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Julius Caesar William Shakespeare “The fault, dear Brutus, is not in our stars/But in ourselves…” --Cassius.

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Presentation on theme: "Julius Caesar William Shakespeare “The fault, dear Brutus, is not in our stars/But in ourselves…” --Cassius."— Presentation transcript:

1 Julius Caesar William Shakespeare “The fault, dear Brutus, is not in our stars/But in ourselves…” --Cassius

2 Tragic plays… …tell of a reversal of fortune, from good to bad, experienced by a man or woman, usually of noble birth For Greek tragedies, Aristotle’s definition of a tragic hero contains other specific elements particular to Greek tragic plays. (Oedipus Rex, Medea, Antigone, Electra)

3 Shakespeare’s Tragedies: Distinctive Features Shakespeare’s tragic heroes are sometimes based on historical characters. (Julius Caesar, Henry VIII) The hero often displays a tragic flaw, a characteristic that brings about his downfall. Shakespeare emphasizes the hero’s internal conflict.

4 Shakespeare’s Tragedies: Distinctive Features (cont.) Tragic hero’s inner turmoil is presented directly—through devices such as soliloquy (a speech in which a character thinks aloud). Tragic hero’s choices are emphasized rather than fate. Shakespeare’s tragic hero’s problems often concern the difference between the reasons for an action and its outcome.

5 Shakespeare’s Tragedies: Distinctive Features (cont.) Commoners often play key supporting roles and provide comic relief in humorous scenes that serve as a break from the intense emotions of the play.

6 Plot Diagram—Shakespeare’s Tragedy

7 History Connection—Roman Society Play premise: Brutus & Cassius fear that the common people will support Caesar in his bid to become emperor. Their fear reflects tensions in Roman society at that time. Historical background--  Poor plebians (commoners), including farmers who could no longer compete w/ wealthy landowners, flooded Rome.

8 History Connection—Roman Society (cont.) They created a restless mass of unemployed poor. Some leaders took their side and won power w/ their support. Other leaders took the side of the patricians (aristocrats) and the wealthy plebians. The conflict between rich and poor led to civil unrest, including riots and assassinations.

9 History Connection—Roman Triumphs Triumphs were held to celebrate a general’s victory. Events included—  Temples decorated/sacrifices held  Victorious general/troops marched through city to the Capital/preceded by Roman Senators and trumpeters

10 History Connection—Roman Triumphs (cont.)  Triumphant general, dressed in royal purple toga and holding a laurel branch, rode in a golden chariot drawn by 4 white horses  On display---the spoils of war, including carts full of treasure and exotic animals  Captive enemy leaders (sometimes even their children) marched in front of the general  People of Rome gathered to view and cheer

11 Roman Triumphs

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13 The Roman Senate Before Caesar’s rise to power, the Senate…  was made up of 500 to 600 members.  met in the Curia in the Roman Forum.  shaped policy through advice it issued to various officials, its powers to appoint officials, and its power to negotiate w/ foreign countries.

14 The Roman Senate (cont.) Senators—appointed for life. Originally, all were from the patrician (aristocratic) class. After Caesar won victory, he—  eliminated his enemies in the Senate  packed senate w/ supporters, including men of lower rank and people from outlying provinces.

15 Background on the Play Julius Caesar Rome—a republic since 509 B.C. Ruled for decades by— **2 public officials called consuls **Senate--made of up of high-born patricians or aristocrats and assemblies of plebians (lower-class citizens) By era of Julius Caesar (100-44 B.C.), Rome ruled an empire won by military expansion.

16 Background on the Play Julius Caesar (cont.) Powerful generals arose/balance of power grew unstable Civil wars  common General named Pompey tried to make himself sole consul/Julius Caesar defeated him

17 Background on the Play Julius Caesar (cont.) As the play opens, all of Rome wonders whether Caesar will become emperor, ending the republic.

18 Act I--Characters Flavius & Murellus—2 tribunes who criticize plebians for their fickleness Carpenter & Cobbler—commoners who are taking holiday to honor Caesar Caesar—a great Roman general/just returned to Rome after a military victory Calpurnia—wife of Caesar

19 Act I—Characters (cont.) Casca—a tribune (an official elected to represent the common people) conspirator against Caesar Antony--(Marcus Antonius)—loyal friend to Caesar Soothsayer—prophet/fortuneteller Cassius—general and longtime acquaintance of Caesar

20 Act I—Characters (cont.) Brutus—high-ranking, well-regarded nobleman; friend to Caesar Cicero—Roman senator renowned for his oratorical skill; speaks at Caesar’s triumphal parade Cinna—a poet

21 Tips for Reading **Follow along closely as the CD plays. Pay particular attention to the characters who are speaking. The characters often refer to themselves in the 3 rd person, which can be confusing at times. **Follow along with the actual original text, if you have the No Fear edition. Clarification notes can be used later for study use.


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