Art and Patronage Italians were willing to spend a lot of money on art. / Art communicated social, political, and spiritual values. / Italian banking.

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Art and Patronage Italians were willing to spend a lot of money on art. / Art communicated social, political, and spiritual values. / Italian banking.
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Presentation transcript:

Art and Patronage Italians were willing to spend a lot of money on art. / Art communicated social, political, and spiritual values. / Italian banking & international trade interests had the money. Public art in Florence was organized and supported by guilds. Therefore, the consumption of art was used as a form of competition for social & political status!

1. Realism & Expression Expulsion from the Garden Masaccio 1427 First nudes since classical times.

2. Perspective Perspective! Perspective! Perspective! Perspective! Perspective! First use of linear perspective! Perspective! Perspective! The Trinity Masaccio 1427 What you are, I once was; what I am, you will become.

Perspective

3. Classicism Greco-Roman influence. Secularism. Humanism. Individualism  free standing figures. Symmetry/Balance The “Classical Pose” Medici “Venus” (1c)

4. Emphasis on Individualism Batista Sforza & Federico de Montefeltre: The Duke & Dutchess of Urbino Piero della Francesca,

Isabella d’Este – da Vinci, 1499  “First Lady of the Italian Renaissance.” Great patroness of the arts. Known during her time as “First Lady of the World!”

5. Geometrical Arrangement of Figures The Dreyfus Madonna with the Pomegranate Leonardo da Vinci 1469 The figure as architecture!

6. Light & Shadowing/Softening Edges Chiaroscuro Sfumato

7. Artists as Personalities/Celebrities Lives of the Most Excellent Painters, Sculptors, and Architects Giorgio Vasari 1550

A Contest to Decorate the Cathedral: Sacrifice of Isaac Panels BrunelleschiGhiberti

Ghiberti – Gates of Paradise Baptistry Door, Florence – The Winner!

David by Donatello 1430 First free-form bronze since Roman times! The Liberation of Sculpture

Vitruvian Man Leonardo da Vinci 1492 The L’uomo universale

The Renaissance “Man” Broad knowledge about many things in different fields. Deep knowledge/skill in one area. Able to link information from different areas/disciplines and create new knowledge. The Greek ideal of the “well-rounded man” was at the heart of Renaissance education.

1. Self-Portrait -- da Vinci, Artist Sculptor Architect Scientist Engineer Inventor

Leonardo, the Artist The Virgin of the Rocks Leonardo da Vinci 

Leonardo, the Artist: From hisNotebooks of over 5000 pages ( )

Mona Lisa – da Vinci,

The Last Supper - da Vinci, 1498 & Geometry

Refractory Convent of Santa Maria delle Grazie Milan

horizontal vertical Perspective! The Last Supper - da Vinci, 1498

Detail of Jesus The Last Supper Leonardo da Vinci 1498 Deterioration

Leonardo, the Scientist (Anatomy): Pages from his Notebook

Leonardo, the Inventor: Pages from his Notebook

A study of siege defenses. Studies of water-lifting devices. Leonardo, the Engineer: Pages from his Notebook

2. Michelangelo Buonorrati 1475 – 1564 He represented the body in three dimensions of sculpture.

David Michelangelo Buonarotti 1504 Marble

 15c 16c  What a difference a century makes!

The Pieta Michelangelo Buonarroti 1499 marble The Popes as Patrons of the Arts

The Sistine Chapel Michelangelo Buonarroti

The Sistine Chapel’s Ceiling Michelangelo Buonarroti

The Sistine Chapel Details The Creation of the Heavens

The Sistine Chapel Details Creation of Man

The Sistine Chapel Details The Fall from Grace

The Sistine Chapel Details The Last Judgment

Birth of Venus – Botticelli, 1485 An attempt to depict perfect beauty.

Primavera – Botticelli, 1482 Depicted classical gods as almost naked and life-size.

3. Raffaello Sanzio ( ) Self-Portrait, 1506 Portrait of the Artist with a Friend, 1518

Baldassare Castiglione by Raphael, Castiglione represented the humanist “gentleman” as a man of refinement and self-control.

Perspective!Perspective! Betrothal of the Virgin Raphael1504

Raphael’s Canagiani Madonna, 1507

Raphael’s Madonnas (1) Sistine Madonna Cowpepper Madonna

Madonna della Sedia Alba Madonna Raphael’s Madonnas (2)

The School of Athens – Raphael, One point perspective. All of the important Greek philosophers and thinkers are included  all of the great personalities of the Seven Liberal Arts! A great variety of poses. Located in the papal apartments library. Raphael worked on this commission simultaneously as Michelangelo was doing the Sistine Chapel. No Christian themes here.

The School of Athens – Raphael, Raphael Da Vinci Michelangelo

Aristotle: looks to this earth [the here and now]. Plato: looks to the heavens [or the IDEAL realm]. The School of Athens – Raphael, details

Averroes Hypatia Pythagoras

Zoroaster Ptolemy Euclid

The Liberation of St. Peter by Raphael, 1514

Portrait of Pope Julius II by Raphael, More concerned with politics than with theology. The “Warrior Pope.” Great patron of Renaissance artists, especially Raphael & Michelangelo. Died in 1513

Pope Leo X with Cardinal Giulio deMedici and Luigi De Rossi by Raphael, A Medici Pope. He went through the Vatican treasury in a year! His extravagances offended even some cardinals [as well as Martin Luther!]. Started selling indulgences.