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Schema’s in Rock ‘n’ Roll Blues; Country, Folk en Rock ‘n’ Roll -en later ook Beat en Punk- maken vaak gebruik van dezelfde eenvoudige akkoordenschema’s.

Published byLeo Davie Modified over 9 years ago

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Presentation on theme: "Schema’s in Rock ‘n’ Roll Blues; Country, Folk en Rock ‘n’ Roll -en later ook Beat en Punk- maken vaak gebruik van dezelfde eenvoudige akkoordenschema’s."— Presentation transcript:

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2 Schema’s in Rock ‘n’ Roll Blues; Country, Folk en Rock ‘n’ Roll -en later ook Beat en Punk- maken vaak gebruik van dezelfde eenvoudige akkoordenschema’s. Hoe komt dat?

3 Tonic - Dominant - Subdominant Examples of 3 chord songs: mccoys - hang on sloopy (russell & farrell) royal guardsmen - snoopy vs. the red baron (gernhard & holler) rolling stones - get off of my cloud (jagger & richard) grease soundtrack -summer nights (jacobs & casey) any trouble - second choice (gregson) sonics - psycho (roslie) standells - sometimes good guys don’t wear white (cobb) r.e.m.- stand! (buck, stipe, mills, berry) rare breed - beg, borrow and steal (difrancesco & zerato) kingsmen - louie louie (r.berry)

4 Over smaak valt te twisten C > C7 > … > Csus4 > Cdim

5 C vs C 0 C > Cdim

6 C vs C 0 C > Cdim

7 C vs C 0 C > Cdim

8 C vs C 0 C > Cdim

9 C vs C 0 C > Cdim

10 C vs C 0 wave C+G

11 C vs C 0 wave C+Gb

12 Over smaak valt te twisten tonic > dominant > subdominant > parallel... C7-B C7-F cadence

13 Analyse Mozart Mozart: Sonata K.331, I indeling

14 Bird’s eye view 1955-1959: R&R 1964-1966: Beatlemania 1967-1968: Soul & Psychedelica 1970-1976: Sympho; Jazz Rock; Disco 1976-1977: Punk & New Wave 1980: Stadiumrockers & Samples 1990: Grunge & Techno Britpop & Hiphop

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