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1 AGENDA: Begin Warm-up Immediately upon entering classroom !
Ch. 17 Section 1: The Renaissance begins in Italy TODAY’S OBJECTIVES: Explain the conditions in Italy that gave rise to the Renaissance. Identify the values and ideas prized during the Renaissance. Describe the artistic breakthrough and achievements of Renaissance artists. AGENDA: Begin Warm-up Immediately upon entering classroom ! WARM-UP – Answer the 5 questions on p. 5 of your packet. INTRODUCTION to new Unit DISCUSSION of Section 1, Text p / packet p. 1 NEXT ASSIGNMENT: Read Chapter 17, Sec. 1, finish the rest of p. 6 in your packet. Skim well p. 420 in text, History Through Art: Michelangelo Study for Major Quiz on Friday

2 INTRODUCTION: Between 1300 and 1600 the Western world was transformed. An extraordinary wave of artistic and cultural innovation shattered medieval society and brought European culture into the modern era. This was the Renaissance. Michelangelo’s The Creation of Adam. Sistine Chapel ceiling; Italy’s Vatican City. PP Design of T. Loessin; Akins High School

3 As Europe’s Trade and Growth of Cities was reviving again in the Late Middle Ages,
the Plague struck. The only way to avoid the disease was for people to leave the city for the country. This solution was, unfortunately, available only to the wealthy. The population decrease caused by the plague led to an economic depression. Merchants and tradespeople had fewer people to whom they could sell their wares. Economic hardship spread as those who dealt with the merchants--bankers, suppliers, and shippers--also lost revenue. As the plague decreased at the start of the 1400s (15th c.), populations swelled, creating a new demand for goods and services. A new wealthy middle class emerged again - bankers, merchants, tradespeople and educated professionals. With the people’s respect of the once all-powerful Church weakened following its many problems during the Middle Ages, this new educated, wealthy class began to pursue more secular and human interests – art, science, philosophy, etc. The invention of the printing press would.lead to increased literacy among the people, the rapid spread of new knowledge, and education of the masses.

4 The Renaissance 1300-1600 began in Italy.
Please open your textbook to the map on p. 415; Packet p. 4 Locate Florence. The Renaissance began in Italy. PP Design of T. Loessin; Akins High School

5

6 Renaissance begins in Italy...Why? [textbook p. 417; packet p. 5a]
Florence, Italy today. PP Design of T. Loessin; Akins High School

7 Renaissance begins in Italy...Why? [textbook p. 417; packet p. 5a]
Italy’s thriving urban cities were the center for the renewed trade coming in from the Middle East that brought in wealth and culture here first before the rest of Europe. Florence, Italy today. PP Design of T. Loessin; Akins High School

8 Renaissance begins in Italy...Why? [textbook p. 417; packet p. 5a]
Italy’s thriving urban cities were the center for the renewed trade coming in from the Middle East that brought in wealth and culture here first before the rest of Europe. Thriving cities meant opportunities for education, scientific pursuits, and even…arts and leisure. Florence, Italy today. PP Design of T. Loessin; Akins High School

9 History Makers, Textbook p. 418
Renaissance begins in Italy...Why? [textbook p. 417; packet p. 6] Italy’s thriving urban cities were the center for the renewed trade coming in from the Middle East that brought in wealth and culture here first before the rest of Europe. Thriving cities meant opportunities for education, scientific pursuits, and even arts and leisure. A wealthy merchant middle class who became art patrons. (text, p. 418) 3. What role did patrons of the arts play in the development of Renaissance ideas? Wealthy patrons spent money to help artists and architects create works of genius. Lorenzo de Medici - ruler of Florence and Art Patron contributed more than anyone to the flowering of Florence’s artistic genius in the late 15th century, supporting such giants as Leonardo da Vinci and Michelangelo. Lorenzo treated the artists under his protection with respect and warm-hearted familiarity. “Whoever wants to be happy, let him be so: about tomorrow there's no knowing.”                                            —Lorenzo The Magnificent (Video clip, Read History Makers, Textbook p. 418 Florence, Italy today. PP Design of T. Loessin; Akins High School

10 Renaissance begins in Italy...Why? [textbook p. 417; packet p. 5a]
Italy’s thriving urban cities were the center for the renewed trade coming in from the Middle East that brought in wealth and culture here first before the rest of Europe. Thriving cities meant opportunities for education, scientific pursuits, and even…leisure. A wealthy merchant middle class – became art patrons. Italy was the home of the old Roman Empire, surrounding everyone still are the ruins & reminders of the classical Greco-Roman heritage. Florence, Italy today. PP Design of T. Loessin; Akins High School

11 But “rebirth” of what? Textbook p. 417; Packet p. 6
B. Determining Word Meaning Renaissance – the rebirth of great art and classical learning that began in northern Italy around 1300 A.D. Textbook p. 417; Packet p. 5a Renaissance – is the French translation of the Italian word rinascita which means, “rebirth.” But “rebirth” of what? The Renaissance style would focus on 2 Main Components: I. a “rebirth” or return of the classical style developed by the ancient Greeks and Romans, II. an intensified concern with secular life—interest in humanism and assertion of the importance of the individual. Video Clip. PP Design of T. Loessin; Akins High School

12 The Renaissance style would focus on 2 Main Components:
Textbook p. 417; Packet p. 5a The Renaissance style would focus on 2 Main Components: I. a “rebirth” or return of the classical style developed by the ancient Greeks and Romans, II. an intensified concern with secular life—interest in humanism and assertion of the importance of the individual. St. Sebastian Andrea Mantegna. Painted, ca Louvre Museum, Paris. “David” * Michelangelo. Carved Galleria Academia, Florence.

13 B. Determining Word Meaning
Textbook p. 418; Packet p. 6 Michelangelo’s David * is the very “definition” of what the Renaissance is about: the return to the Greek style. But also the influence of humanism – here a young boy who slays his giant reminds us all Man can achieve great things on his own! How is the Renaissance emphasis on Humanism different from the old Medieval view? See packet p. 5 B. Determining Word Meaning Humanism – a new philosophy or outlook that focuses on humankind’s achievements and potential to achieve great things. PP Design of T. Loessin; Akins High School

14 How did humanism influence the growth of learning?
Textbook p. 418; Packet p. 6 How did humanism influence the growth of learning? Humanists believed mankind’s achievements and successes should be praised – unlike the old Church teaching that this was vanity or sinful. They encouraged artists to copy the classical style of the Greeks and Romans who had made great advances in art, architecture, and the sciences. “School of Athens” * ~ Raphael In this wall fresco, Raphael ( ) pays tribute to mankind’s achievements - Greek philosophers, scientists, astronomers, and mathematicians engage in philosophic inquiry together in one place though they lived in different times. Wall frescoe, Vatican Museums, Rome Italy. PP Design of T. Loessin; Akins High School

15 How did humanism influence the growth of learning?
Textbook p. 418; Packet p. 6 How did humanism influence the growth of learning? Humanists believed mankind’s achievements and successes should be praised – unlike the old Church teaching that this was vanity or sinful. They encouraged artists to copy the classical style of the Greeks and Romans who had made such great advances in art, architecture, and the sciences. 2. How did ideas about piety and a simple life change? Although people remained Christians; the everyday society was becoming more secular (emphasizing non-religious pursuits / concerned with the here and now). The wealthy, the educated, and even upper-clergy believed they could enjoy life now without fear of offending God. PP Design of T. Loessin; Akins High School

16 2. How did ideas about piety and a simple life change?
Textbook p. 418; Packet p. 6 In these two works we see mankind “enjoying life.” Left: The Peasant Dance by Pieter Brueghel the Elder. Right: a section of Garden of Earthly Delights by the innovative painter Hieronymous Bosch. 2. How did ideas about piety and a simple life change? Although people remained Christians; the everyday society was becoming more secular (emphasizing non-religious pursuits / concerned with the here and now). The wealthy, the educated, and even upper-clergy believed they could enjoy life now without fear of offending God. PP Design of T. Loessin; Akins High School

17 Identify characteristics of Renaissance painting.
Textbook p. 419; Packet p. 6 4. What effects did the emphasis on individuals have on painters and sculptors? Artists now painted portraits of prominent citizens, showed their distinct characteristics; Artists now painted portraits of prominent citizens, showed their distinct characteristics; See Textbook, p. 416 Identify characteristics of Renaissance painting. Chancellor Rolin and the Virgin ~ Jan Van Eyck 1435 Louvre Museum, Paris. PP Design of T. Loessin; Akins High School

18 B. Determining Word Meaning perspective – an art technique that gives
Textbook p. 419; Packet p. 6 4. What effects did the emphasis on individuals have on painters and sculptors? Artists now painted portraits of prominent citizens, showed their distinct characteristics; they developed perspective in order to achieve realism in their art; See Textbook, p. 419 B. Determining Word Meaning perspective – an art technique that gives the appearance of three-dimensional realism, distance, or depth. Marriage of the Virgin - Raphael PP Design of T. Loessin; Akins High School

19 Textbook p. 419; Packet p. 6 4. What effects did the emphasis on individuals have on painters and sculptors? Artists now painted portraits of prominent citizens, showed their distinct characteristics; they developed perspective in order to achieve realism in their art; they glorified the human body in relaxed, natural poses (as did the Greeks). “The Birth of Venus” ~ Botticelli 1485 Painted for the villa of Lorenzo de Medici, Florence Italy. PP Design of T. Loessin; Akins High School

20 COMPARING MEDIEVAL TO RENAISSANCE ART
Turn to packet p. 13 “Three Muses” ancient Greek fresco, 5th c. B.C. PP Design of T. Loessin; Akins High School

21 COMPARING MEDIEVAL TO RENAISSANCE ART
In this Medieval manuscript, the Three Graces are seen covering themselves modestly with a blanket inscribed with Latin scripture verses. In the Renaissance, Botticelli’s work “Primavera” depicts the Three Graces swirling in movement and vitality. The beauty of the human form is appreciated. PP Design of T. Loessin; Akins High School

22 MEDIEVAL ART Religious subject matter
Achievements of biblical figures, saints, etc. Formal, reverent, expressionless, and stiff Purpose – educational symbolism to glorify God No background, lack of attention to detail Little creativity among artists, uniform techniques used throughout this period PP Design of T. Loessin; Akins High School

23 MEDIEVAL ART Religious subject matter
Achievements of biblical figures, saints, etc. Formal, reverent, expressionless, and stiff Purpose – educational symbolism to glorify God No background, lack of attention to detail Little creativity among artists, uniform techniques used throughout this period PP Design of T. Loessin; Akins High School

24 MEDIEVAL ART Religious subject matter
Achievements of biblical figures, saints, etc. Formal, reverent, expressionless, and stiff Purpose – educational symbolism to glorify God No background, lack of attention to detail Little creativity among artists, uniform techniques used throughout this period PP Design of T. Loessin; Akins High School

25 MEDIEVAL ART Religious subject matter
Achievements of biblical figures, saints, etc. Formal, reverent, expressionless, and stiff Purpose – educational symbolism to glorify God No background, lack of attention to detail Little creativity among artists, uniform techniques used throughout this period PP Design of T. Loessin; Akins High School

26 RENAISSANCE ART Return to / imitates Classical Style
Achievements of Man Greek statue, 4th c. B.C.E. “David” * ~ Michelangelo, 1504 Florence, Italy. PP Design of T. Loessin; Akins High School

27 RENAISSANCE ART “Mona Lisa” * Return to Classical Style
Achievements of Man Dignity of every Individual Self – portraits ! “Mona Lisa” * ~ Leonardo da Vinci Louvre museum, Paris France PP Design of T. Loessin; Akins High School

28 RENAISSANCE ART Return to Classical Style Achievements of Man
Dignity of Individual; Self – portraits! Art as Status – patrons pay for it! Religious subject matter fused with secular / classical / present times “Chancelor Rolin & the Madonna” ~ Jan van Eyck Textbook p. 416 PP Design of T. Loessin; Akins High School

29 RENAISSANCE ART Return to Classical Style Achievements of Man
Dignity of Individual; Self – portraits! Art as Status – patrons pay for it! Religious subject matter fused with secular / classical / present times Paolo Caliari, known as Veronese The Wedding Feast at Cana Canvas H 6.66 m; W 9.90 m INV 142 Called to Venice in 1553, this painter from Verona was an indefatigable worker, making use of his exceptional talent as a decorator, and a capacity to cover huge surfaces combining masterful stage sets, lavish contemporary costumes and resplendent colour. The Wedding Feast at Cana once decorated the refectory that Palladio built for the Benedictines on the island of San Giorgio Maggiore. The sacred story is transformed, taking a sovereign liberty with iconography, into the fashionable splendour of a Venetian wedding. If we are to believe a long-established tradition, all the Venetian masters are depicted here as musicians; Titian, Jacopo Bassano, Tintoretto and Veronese himself, who is dressed in white. The Wedding Feast at Cana Paolo Caliari (aka Veronese) Louvre Museum, Paris France PP Design of T. Loessin; Akins High School

30 The Adoration of the Magi – Botticelli
; Tempera on panel; 111 x 134 cm; Galleria degli Uffizi, Florence PP Design of T. Loessin; Akins High School

31 RENAISSANCE ART Return to Classical Style
Achievements of Man / Individual praised / portraits Religious subject matter is fused with Classical The Sistine Chapel ceiling, by Michelangelo * PP Design of T. Loessin; Akins High School

32 Does man appear equal to God? Care about God? Need God?
(“Creation of Adam”); The Sistine Chapel Ceiling * ~ Michelangelo. Recently restored. PP Design of T. Loessin; Akins High School

33 RENAISSANCE ART “The School of Athens” * ~Raphael.
Return to Classical Style Achievements of Man / Individual praised Religious subject matter fused with Classical or the Past depicted in present surroundings. “The School of Athens” * ~Raphael. PP Design of T. Loessin; Akins High School

34 RENAISSANCE ART “The Ambassadors” Return to Classical Style
Achievements of Man / Individual praised Religious subject matter fused with Classical or depicted in present surroundings Emphasis on this world, not “other world,” man’s ability to understand natural world. Science viewed more positively “The Ambassadors” ~ Hans Holbein the Younger PP Design of T. Loessin; Akins High School

35 RENAISSANCE ART Reveals struggle between Faith vs. Reason; Biblical vs. Scientific; Secular vs. Sacred, etc. Is the Church being pushed aside, Science now in the foreground? Or, is the artist indicating that from above Christ looks down in judgement upon Science? PP Design of T. Loessin; Akins High School

36 They sought new solutions to visual problems,
Renaissance artists were no longer regarded as mere artisans, as they had been in the medieval past… but for the first time emerged as independent personalities, comparable to poets and writers… They sought new solutions to visual problems, and many of them were also devoted to scientific experimentation. In so doing, perspective was developed, a system in which all objects in a painting are related both proportionally and rationally, objects in background get smaller as they recede compared to foreground…gives appearance of 3-D. As a result, the painted surface was regarded as a window on the natural world, and it became the task of painters to portray this world in their art. Textbook, p. 419 PP Design of T. Loessin; Akins High School

37 FOCAL POINT “Bacchus” ~ Titian.
PP Design of T. Loessin; Akins High School

38 FOCAL POINT

39 FOCAL POINT See your Packet, p. 16-17
“The Last Supper” ~ Leonardo da Vinci * PP Design of T. Loessin; Akins High School

40 RENAISSANCE ART Return to Classical Style Achievements of Man
Religious subject matter fused with Classical or depicted in present surroundings Emphasis on this world, not “other world,” man’s ability to understand natural world. Artists experiment, use “perspective” / “focal point” to make art more realistic. Andrea Mantegna- Dead Christ, c. 1500, tempera on canvas, 27' x 32" -This is an excellent example of foreshortening, a process of perspective used on the human figure. “St. Sebastian” and “The Dead Christ” ~ Andrea Mantegna PP Design of T. Loessin; Akins High School

41 RENAISSANCE ART “Wedding Portrait” - Jan Van Eyck
Return to Classical Style Achievements of Man Religious subject matter fused with Classical or depicted in present surroundings Emphasis on this world, not “other world,” man’s ability to understand natural world. Artists experiment, use “perspective”; make art more realistic. “Wedding Portrait” - Jan Van Eyck PP Design of T. Loessin; Akins High School

42 Virgin of the Rocks ~ Leonardo da Vinci National Gallery, London.

43 WORKS OF THE RENAISSANCE MASTERS , packet p. 5b
MICHELANGELO Prepare your own List of Great Works of Art on p. 5b in your packet “The David” PP Design of T. Loessin; Akins High School

44 WORKS OF THE RENAISSANCE MASTERS , packet p. 5b
MICHELANGELO “The David” the Sistine Chapel’s Ceiling

45 WORKS OF THE RENAISSANCE MASTERS , packet p. 5b
MICHELANGELO “The David” the Sistine Chapel’s Ceiling Recent restoration PP Design of T. Loessin; Akins High School

46 WORKS OF THE RENAISSANCE MASTERS , packet p. 5b
MICHELANGELO * “The David” the Sistine Chapel’s Ceiling The Last Judgment SISTINE CHAPEL CEILING “The Last Judgment” ALTAR WALL THE SISTINE CHAPEL PP Design of T. Loessin; Akins High School

47 WORKS OF THE RENAISSANCE MASTERS , packet p. 5b
MICHELANGELO the “David” the Sistine Chapel’s Ceiling “Last Judgment” the “Pieta” “Pieta” – in St. Peter’s Bascilica, Vatican City, Rome. PP Design of T. Loessin; Akins High School

48 WORKS OF THE RENAISSANCE MASTERS , packet p. 5b
MICHELANGELO the “David” the Sistine Chapel’s Ceiling “Last Judgement” the “Pieta” the Dome of St. Peter’s Basilica St. Peter’s Bascilica, Vatican City, Rome. See Textbook, p. 420 PP Design of T. Loessin; Akins High School

49 Learn more about him at :
WORKS OF THE RENAISSANCE MASTERS , packet p. 5b MICHELANGELO A true Renaissance Man – Painter, Sculptor, Architect, poet Can you match these great works of art to their artist? the “David” the Sistine Chapel’s Ceiling “Last Judgement” the “Pieta” the Dome of St. Peter’s Bascilica Learn more about him at : and in your Textbook, p. 420. PP Design of T. Loessin; Akins High School

50 WORKS OF THE RENAISSANCE MASTERS , packet p. 5b
Leonardo da Vinci Mona Lisa * ~ Leonardo da Vinci Louvre Museum Paris PP Design of T. Loessin; Akins High School

51 WORKS OF THE RENAISSANCE MASTERS , packet p. 5b
Leonardo da Vinci “The Last Supper” PP Design of T. Loessin; Akins High School

52 WORKS OF THE RENAISSANCE MASTERS , packet p. 5b
Leonardo da Vinci “Mona Lisa” “The Last Supper” Inventor “Flying Machine” Defense Contractor – “Artillery” & “StoneThrower” Engineer – “Levers & Gears” PP Design of T. Loessin; Akins High School

53 WORKS OF THE RENAISSANCE MASTERS , packet p. 5b
Leonardo da Vinci “Mona Lisa” “The Last Supper” Inventor Scientist / Anatomy PP Design of T. Loessin; Akins High School

54 WORKS OF THE RENAISSANCE MASTERS , packet p. 5b
Leonardo da Vinci His theories are contained in numerous notebooks, most of which were written in mirror script. Because they were not easily decipherable, Leonardo's findings were not disseminated in his own lifetime; had they been published, they would have revolutionized the science of the 16th century. Leonardo actually anticipated many discoveries of modern times. In anatomy he studied the circulation of the blood and the action of the eye. He made discoveries in meteorology and geology, learned the effect of the moon on the tides, foreshadowed modern conceptions of continent formation, and surmised the nature of fossil shells. He was among the originators of the science of hydraulics and probably devised the hydrometer; his scheme for the canalization of rivers still has practical value. He invented a large number of ingenious machines, many potentially useful, among them an underwater diving suit. His flying devices, although not practicable, embodied sound principles of aerodynamics Encarta, “Mona Lisa” “The Last Supper” Inventor Scientist / Anatomy PP Design of T. Loessin; Akins High School

55 Learn more about him at :
WORKS OF THE RENAISSANCE MASTERS , packet p. 5b Leonardo da Vinci Painter, Inventor, Scientist… RENAISSANCE MAN ! Can you match these great works of art to their artist? “Mona Lisa” “The Last Supper” Learn more about him at : and in your Textbook, “History Makers,” p. 421. PP Design of T. Loessin; Akins High School

56 WORKS OF THE RENAISSANCE MASTERS, packet p. 5b
MICHELANGELO Leonardo DA VINCI “Mona Lisa” “The Last Supper” the “David” the Sistine Chapel’s Ceiling “Last Judgement” the “Pieta” the Dome of St. Peter’s Bascilica PP Design of T. Loessin; Akins High School

57 WORKS OF THE RENAISSANCE MASTERS packet, p. 5b
RAPHAEL “The School of Athens” PP Design of T. Loessin; Akins High School

58 WORKS OF THE RENAISSANCE MASTERS
MICHELANGELO Leonardo DA VINCI the “David” the Sistine Chapel’s Ceiling “Last Judgement” the “Pieta” the Dome of St. Peter’s Bascilica “Mona Lisa” “The Last Supper” Raphael “The School of Athens” You must be able to recognize these classic Renaissance works and their artist for Friday’s MAJOR QUIZ !

59 THE END ! “David,” (rear view)

60 DAY 2

61 AGENDA: Begin Warm-up Immediately upon entering classroom !
Ch. 17 Section 1: The Renaissance begins in Italy TODAY’S OBJECTIVES: Explain the conditions in Italy that gave rise to the Renaissance. Identify the values and ideas prized during the Renaissance. Describe the artistic breakthrough and achievements of Renaissance artists. Summarize influential literary works and techniques of key Renaissance writers. AGENDA: Begin Warm-up Immediately upon entering classroom ! WARM-UP – Read “Machiavelli Advises Rulers,” textbook p. 422 Wrapping up Section 1, Text p / packet p. 6 MAJOR QUIZ NEXT ASSIGNMENT: Read Chapter 17, Sec. 2; complete p. 18 in packet Pre-A.P. – also do pp in packet

62 The Renaissance 1300-1600 began in Italy.
Please open your textbook to the map on p. 415; Packet p. 4 Locate Florence. The Renaissance began in Italy. Let’s Review. PP Design of T. Loessin; Akins High School

63 Renaissance begins in Italy...Why? [textbook p. 417; packet p. 5a]
Italy’s thriving urban cities were the center for the renewed trade coming in from the Middle East that brought in wealth and culture here first before the rest of Europe. Thriving cities meant opportunities for education, scientific pursuits, and even…leisure. A wealthy merchant middle class – became art patrons. Italy was the home of the old Roman Empire, surrounding everyone still are the ruins & reminders of the classical Greco-Roman heritage. Florence, Italy today. PP Design of T. Loessin; Akins High School

64 But “rebirth” of what? Textbook p. 417; Packet p. 6
B. Determining Word Meaning Renaissance – the rebirth of great art and classical learning that began in northern Italy around 1300 A.D. Textbook p. 417; Packet p. 5a Renaissance – is the French translation of the Italian word rinascita which means, “rebirth.” But “rebirth” of what? The Renaissance style would focus on 2 Main Components: a “rebirth” or return of the classical style developed by the ancient Greeks and Romans, an intensified concern with secular life—interest in humanism and assertion of the importance of the individual. Video Clip. PP Design of T. Loessin; Akins High School

65 B. Determining Word Meaning
Textbook p. 418; Packet p. 6 Michelangelo’s David * is the very “definition” of what the Renaissance is about: the return to the Greek style. But also the influence of humanism – here a young boy who slays his giant reminds us all Man can achieve great things on his own! How is the Renaissance emphasis on Humanism different from the old Medieval view? See packet p. 5 B. Determining Word Meaning Humanism – a new philosophy or outlook that focuses on humankind’s achievements and potential to achieve great things. PP Design of T. Loessin; Akins High School

66 WORKS OF THE RENAISSANCE MASTERS
MICHELANGELO Leonardo DA VINCI the “David” the Sistine Chapel’s Ceiling “Last Judgement” the “Pieta” the Dome of St. Peter’s Bascilica “Mona Lisa” “The Last Supper” You must be able to recognize these classic Renaissance works and their artist for Friday’s MAJOR QUIZ ! Raphael “The School of Athens”

67

68 AGENDA: Begin Warm-up Immediately upon entering classroom !
Ch. 17 Section 1: The Renaissance begins in Italy AKINS HIGH SCHOOL Mr. Loessin’s World History Room Tutorials: T-F 8:20-8:50 TODAY’S OBJECTIVES: Explain the conditions in Italy that gave rise to the Renaissance. Identify the values and ideas prized during the Renaissance. Describe the artistic breakthrough and achievements of Renaissance artists. Summarize influential literary works and techniques of key Renaissance writers. AGENDA: Begin Warm-up Immediately upon entering classroom ! WARM-UP – Read “Machiavelli Advises Rulers,” textbook p. 422 Wrapping up Section 1, Text p / packet p. 6 MAJOR QUIZ NEXT ASSIGNMENT: Read Chapter 17, Sec. 2; complete p. 18 in packet Pre-A.P. – also do pp in packet

69 5. How did writers reflect Renaissance values in their work?
Textbook p. 421; Packet p. 6 5. How did writers reflect Renaissance values in their work? They wrote in the vernacular; wrote about non-religious (secular) topics – simply for leisure, fun, self-expression; and pursued independent thought and investigation rather than simply accepting what the church taught. B. Determining Word Meaning vernacular – the language of the local people. (not Latin!) Petrarch, often called the “father of humanism” authored beautiful sonnets in the vernacular Italian and they were about a love of his life named Laura. PP Design of T. Loessin; Akins High School

70 Petrarch wrote about Laura – an ideal woman.
Textbook p. 421; Packet p. 6 6. How did the writing of Petrarch, Boccaccio, and Machiavelli demonstrate the values of humanism? Petrarch wrote about Laura – an ideal woman. Boccaccio wrote about the follies of characters in the Decameron. Machiavelli wrote about the imperfect conduct of humans in The Prince. Born May 3, 1469 in Florence, Italy, Machiavelli was a political philosopher during the Renaissance, and is most famous for his political treatise, The Prince (1513), It has become a cornerstone of modern political philosophy. “No enterprise is more likely to succeed than one concealed from the enemy until it is ripe for execution.”                                   —Machiavelli from The Art of War See packet, p. 7-8 PP Design of T. Loessin; Akins High School

71 DO YOU AGREE or DISAGREE?
“Being a good ruler means sometimes doing the unpopular in order to achieve what is best for one’s people in the long run.” “A shrewd politician knows he may have to sometimes employ devious methods if he is to stay in power.” “The End justifies the Means.” “At any given time a ruler may be faced with sending men to their deaths in battle. He must be willing to sacrifice those few in order to save the many.” “Rulers can not be expected to live under the same “morality” as the masses they rule. They must at times choose corrupt, distasteful, even evil means in order to achieve a final good for their people.” “It is better that a Ruler should be feared by his people than loved by them.” ~ Machiavelli PP Design of T. Loessin; Akins High School

72 A.) The Prince (1532; trans. 1640) - describes the method by which a
Niccolò Machiavelli was an Italian statesman and writer and is considered one of the most significant political thinkers of the Renaissance. His best-known work, The Prince, describes cunning and unscrupulous methods for rulers to gain and keep power. A.) The Prince (1532; trans. 1640) - describes the method by which a prince can acquire and maintain political power. B.) It is believed he was defending the tyranny of such cruel rulers of his day as Cesare Borgia. C.) He believed that a ruler is not bound by traditional ethical norms like the people the ruler’s rules should be. D.) a prince should be concerned only with power and be bound only by rules that would lead to success in political actions. “The End justifies the Means.” “Better to be feared than loved.” E.) believed that these rules could be discovered by deduction from the political practices of the time, as well as from those of earlier periods. PP Design of T. Loessin; Akins High School

73 Today we still use the phrase machiavellian to refer to someone who
pursues an action that, though may not be viewed as morally right, he believes will be politically effective. Can you think of examples in American or World History / Politics of leaders whose decisions might be considered machiavellian ?

74 AGENDA: Begin Warm-up Immediately upon entering classroom !
Ch. 17 Section 1: The Renaissance begins in Italy TODAY’S OBJECTIVES: Explain the conditions in Italy that gave rise to the Renaissance. Identify the values and ideas prized during the Renaissance. Describe the artistic breakthrough and achievements of Renaissance artists. Summarize influential literary works and techniques of key Renaissance writers. AGENDA: Begin Warm-up Immediately upon entering classroom ! WARM-UP – Read “Machiavelli Advises Rulers,” textbook p. 422 Wrapping up Section 1, Text p / packet p. 6 MAJOR QUIZ NEXT ASSIGNMENT: Read Chapter 17, Sec. 2; complete p. 18 in packet Pre-A.P. – also do pp in packet

75 “The Three Philosophers”
<<<< A.) Identify three features in this painting that make it clearly a Renaissance work: “The Three Philosophers” by Venetian painter Giorgione 1508. B.) Built in the 15th century, why is this cathedral a good example of Renaissance architecture? Duomo Cathedral, completed in 1436 by Filippo Brunelleschi Florence, Italy.


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