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Neoclassicism vs. Romanticism vs. Realism

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Presentation on theme: "Neoclassicism vs. Romanticism vs. Realism"— Presentation transcript:

1 Neoclassicism vs. Romanticism vs. Realism
Late 18th Century to late 19th Century 1750 – 1900 (end of ch 17, start of ch 21)

2 Characteristics Neoclassicism Romanticism Reaction against Rococo
Classical Greek and Roman style Renaissance style Looked to the past—historical events, mythology, biblical scenes Dignified Heroic topics Highly polished style Music: Mozart, Beethoven, Hayden Reaction against the restrictions of Neoclassicism Emotional Imagination, Idealism Individuality Mysterious landscapes Extreme human events Struggle for liberty Exotic cultures Music: Chopin; Wagner; Strauss; Brahms; Tchaikovsky

3 Neoclassicism Jacque-Louis David, “The Death of Socrates” ( )

4 Elisabeth Vigee-Lebrun Marie Antoinette and Her Children, 1787

5 David, The Death of Marat, 1793

6 Caravaggio Jacque-Louis David The Death of Marat, 1793

7 Napoleon

8 (1780-1867) Igres, “Apotheosis of Homer”

9 “Zeus” Ingres

10 Chalgrin, “Arc de Triumphe” (1806-1836)

11 Romanticism ( ) Goya, “Third of May 1808”

12 Saturn Devouring His Children

13 (1791-1824) Gericault, “Raft of the ‘Medusa’”

14 (1798-1863) Delacroix, “Liberty Leading the People”

15 (1775-1851) Joseph Turner, “The Storm”

16 Realism Neither Neoclassicism or Romanticism
Emphasizes the depiction of the common, everyday world in a natural way Painted only what one could see and experience. Photography became an art medium

17 Gustave Courbet, A Burial at Ormans, 1849-50

18 (1814-1875) Millet, “The Gleaners”

19 (1808-1879) Daumier, “Third Class Carriage”

20 (1836-1910) Winslow Homer, “Gulf Stream”

21 Winslow Homer, “Snap the Whip”

22 Photography Camera Obscura

23

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25 Louis Daguere

26 Maybridge, zoopraxiscope

27 1750 – 1900 Neoclassicism Romanticism Realism

28 Abduction of the Sabine Women
Ossian receiving the Ghosts of the French Heroes Abduction of the Sabine Women

29 Bonjour, Monsieur Courbet, 1854 by Gustave Courbet
George Stubbs, A Lion Attacking a Horse, Oil on canvas. Yale University Art Gallery, Gift of the Yale University Art Gallery Associates Bonjour, Monsieur Courbet, 1854 by Gustave Courbet

30 Gustave Courbet, Stone-Breakers, 1849
Jacques-Louis David, Oath of the Horatii, 1784 Gustave Courbet, Stone-Breakers, 1849

31 Fuseli, The Nightmare Period
Madame Charles Maurice de Talleyrand Périgord (1761–1835) baron François Gérard Fuseli, The Nightmare Period

32 Textbook Reading Read pp and


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