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Changes in Art Changes in Art Following this slide are two images. Examine the two images. One is from the Medieval (Middle Ages) period and one is.

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Presentation on theme: "Changes in Art Changes in Art Following this slide are two images. Examine the two images. One is from the Medieval (Middle Ages) period and one is."— Presentation transcript:

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3 Changes in Art Changes in Art Following this slide are two images. Examine the two images. One is from the Medieval (Middle Ages) period and one is from the Renaissance. How can you tell that these images are from different time periods? What are the characteristics of each piece? Does one image have brighter colors? Does one have clearer images? Try to list all of the distinguishing characteristics of each piece.

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7 New Techniques Fresco Perspective Human anatomy and movement Sculpture Architecture Painting done on fresh, wet plaster with water based paints, 3-D Organization of outdoor space and light through geometry Realistic of humans Free Standing! Donatello- Greek and Roman influence Brunelleschi- focused on human needs not divine

8 Pieta BY: Donatello

9 Masters of High Renaissance Leonardo da Vinci Raphael Michelangelo Did realistic painting, dissected human bodies, goal to capture the beauty of nature Admired for Madonna's (Virgin Mary) Accomplished painter, sculptor, architect

10 Sistine Chapel

11 Art and Patronage Italians were willing to spend a lot of money on art. / Why were they so wealthy? / Art communicated social, political, and spiritual values. / Due to banking & trade- people had the money to spend & commission artists. Public art in Florence was organized and supported by guilds. Therefore, the consumption of art was used as a form of competition for social & political status!

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13 1. Realism & Expression Expulsion from the Garden Masaccio 1427 First nudes since classical times.

14 2. Perspective Perspective! Perspective! Perspective! Perspective! Perspective! First use of linear perspective! Perspective! Perspective! The Trinity Masaccio 1427 What you are, I once was; what I am, you will become.

15 3. Classicism Greek-Roman influence. Secularism. Humanism. Symmetry/Balance Raphael, School of Athens (1509)

16 12: Socrates 13: Heraclitus (Michelangelo) 14: Plato (Leonardo da Vinci) 15: Aristotle 17: Plotinus (Donatello) R: Apelles (Raphael)SocratesHeraclitusMichelangeloPlatoLeonardo da VinciAristotlePlotinusDonatelloApellesRaphael

17 4. Emphasis on Individualism Batista Sforza & Federico de Montefeltre: The Duke & Dutchess of Urbino Piero della Francesca, 1465-1466.

18 5. Geometrical Arrangement of Figures The Dreyfus Madonna with the Pomegranate Leonardo da Vinci 1469 The figure as architecture!

19 6. Light & Shadowing/Softening Edges Chiaroscuro Sfumato

20 7. Free-Standing Sculpture Individualism  free standing figures, first since Classical era Contraposto posture The “Modest Pose” Medici “Venus” (1c)

21 8. Artists as Personalities/Celebrities Lives of the Most Excellent Painters, Sculptors, and Architects Giorgio Vasari 1550

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