AA community While some missed the political significance of Brown’s early music, he made it apparent in 1968 with his hit single “Say it Loud- Im Black and Im Proud” https://www.youtube.com/watch?v=j0A_N-wmiMo ://www.youtube.com/watch?v=PJqKkZ1VVMk

Motown evolves with the times Due to pressure from Southern Soul, and long time Motown artists, Gordy finally allows his performers to start producing music geared toward social issues in the late 1960s Additionally, the writing team of Holland, Dozier, Holland left Motown in 1967, creating pressure for new success The new writing team, featuring Gordy, found success with the Supremes “Love Child” which showed the world Motown’s turn to the nations social context Motown thus entered a new age moving into the 1970s Gordy moved the headquarters from Detroit to L.A. where he began expanding the sound of Motown The Genre would go on to have number one hits well in the 1980s with artists such as Lionel Richie But the artists and hits of the 1960s would be the staple and enduring sound of the Label

The Jackson 5 Last band signed by Motown in 1960s Were a symbol of Motown’s early characteristics, while also ushering in the new era Originally formed in 1964 as the Jackson Brothers, managed by their father Joe Jackson In 1967 they won the talent show at the Apollo Theatre in Harlem, where Gladys Knight sent a demo of them to Motown Records but were rejected In 1969 while opening for Bobby Taylor they got an audition at Motown’s studio in Detroit Gordy signed the group after being reluctant to even watch them perform The Jackson 5 became the first Motown group to be exclusively written for by the new Song writing team known as “The Corporation” Additionally, they were one of the first acts sent to L.A. to record at the new Motown Headquarters First hit single “ I Want you Back” top the Billboard 100 and was followed by 4 more number one’s in a row, “ABC”, “The Love You Save”, “Ill Be There” After the break up of “The Corporation” The Jackson 5’s success began to dwindle and eventually led to the departure of the group in 1975 for Epic Records https://www.youtube.com/watch?v=-T5xWkO56GI ://www.youtube.com/watch?v=W-apaIOOoAo ://www.oprah.com/own-master-class/berry-gordy-remembers-michael-jacksons-motown- audition-video https://www.youtube.com/watch?v=wkd1c4T5HiE&list=PLJWV4Z86llgPx36oDsal0hpGIuJVPjz3h&in dex=1