Presentation is loading. Please wait.

Presentation is loading. Please wait.

Where Do Genres Come From? Week 2, Session 2 Case Studies of Genre Change Carolyn R. Miller.

Similar presentations


Presentation on theme: "Where Do Genres Come From? Week 2, Session 2 Case Studies of Genre Change Carolyn R. Miller."— Presentation transcript:

1 Where Do Genres Come From? Week 2, Session 2 Case Studies of Genre Change Carolyn R. Miller

2 May 13, 20152 Class schedule adustment Week IV: New Genres in Teaching and Learning Monday, August 6 (time to be announced) Plagiarism and originality on the internet, with Prof. Charles Bazerman Tuesday, August 7 reading list will be revised!

3 May 13, 20153 Agenda genres and health-care discourse genres and business organizations conceptual issues methodology issues  Discussion questions: What are the research methods used in these two studies? How can we study contemporary non-public genres?

4 May 13, 20154 Health care, Schryer & Spoel What is the relationship between identity and genre in the medical case presentation? What is the relationship between identity and genre in the midwifery profession (in Ontario, Canada)?

5 May 13, 20155 Business genres, Zachry How are rhetorical choices of professionals enabled and constrained by prior workplace communication practices? How have technologies, management systems, government regulations affected workplace communication practices?

6 May 13, 20156 Genres, genre systems genres function within complex social systems genres interact genres are hierarchical  metagenre

7 May 13, 20157 Genre and activity theory human activity occurs within complex contexts humans learn from the tools and practices in those contexts humans internalize values and beliefs acquired from social contexts, tools, and practices texts and contexts interact, co-constitute each other

8 May 13, 20158 Genre and ideology cultural objects (including genres) incorporate values, beliefs, perceptions, attitudes  relationships of power and identity: who may speak, to whom, when, where, with what object, etc.  relationships of meaning and persuasion

9 May 13, 20159 Pierre Bourdieu 1930–2002 French sociologist Outline of a Theory of Practice, 1972 Invitation to Reflexive Sociology, 1992 Practical Reason, 1998 http://www.toupie.org/Citations/Bourdieu.htm

10 May 13, 201510 Bourdieu: habitus rejects subjectivism of primary experience rejects “objectivism” of passive observer rejects structuralism, which reduces agent to bearer of structure (dupes, dopes) claims to work empirically, scientifically

11 May 13, 201511 Bourdieu “I wanted initially to account for practice in its humblest forms—rituals, matrimonial choices, the mundane economic conduct of everyday life, etc.—by escaping both the objectivism of action understood as a mechanical reaction ‘without an agent’ and the subjectivism which portrays action as the deliberate pursuit of a conscious intention...” IRS 121

12 May 13, 201512 Bourdieu: habitus principle of construction, principle that generates and organizes practices and representations a system of “structured, structuring dispositions” system of durable, transposable dispositions without conscious purpose or mastery

13 May 13, 201513 Bourdieu: habitus from Aristotelian “hexis,” disposition, to scholastic-Latin “habitus” similar to Schutz’s “lifeworld” expresses “a feel for the game that does not need to calculate” focuses on creative, active, inventive capacities of acting agent “principle of continuity and regularity” and also of “regulated transformations”

14 May 13, 201514 Genres as “social action” (Miller 1984) “mediating tool” (Zachry p. 62) “constellations of … improvisational strategies” (S&S p. 260) implications? choices?

15 May 13, 201515 Genres and regulation Regulated resources (S & S, p. 250) Regularized resources Regulated genres (S & S, p. 266) Regularized genres Regulating genres (metagenres)

16 May 13, 201516 Environmental Impact Statements created by National Environmental Policy Act of 1969 were not a genre (first five years) because they had no coherent pragmatic force were an “imperfect fusion of scientific, legal, and administrative elements prevented interpretation of the documents as meaningful rhetorical action.” legal and administrative problems criticism from government administrative units, environmental community, industry compliance efforts.

17 May 13, 201517 Three regulated genres EIS (Miller)Informed choice (Spoel) Sales reports (Zachry) legislated exigence, audience institutional exigence, audience corporate exigence, audience no fusion of elements rhetorical- ideological tensions discipline, habit (replication, regularization) not a genre, no pragmatic force is a genre, recurrent practice is a genre

18 May 13, 201518 Methodology What are the research methods used in these two studies? How can we study contemporary non- public genres?

19 May 13, 201519 Methodologies archival research (Zachry, Jamieson) criticism (Jamieson, Spoel) critical discourse analysis (Spoel) observation (Schryer) interviews (Schryer)

20 May 13, 201520 Assignment for Tuesday Reading Shepherd & Watters, “Evolution of Cybergenres” Yates et al., “Explicit and Implicit” Group oral report What issues do the digital media raise for the use and study of genres?


Download ppt "Where Do Genres Come From? Week 2, Session 2 Case Studies of Genre Change Carolyn R. Miller."

Similar presentations


Ads by Google