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C.R.A.P. (OR C.A.R.P.) FORMULA The Non-Designer’s Design Book.

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Presentation on theme: "C.R.A.P. (OR C.A.R.P.) FORMULA The Non-Designer’s Design Book."— Presentation transcript:

1 C.R.A.P. (OR C.A.R.P.) FORMULA The Non-Designer’s Design Book

2 Old Design Know the rules before you break the rules. W I S D O M ________________________________________

3 WHAT DOES C.R.A.P. STAND FOR?

4 What does C.R.A.P. stand for?  Contrast  Repetition  Alignment  Proximity

5 WHAT IS THE RULE OF Proximity?

6 Proximity  Group related items together.  Separate unrelated items.  Purpose: Creates organization

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8 AVOID Type running together like this (hard for the eye to follow)

9 WHAT IS THE RULE OF Alignment?

10 Alignment  Nothing should be placed on the page arbitrarily.  Every item should have a visual connection with something else on the page.  Purpose: Organize, unify, create visual connections.

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12 AVOID  The “raggy” look

13 AVOID Center alignment because it creates a “raggy” look.

14 Make it exact.  If an element is “close” to being aligned with something else, make it exactly aligned.  Use a grid and/or rules to make sure it’s exact.

15 How many alignment errors can you find?

16 WHAT IS THE RULE OF Repetition?

17 Repetition  Repeat some aspect of the design throughout the entire piece.  But avoid too much repetition.  Purpose: Consistency, unity, visual interest

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21 WHAT IS THE RULE OF Contrast?

22 Contrast  Don’t be a wimp.  If two items are not the same, make them very different.  Purpose: visual interest, organization

23 What elements are contrasting here?

24 DRACULA  Dominance: The eye should easily enter at a focal point.  Repetition: Repeat key elements on a page.  Alignment: Everything should be aligned with something else.  Contrast: Use dramatic contrasts to get attention.  Unity: The page should have a sense of unity to be taken in as a whole, and related items should be grouped together.  Latest Trends: Be aware of trends—or defy them on purpose.  Appropriate for the company’s image and audience

25 AVOID  Type that’s all the same (or close to same) font, size, color, etc.  Scattered type  Outlined type  Reverse type on complex images  Full borders on flyers and full- page ads (usually). They can be distracting. “Bleeds” are usually stronger.

26 CRITIQUE Critique this flyer in terms of contrast, repetition, alignment, proximity. Is there a good type hierarchy? How could it be improved? What other type and layout issues do you see?

27 QUESTIONS?


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