1. M.C. Escher Balcony 1945

2. M.C. Escher Drawing Hands 1948

3. Brigit Riley Untitled (Fragment 3) 1965

4. Brigit Riley Reconnaissance 1965

5. Bridgit Riley Loss 1964 `Looking` `is a pleasure - a continual pleasure.`

6. Frank Stella. The Marriage of Reason and Squalor, II. 1959

7. Frank Stella ‘Die Fahne Hoch!’ 1959

8. Frank Stella Harran II 1967

9. Frank Stella Raqqa II 1970 http://www.sfmoma.org/anderson/index.html

10. “actual space is intrinsically more powerful and specific than paint on a flat surface.” Donald Judd Untitled, 1969. Copper, ten units, 9 x 40 x 31 inches each, with 9-inch intervals

11. Carl Andre 10 x 10 Altstadt Copper Square, 1967

12. Carl Andre Fall 1968 Hot-rolled steel, 21 units, 71 7/8 x 28 x 72 11/16 inches each; 72 x 588 x 72 inches overall.

13. Carl Andre Magnesium-Zinc Plain, 1969 magnesium and zinc 3/8 x 72 x 72 in

14. Carl Andre Lament for the Children 1976 Concrete blocks (100 units), 18 x 8 x 8 inches each, 1 1/2 x 18 x 18 feet overall photograph shows original installation in 1976 at P.S.1., Long Island City

15. Richard Serra Tilted Arc 1981

16. Public Art Questions What should be the role of government funding? What is an artist's rights to his or her work? What role does the public have in determining the value of a work of art? Should public art be judged by its popularity? "I don't think it is the function of art to be pleasing, Art is not democratic. It is not for the people.“ –Richard Serra