1. RELIVING THE PAST: FILM NOIR FILM NOIR

2. COMPARISON OF CINAMATOGRAPHY COMPONENTS OF CLASSICAL CINEMA AND FILM NOIR CLASSICAL CINEMA CLASSICAL CINEMA HIGH KEY(LOW CONTRAST)LIGHTING HIGH KEY(LOW CONTRAST)LIGHTING BALANCED THREE-POINT LIGHTING BALANCED THREE-POINT LIGHTING DAY-FOR-NIGHT DAY-FOR-NIGHT SHALLOW FOCUS SHALLOW FOCUS SYMMETRICAL MISE-EN-SCENE SYMMETRICAL MISE-EN-SCENE EYE-LEVEL CAMERA EYE-LEVEL CAMERA OPEN,UNOBSTRUCTED VIEWS OPEN,UNOBSTRUCTED VIEWS FILM NOIR FILM NOIR LOW KEY(HIGH CONTRAST LIGHTING LOW KEY(HIGH CONTRAST LIGHTING IMBALANCED LIGHTING IMBALANCED LIGHTING NIGHT FOR NIGHT NIGHT FOR NIGHT DEEP FOCUS DEEP FOCUS WIDE ANGLE FOCAL LENGTH WIDE ANGLE FOCAL LENGTH DISSYMMETRICAL DISSYMMETRICAL EXTREME LOW AND HIGH ANGLES EXTREME LOW AND HIGH ANGLES FOREGROUND OBSTRUCTIONS FOREGROUND OBSTRUCTIONS

3. NEO-NOIR 1981 BODY HEAT KATHLEEN TURNER AND WM HURT—FLORIDA WIFE SEDUCES ATTORNEYBOYFRIEND TO KILL HER HUSBAND

4. GREGORY PECK, INGRID BERGMAN SPELLBOUND EARLYHITCHCOCK SOUND TRACK BY MIKLOS ROZCA

5. NOIR CHARACTERS ROBERT MITCHUM EX ESCAPED CONVICT ROBERT MITCHUM EX ESCAPED CONVICT MULTITALENTED. MULTITALENTED. WROTE ORATORIO PREMIERED HOLLYWOOD BOWL WROTE ORATORIO PREMIERED HOLLYWOOD BOWL

6. DOUBLE INDEMNITY GREAT TRIANGLE OF STANWYCH, MCMURRAY, ROBINSON PROBLEM WITH CODE

7. Barbara Stanwych

8. DOUBLE INDEMNITY

9. POP ART FILM NOIR NYMNYMNYMNYM MURDER IS AN INTEGRAL PART OF NOIR. THE MURDER MAY BE FOR HIRE, CLASSICALLY THE MURDERER IS MANIPULTED INTO PERFORMING THE ACT.

10. IMPORTANCE OR INVESTIGATOR OR DETECTIVE AS MALE LEAD

11. Bogey and Bacall

12. Cinematography Style Vertical Blinds Vertical Blinds Technology aspects: phone, light Technology aspects: phone, light Angle shots Angle shots Cameraman on Ground Cameraman on Ground Day shots at night Day shots at night

13. Noir Special Effects  RAIN, FOG  ISOLATION  LABYRINTH  FEMME FATALE  VOICE OVER  FLASHBACK

14. RAIN, RAIN,RAIN ► COBBLE STONES ► DARK ► ANGLED SHOT FROM GROUND

15. DARK PHOTOGRAPHY

16. DARK DIFFUSED LIGHTING DIFFUSION LENS AND NIGHT PHOTOGRAPHY BROUGHT BY GERMAN CINAMATOGRAPHERS AND DEVELOPED DURING WAR FOR NIGHT WARFARE. DIFFUSION LENS AND NIGHT PHOTOGRAPHY BROUGHT BY GERMAN CINAMATOGRAPHERS AND DEVELOPED DURING WAR FOR NIGHT WARFARE.

17. NIGHT IN THE CITY RICHARD WIDMARK MIKE MAZURKI GENE TIERNEY