1. Symmetrical, Asymmetrical, Radial and Mosaic BALANCE

2. Visual Weight in Design Elements The major difference in design balance and physical balance is that your visual elements don’t have a physical weight. They do however, have visual weight. The major difference in design balance and physical balance is that your visual elements don’t have a physical weight. They do however, have visual weight. Some things that affect visual weight: Some things that affect visual weight:visual weightvisual weight Size – As you would expect larger elements carry more weight Size – As you would expect larger elements carry more weight Color – It’s not fully understood why, but some colors are perceived as weighing more than others. Red seems to be heaviest while yellow seems to be lightest. Color – It’s not fully understood why, but some colors are perceived as weighing more than others. Red seems to be heaviest while yellow seems to be lightest.some colors are perceived as weighing more than otherssome colors are perceived as weighing more than others Density – Packing more elements into a given space, gives more weight to that space Density – Packing more elements into a given space, gives more weight to that space Value – A darker object will have more weight than a lighter object Value – A darker object will have more weight than a lighter object Whitespace – Positive space weighs more than negative space or whitespace Whitespace – Positive space weighs more than negative space or whitespace negative space or whitespace negative space or whitespace

3. Symmetrical Balance Symmetrical balance is like having our fulcrum in the center of the lever. To achieve balance we need to have elements of equal weight on both sides of a central axis. Symmetrical balance is like having our fulcrum in the center of the lever. To achieve balance we need to have elements of equal weight on both sides of a central axis. Symmetrical balance tends to be more formal and more static. It evokes feelings of consistency, elegance and classicism. Symmetrical balance tends to be more formal and more static. It evokes feelings of consistency, elegance and classicism. Think of a wedding invitation. They tend to use centered text in part because this helps achieve symmetrical balance, which leads to feelings of formality and elegance. Exactly what a wedding is expected to be. Think of a wedding invitation. They tend to use centered text in part because this helps achieve symmetrical balance, which leads to feelings of formality and elegance. Exactly what a wedding is expected to be. Symmetrical design balance is easy to see and relatively easy to achieve. Symmetrical design balance is easy to see and relatively easy to achieve.

4. Leonardo’s Last Supper is a great example of symmetrical balance in art. For everything on the left side of the painting there’s something of equal weight on the right. The entire painting is balanced around the central figure of Jesus Christ, which makes perfect sense given what the painting is about. http://i.images.cdn.fotopedia.com/flickr-4407940261-hd/World_Heritage_Sites/Europe/Southern_Europe/

5. Raphael's master, pays tribute to Florence and Romans in work, uses Biblical and contemporary people, intellectual path, perfectly symmetrical balance Raphael's master, pays tribute to Florence and Romans in work, uses Biblical and contemporary people, intellectual path, perfectly symmetrical balance http://farm3.static.flickr.com/2053/3541397235_188f15359f.jpg

6. Asymmetrical Balance Asymmetrical balance is like having our fulcrum off center. Unequal weights need to be placed on either side of the fulcrum in order for balance to be in equilibrium. Visual weight will not be evenly distributed around a central axis and often you’ll find one dominant form on one side of the axis offset by several less dominant forms on the other. Asymmetrical balance is like having our fulcrum off center. Unequal weights need to be placed on either side of the fulcrum in order for balance to be in equilibrium. Visual weight will not be evenly distributed around a central axis and often you’ll find one dominant form on one side of the axis offset by several less dominant forms on the other. Asymmetrical balance is more dynamic as there’s more visual variety in design elements. It’s more interesting because of that variety, but also more difficult to achieve. Asymmetrical balance is more dynamic as there’s more visual variety in design elements. It’s more interesting because of that variety, but also more difficult to achieve. Elements in asymmetrical design will have more complex relationships between them and the overall design will use more whitespace to equalize the balance. Elements in asymmetrical design will have more complex relationships between them and the overall design will use more whitespace to equalize the balance. Asymmetrical design evokes modernism and feelings of forcefulness, vitality, and movement. Asymmetrical design evokes modernism and feelings of forcefulness, vitality, and movement.

7. In Kandinsky’s Composition #8 the dominant element is the dark circle in the upper left. No single element on the right side of the painting carries the same weight as this circle, but the dense line work on the right side carries enough weight together to give a counterbalance to the painting. Notice how the left side of the painting contains more whitespace, since the circle already carries enough weight for that side. In Kandinsky’s Composition #8 the dominant element is the dark circle in the upper left. No single element on the right side of the painting carries the same weight as this circle, but the dense line work on the right side carries enough weight together to give a counterbalance to the painting. Notice how the left side of the painting contains more whitespace, since the circle already carries enough weight for that side. http://www.ibiblio.org/wm/paint/auth/kandinsky/kandinsky.comp-8.jpg

8. "It is a commonplace about the classic phase of Mondrian's oeuvre that the artist achieves a subtle asymmetrical balance in his compositions. Much of our pleasure in engaging with these works seems to be appreciation of their balance, a balance which provokes our interest and awakens our admiration because it is so challenging. It strikes us not just as asymmetrical, which is not in itself remarkable, but as surprising, eccentric, improbable, even mysterious. The compositions are typically experienced as strong or stable yet also as dynamic, as containing the "equilibrated contrasts" "It is a commonplace about the classic phase of Mondrian's oeuvre that the artist achieves a subtle asymmetrical balance in his compositions. Much of our pleasure in engaging with these works seems to be appreciation of their balance, a balance which provokes our interest and awakens our admiration because it is so challenging. It strikes us not just as asymmetrical, which is not in itself remarkable, but as surprising, eccentric, improbable, even mysterious. The compositions are typically experienced as strong or stable yet also as dynamic, as containing the "equilibrated contrasts"

9. Radial Balance  Radial balance – all elements radiate in or out from the center. Think beams of light coming from the sun. It’s easy to maintain a focal point in radial balance as it will always be the center.

10. Close-up of a Rose Window in the Notre Dame Cathedral. The stained glass Rose Windows were built between 1250 and 1260. They still have the original glass. Many Gothic cathedrals like Notre Dame have circular stained glass rose windows. http://www.visitingdc.com/images/rose-window.jpg

11. Mosaic Balance  Mosaic balance – many elements on the page create a sort of balanced chaos. Think of a Jackson Pollack painting. Mosaic balance lacks hierarchy and can look like noise. It’s harder to define a single focal point in all the chaos.

12. JACKSON POLLOCK http://markandrews.edublogs.org/files/2011/01/pollockpic-15p6n9d.jpg http://www.arthistoryspot.com/wp-content/uploads/2010/02/painting_jackson_pollock.jpg