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Patronage and Artistic Life

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1 Patronage and Artistic Life
ART HISTORY STUDY GUIDE: Chapter 22 High Ren. & Mannerism Key Ideas: Julius II wishes to revitalize Rome - very creative period for the arts. Artists want to emulate the grandeur of Rome. Compositions: balanced, symmetry, triangular, ideal proportions Venetian painting, more sensuous, sophisticated color harmonies. Portraits - realistic likenesses displaying character and personality Historical Timeline High Renaissance Mannerism Italian city states and emergence of nation states Large bankrolls and small populations Princely courts Doges courts Papacy Rome is sacked in undoes much of the achievements of the High Renaissance Mannerism emerges Patronage and Artistic Life Artists - some from families with limited means and some from families of limited influence Guilds rules the trades Artists are gaining fame Pope Julius II is the dominant patron of the era Women become patrons of the arts

2 Innovations in Painting
Venetian artists begin painting on canvas - used to paint on wood, but it would warp Sfumato Technique - used by Leonardo Da Vinci - misty background effect -has the effect of distancing the viewer from the subject by placing the subject in a hazy world removed from us. Chiaroscuro - transitions between dark and light - no outlines Glazes - sheer layers of paint to build up color Portraits - change ¾ views become fashionable - because it can hide facial defects - become psychological paintings, expressing the character of the sitter Idealization - composition - balanced, symmetrical, triangular (Raphael) Key figure is centered and highlighted (Da Vinci) Venetian painting - oil paint on canvas - nature’s beauty and the pleasures of humanity - saints are more human than heroic - aracadian settings

3 ART HISTORY STUDY GUIDE: Chapter ____________________
Major Artistic Characteristics: Innovations in Architecture Bramante believes the circle is the perfect form - Tempietto Bramante redesigns St. Peters, building completed by Michelangelo, dome completed by Giacomo della Porta High Renaissance Palace - Farnese Palace Innovations in Sculpture Return to the classical style of the human form. Heroic nudity was the height of idealization Great figures of the Bible and ancient mythology Figures have little negative space and are frontal Marble is the medium of choice - easily available and referred back to classical Unpainted

4 Vocabulary Images to Know
ART HISTORY STUDY GUIDE: Chapter 22 - High Ren/Mannerism - Italy - 16th C. Vocabulary Arcadian Canvas Chiaroscuro Cinquecento Glazes Martyrium Sacra Conversazione Sfumato Genre painting Still life Villa Chateau Cartoon Intonaco Giornate Mannerism Figura Serpentinata Names to Know Michelangelo Leonardo da Vinci Bramante Raphael Titian Images to Know Painting - Renaissance Vitruvian Man/da Vinci The Last Supper/da Vinci Mona Lisa/da Vinci Madonna of the Rocks/da Vinci Sistine Chapel Ceiling/Michelangelo Creation of Adam from the Sistine Chapel/Michelangelo Last Judgment/Michelangelo School of Athens/Raphael Madonna in the Meadow/Raphael Marriage of the Virgin/Raphael San Zaccaria Altarpiece/Bellini Assumption of the Virgin/Titian The Feast of the Gods/Giorgione/Titian Pieta/Titian/Giovane Madonna of the Pesaro Family/Titian Venus of Urbino/Titian Painting - Mannerism Entombment/Pontormo Assumption of the Virgin/Correggio Madonna of the Long Neck/Parmigianino Self Portrait in a Convex Mirror/Parmigianino Venus, Cupid, Folly and Time/Bronzino The Last Supper/Tintoretto Portrait of the Artist’s Sisters and Brother/Anguissola Sculpture - Renaissance Pieta/Michelangelo David/Michelangelo Moses/Michelangelo Unfinished Pieta/Michelangelo Sculpture - Mannerism Saltcellar of Francis I/Cellini Abduction of the Sabine Women/Bologna

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