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Lecture 10 Dr Milena Škobo 2018/2019
ROBERT BROWNING ( ) Lecture 10 Dr Milena Škobo 2018/2019
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POPULARITY one of the most important poets of the Victorian period
dramatic monologues The Ring and the Book “The Pied Piper of Hamelin” –included in Bells and Pomegranites No. III. — Dramatic Lyrics (1842)
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BIOGRAPHY born on 7 May 1812 in Camberwell (London’s suburb)
father- the son of a wealthy banker; a clerk in the Band of England; scholarly interests, unusual educational practices; sent to the West Indies to make his fortune; his artistic dreams were destroyed due to the family necessity mother – religious, of German-Scotch origin, love of music both parents –supportive of their son’s profession
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EARLY CAREER search for an appropriate poetic form
Pauline: A Fragment of a Confession (1833) – Paracelsus (1835) alliance between Browning and the actor Macready resulted in two children poems: “The Cardinal and the Dog” -a short poem “The Pied Piper of Hamelin” – a narrative poem
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“The Pied Piper” Dramatic Lyrics and Romances “My Last Duchess”
“Porphyria’s Lover”
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“How They Brought the Good News from Ghent to Aix“
published in Bells and Pomegranates. No. VII.—Dramatic Romances & Lyrics (1845) printed separately included in children’s school texts
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MARRIAGE Elizabeth Barret Browning In 1846 they secretly married
Robert Wiedemann Barrett Browning (“Pen”) Browning took particular responsibility for his son’s education
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THE BROWNING SOCIETY dedicated to the study of the poet’s work and thought “The Cardinal and the Dog” Wanley’s Wonders of the Little World
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CRITICAL EVALUATION T.S. Eliot Ezra Pound Period after the WWII
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THE RENAISSANCE vs. VICTORIAN TIME
a new realism - (“Fra Lippo Lippi”) traditional, more abstract and more didactic forms of art were losing favor the shifting views on art and morality in Browning’s time
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THE RENAISSANCE vs. VICTORIAN TIME
“The Bishop Orders His Tomb“ “My Last Duchess”
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REDEFINITION OF THE AESTHETIC
colloquialism inarticulate sounds (like “Grr”) rough meter disjunction between form and conflict between two moral contentions conflict between aesthetics and ethics as systems
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WOMEN home - the repository of traditional values
Women’s violent death = the death of society struggle between aesthetics and morals in Victorian art to preservation of a society that has already changed beyond recognition
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’MY LAST DUCHESS’ a dramatic monologue
published in Dramatic Lyrics and Romances Alfonso, the Duke of Ferrara rhyming pentameter lines enjambment
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The Italian Renaissance
the flowering of the aesthetic and the human and The flowering of the religious and the moral the temporal setting Woman - victim of a male desire to inscribe and fix female sexuality
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“My Last Duchess” The desperate need to control and fix women’s sexuality Man’s exercise of power in the Renaissance
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“My Last Duchess” reader is forced to become involved in the poem in order to understand it Which aspect of the poem dominates: the horror of the Duchess’s fate, or the beauty of the language and the powerful dramatic development?
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Does art have a moral component, or is it merely an aesthetic exercise?
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