1. printmaki ng Bellwork If you owned a business, what would you do? What would you provide? visual culture How can you convey information quickly and without words?

2. logos ! In the 60’s a lot of things started to happen that would change our visual language. The advent of canning meant that not all food was prepared at home and the television was a great way to get people to buy your stuff. However, most people watched TV at home and would forget by the time they got to the store unless you had something that stuck in their minds

3. Pepsi spends millions of dollars developing their logo so that it is recognizable to people all over the globe. Everything is designed with a purpose, down to every little line

4. printmaki ng Brand yourself Think about your business. What would your logo look like? It should be unique and represent what you’re selling in some way. Draw 3 sketches in your sketchbook of different logos. Pick one to be your final

5. Carve – the act of taking away parts that you don’t want to print Plate – the linoleum block that you will carve and then print from Brayer – Roller Baren – the wooden spoon used to smooth over the paper Edition – When you sign, title and number the bottom of each print Series – dgd Linocarver – df printmaking vocabulary

6. transferring your logo

7. go over the lines so you can see them

8. holding the linocutter

9. carving

10. carving cont

12. final textures

13. ink over the plate to see what will print

14. cont

15. Pulling – pulling the print from the block Edition – When you sign, title and number the bottom of each print Series – A group of prints Contrast – Colors that are bright against each other Color Mood – How a color makes you feel printmaking vocabulary

16. printmaki ng Continue to color in the areas you want to keep Begin carving away the light grey areas Remember!!! Carve away from your body Use the bench stop Outline the area you want to keep first, then carve out, away from the part you want to keep Printing Demo ½ through class

17. printmaki ng Get your prints from the drying rack when you have 8 prints Pick out the 8 prints you want to include in your final 4 complementary 4 choice Look at the color of the paper you used If its mostly white, then you will mount on black paper If its mostly black, then you’ll use white paper Mount your final prints in the center Sign and number your editions Mount each print on the larger paper Choose whatever color is opposite of the smaller mounts