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9/14/20151 Radio History MIT2000. Early Radio: Main Themes 1. Wired/Wireless 2. Bi-directional: one to one 3. Uni-directional 1. Central transmitter to.

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Presentation on theme: "9/14/20151 Radio History MIT2000. Early Radio: Main Themes 1. Wired/Wireless 2. Bi-directional: one to one 3. Uni-directional 1. Central transmitter to."— Presentation transcript:

1 9/14/20151 Radio History MIT2000

2 Early Radio: Main Themes 1. Wired/Wireless 2. Bi-directional: one to one 3. Uni-directional 1. Central transmitter to passive receivers 2. “broadcasting” 4. Public interest/commercial interest 5. Culture/Community Formation 9/14/20152

3 3 Radio/Technology 1. Radio waves 1. electro-magnetic energy, radiating in waves 2. Heinrich Hertz (1888) 1. lab experiments 2. ‘telegraph without wires’ (Hertzian waves)

4 9/14/20154 Guglielmo Marconi (1874-1937) 1. Land-Ship 2. Trans-Atlantic signal (1901) 3. Marconi Wireless Telegraph & Signal Co 1. trans-Atlantic 2. first commercial service

5 9/14/20155 Reginald Fessenden (1866-1932) 1. first voice transmission 1. “radiotelephone”(1900) 2. Shore-to-ship “broadcast” 1906

6 9/14/20156 Early “Radio-Telegraph” 1. Morse Code 2. Shipping/distress calls 3. Titanic (1912) 4. Simultaneity of Experience 5. Worldwide Network

7 9/14/20157 Amateur Radio 1. Technical expertise 1. home-made radio sets 2. Exploratory listening-distance 3. Middle-class boys/men 4. Unregulated frequencies 5. Bi-directional

8 9/14/20158 Amateur Radio 1. Pranks 1. “All Titanic Passengers Safe” 2. Obscene/false message 3. Lots of radio traffic 4. Radio Act of 1912 (US)

9 9/14/20159 World War I (1914-18) 1. Military control 1. Naval/ Shell-spotting 2. Ban citizen use 2. Post-1918, oppose: 1. amateur uses 2. foreign ownership

10 9/14/201510 Early Broadcast Radio 1. One-to-one: 1. DXing, 1920-1924 2. Voice/sound 2. One-to-many: Broadcasting 1. (Telephone “Broadcasters”) 3. Frank Conrad/KDKA, 1920 4. XWA, Montreal, 1920 5. RCA, 1921

11 9/14/201511 Early Radio 1. 1921: 2 radio stations 2. 1925: 100s in US/CDA 1. Dept stores; churches newspapers; universities 2. Non-commercial origins 3. Public interest/limited spectrum

12 9/14/201512 Network Radio: AT&T (1925) 1. 25-station network 1. long distance lines 2. sell time on transmitters, “air time,” to advertisers 3. purchase blocks/ provide own programming

13 9/14/201513 Content/Culture: Commercial Radio NBC (1926-) public service high-brow non-sponsored programming Symphony theatre, etc. CBS (1928-) more advertising ad agencies produce shows soaps; crime dramas “lowest common denominator”

14 9/14/201514 Programming 1. Music: classical & dance bands (Tommy Dorsey) 2. Variety Shows: (Bob Hope) 3. Drama 1. daytime serial –”Guiding Light” 2. evening anthology: “Mercury Theater on the Air” 4. Children’s Shows 5. Comedy: “Li'l Abner”; “Amos ‘n’ Andy”

15 9/14/201515 Radio as Mass Medium, ca. 1935 US Private ownership (NBC, CBS) Advertising- supported Popular fare UK BBC: government- run monopoly Taxes, license fees High-brow/cultural uplift

16 9/14/201516 Radio in Canada 1. Radio-Telegraph Act, 1913 2. Dept. Marine & Fisheries 3. XWA, first license (1919) 4. $1 licence fee per set

17 9/14/201517 CDN Radio 1. 1928: 60 stations 2. low power; intermittent service 3. Roy Thomson, CFCH 4. minimal regulations 5. diverse ownership 6. selling radio sets 1. Edward S. Rogers 7. Entertainment/Commercial

18 9/14/201518 Networking: CNR Radio Dept 1. first network, mid- 1920s 2. concerts, operas, plays, health talks, grain price reports 3. 3 hours weekly, 1929

19 9/14/201519 US Radio in CDA 1. Radio-wave interference 2. US listening (80%) 1. NBC w/ Montreal affiliate 3. Can CDN radio compete?

20 9/14/201520 Road to Public Ownership 1. Royal Commission on Broadcasting, 1928-29 2. Canadian Radio League, 1930 3. Graham Spry 4. “The State or the United States”

21 9/14/201521 Aird Commission Recommendations, 1929 1. state broadcasting organization, modelled on BBC 2. foster national spirit/citizenship 3. nationalize private radio stations, with compensation 4. ‘defensive expansionism’

22 Canadian Radio Broadcasting Commission, 1932 1. State monopoly on network broadcasting 2. Extend radio coverage 3. Produce/transmit programs 4. Purchase/construct stations/transmitters 5. CRBC stations//private stations 6. Partisanship 9/14/201522

23 Canadian Broadcasting Corporation, 1936 1. More autonomy 2. Assured funding 3. Dual function 9/14/201523

24 9/14/201524 CBC: Carrier/Content 1. 8 stations; 16 private affiliates 2. Strong transmitters 3. US/UK shows (entertainment, talk) 4. Canadian content 1. “The Happy Gang”; NHL;

25 9/14/201525 “The Barrelman” 1. Joey Smallwood 2. NFLD Folk Tradition 3. ethnic nationalism 4. ‘foreign’ consumerism 5. “imagined community” 6. modernity

26 9/14/201526 “Peculiar Hybrid” of CDN Radio Commercial interest  Corporate power  NBC/CBS Low-Brow Culture Entertainment Advertising- supported Public Interest  “The State”  BBC/CBC High-Brow Culture Educational Tax/license fee supported

27 9/14/201527 Midterm Exam: 23 Feb, 7-9pm Section 1 (5X5 =25 points)  Identify/Significance of 5 of 8 terms, concepts Section 2  15 multiple choice questions (15 points) 2 hours Closed Book Covers Lectures and Readings

28 9/14/201528 Sample Question: “The State or the United States” Graham Spry; chairman Canadian Radio League early 1930s lobby for Aird Commission recommendations re: public broadcasting McChesney article culminate in 1932; est. of Canadian Radio Broadcasting Commission

29 9/14/201529 “ The State or the United States” State: government as bulwark against US broadcasting which predated broadcasting in Canada high culture/ low culture Canadian sovereignty /US cultural/economic imperialism


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