1. The Elements of Music Melody Rhythm Harmony Texture Form Tempo and Dynamics

2. Melody: Musical Line The Nature of Melody –Melody is a succession of single tones perceived by the mind as a unity –melody is the element with the widest and most appeal

3. Characteristics of Melody Range –distance between highest and lowest notes –classified as wide, medium or narrow Shape –determined by upward or downward direction of melody –graphed as ascending/descending line, arch or wave

4. Characteristics of Melody Type of Movement –determined by whether melody moves by step or leap –conjunct - melody moves by step –disjunct - melody moves by leap

5. Structure of Melody Melodic structure is analyzed much like a sentence –phrase - unit of meaning within a larger structure –cadence - end or resting place; may be inconclusive or final; like a comma or period

6. Structure of Melody Combination of phrases with several inconclusive and one final cadence make up most music; like sentences in a paragraph

7. Rhythm: Musical Time The Nature of Rhythm –Rhythm refers to the controlled movement of music in time – is the quality which causes people to move in response –automatically imposes a pattern to a series of noises, which are arranged as strong and weak beats

8. Meter Meter is the fixed time patterns within which musical events take place –Rhythm is the overall movement of music in time while meter involves the actual measurement of time.

9. Meter Characteristics of meter: –Beat - the basic unit of length; some beats are strong (accented) and some are weak (unaccented) –Measure - groups containing fixed beats with the first beat being the strongest

10. Metrical Patterns Simple Meter - beat is subdivided into two beats –Duple - two beats per measure; strong- weak; traditionally associated with marches –Triple - three beats per measure; strong- weak-weak; associated with waltz (dance) form

11. Metrical Patterns Simple Meter - beat is subdivided into two beats –Quadruple - four beats per measure; primary accent on one and secondary accent on three; has broader feel than duple; also called Common Time

12. Metrical Patterns Compound Meter - beat is subdivided into three beats –Sextuple - Two beats per measure (six when subdivided); gentle and flowing when slow; rollicking feel when fast Syncopation - deliberate upsetting of rhythm by temporary shifting of accent to weak beat or subdivided beat

13. Harmony: Musical Space Harmony is the movement and relationship of intervals and chords, and implies movement and progression in music Harmony gives perspective to music –melody is horizontal aspect and harmony is vertical aspect

14. Components of Harmony Interval - distance and relationship between two tones Scale - series of tones arranged in ascending or descending consecutive order –Octave - distance from highest to lowest tones in scale

15. Components of Harmony Chord - combination of two or more tones that constitute a single block of harmony –Triad - combination of three tones utilizing every other tone of a scale; this is the basic formation of harmony

16. Function of Harmony Harmony implies movement and progression in music –progression achieved by movement from one chord to another

17. Function of Harmony Melody and Harmony are interdependent –melody implies the harmony to accompany –each constantly influences the other

18. Tonality Harmony requires a system of procedures for organizing tones into intelligible relationships Tonality - the principle of organization around a central tone, called tonic –tonic - first note of a scale which serves as base around which other tones revolve and to which they ultimately gravitate

19. Components of Tonality The particular scale chosen as the basis of a piece of music determines the tonic and tonality of the music

20. Components of Tonality Two types of scales are found in Western music between 1650 and 1900, and each is characterized in intervals on which they are based –Major - has brighter sound; used for triumphal marches and grand finales, etc. –Minor - has darker sound; used for dirges, laments, etc.

21. Components of Tonality Diatonic vs. Chromatic –Diatonic - music based on one of the 12 major or minor scales –Chromatic - not based on a scale, but using all notes of the octave freely

22. Consonance and Dissonance Consonance –a concordant or agreeable combination of tones that provides a sense of fulfillment in music –consonance is the resolution of dissonance

23. Consonance and Dissonance Dissonance –a combination of tones that sounds discordant, unstable and in need of resolution –introduces a necessary tension in music In general, music has grown more dissonant through the ages

24. Musical Texture Types of Texture –Monophonic - single-voice texture; is a melody without accompaniment in the form of harmony –Polyphonic - combination of two or more melodic lines Counterpoint - basis of polyphonic music; the technique of writing polyphony

25. Musical Texture Types of Texture –Homophony - single melody with chordal accompaniment; sound is based on harmony –Heterophony - combination of two melodic lines based on improvisation; each line is the same melody, but at least one is improvised

26. Contrapunctal Devices Imitation - subject or motive is presented in one voice and restated in another Canon - imitation lasting for an entire work –Round - simplest form of canon; each voice enters in succession with the same melody

27. Contrapunctal Devices Inversion - melody turned upside down; same intervals in opposite direction Retrograde - restatement of melody backward; start at end and proceed to beginning –Retrograde Inversion - combination of techniques resulting in upside down and backward at the same time

28. Contrapunctal Devices Augmentation - melody is presented in longer time values than original Diminution - melody is presented in shorter time values than original

29. Musical Form What is Form? –That quality in a work which presents to the mind of the listener an impression of conscious choice and arrangement –relationship of the parts to the whole

30. Structure and Design in Music Repetition - fixes material in the mind; familiarity Contrast - sustains interest by introducing change Interaction of repetition and contrast is basic element of form

31. Structure and Design in Music Variation - falls between repetition and contrast where aspects are altered but recognizable –Alterations generally focus on one element at a time

32. Types of Form Binary Form - two part or A-B form; based on statement and departure without return to opening section Ternary Form - three part or A-B-A form; based on statement, departure, and restatement of material Both binary and ternary forms are common in short pieces such as songs and dances

33. Building Blocks of Form Theme - most basic element of form which provides unity and from which the idea develops

34. Building Blocks of Form Thematic Development - techniques for developing a theme –sequence - restatement of theme at new pitch level –repetition - exact of varied restatement of melody

35. Building Blocks of Form Thematic Development - techniques for developing a theme –motive - smallest fragment of melody that forms rhythmic/melodic unit –movement - several separate pieces within a large scale work

36. Tempo and Dynamics Tempo - speed at which beats occur within meter; close connection between tempo and mood Dynamics - degree of loudness or softness at which music is played

37. Tempo and Dynamics Markings for tempo and dynamics contribute to the expressive content of music Early music had few markings, and usage has steadily increased throughout time

38. Examples of Tempo Indicators Grave……………….. Solemn Largo……………….. Broad Adagio……………… Slow Andante…………….. Walking Pace Moderato…………… Moderate Allegro……………… Fast Vivace……………… Lively Presto………………. Very Fast

39. Tempo Modifiers Molto……………….. Very Meno……………….. Less Poco………………… A Little Non Troppo………… Not Too Much

40. Changes of Tempo Accelerando………… Getting Faster Ritardando………….. Getting Slower A Tempo……………. Original Tempo

41. Principal Dynamic Indicators Pianissimo…….. Very Soft Piano…………... Soft Mezzo Piano … Moderately Soft Mezzo Forte…… Moderately Loud Forte…………… Loud Fortissimo……… Very Loud Use of dynamics is relative to size of ensemble

42. Changes of Dynamics Crescendo………….. Getting Louder Decrescendo……….. Getting Softer Sforzando………….. Sudden Stress