Presentation is loading. Please wait.

Presentation is loading. Please wait.

Sonnets 14 line lyric Single stanza Iambic pentameter line

Similar presentations

Presentation on theme: "Sonnets 14 line lyric Single stanza Iambic pentameter line"— Presentation transcript:

1 Sonnets 14 line lyric Single stanza Iambic pentameter line
Intricate rhyme scheme Often written in narrative sequences—sonnet sequence Often concerned with love and desire Diversity of sonnet models

2 Italian/Petrarchan Sonnet
Named for Petrarch 2 main units Octave—eight line section—rhyming abbaabba Sestet—six line section—rhyming cdecde or variation (e.g. cdccdc) Octave presents problem or poses scenario that is answered or resolved in sestet Becomes imitated in English by Milton, Wordsworth, and Rossetti

3 English Sonnet Also known as Shakespearean sonnet
Three quatrains (4 line poetic section) with a final couplet abab cdcd efef gg Presents three views of perspectives on a problem or scenario with epigrammatic conclusion in final couplet Flourishes in Renaissance—time of cultural renewal and revival in which classical texts are rediscovered and re-valued

4 Spenserian Sonnet Minor variation of English sonnet
Still thee quatrains and final couplet Quatrains linked by continuing rhyme abab bcbc cdcd ee

5 Sonnet Great diversity of form and subject matter
Initially about love and courtship Becomes used to address religious, political, and personal issues Can be presented as occasional poem—poems that memorialize or celebrate specific day or occasion Can be presented in sequence

6 Poetic features of sonnet
Conceits—yoking together of disparate concepts or images Metaphor—expression in which one kind of concept or activity is compared or applied to notably distinct kind of concept or activity (e.g. he’s a fox) Metonymy—literal term for one concept or action is used to denote closely related concept or action (e.g. crown)

7 Poetic features of sonnet
Synecdoche—a part of concept or thing is used to denote the whole of concept or thing (40 head [of cattle]) Petrarchan conceit—conceits (usually about women, love, and beauty)used in love poems that were original when Petrarch used them but became hackneyed and parodied by later English writers

8 Things we see in the sonnet
Organic form—internal form, structure, balance, and organization Stock characters—recognizably conventional figures Stock responses—recognizably conventional responses Stock situations—recognizably conventional settings

9 Things we see in the sonnet
Antitype—New Testament correlatives to Old Testament Types Blazon—Poetic technique in which individual (often woman) is imagined or portrayed by partitioning the body into specified metaphors; mock-heraldic descripton Bombast—pretentious, verbose, and inflated diction that is notably inappropriate to the matter it signifies

10 More poetic genres Dramatic Monologue—lyric poem in which speaker other than poet addresses a distinct individual in an identifiable situation to expose speaker’s character Dramatic Lyric—similar to dramatic monologue; lyric monologue in which focus is on speaker’s own arguments rather than revealing speakers character

11 More poetic genres Idyll—narrative verse that relies upon pastoral techniques Prose poem—19th-century development; compact and clearly rhythmic verse written as perpetual sequence of sentences without line breaks

12 Francis Petrarch (1304-1374) Great Italian poet
Credited with creating sonnet Consciously modern poet Seeks to break from medieval learning and customs Writes on cusp of modernity Writes of desire for elusive woman dubbed Laura in Rime Sparse

13 Francis Petrarch (1304-1374) Humanistic training
Modern sense of alienation in world Documents diverse effects of his powerful love for Laura Struggles to reconcile earthly and spiritual love

14 Francis Petrarch (1304-1374) Sonnets have confessional tone
Adopts poetic conventions of Apollo pursuing Daphne Internal male poet revealed through physical descriptions of external female Petrarchan style becomes imitated and parodied by English sonneteers

15 Petrarch, “Sonnet” 1 Addresses reader and prospective reader
Poet seeking pity not pardon Ashamed to have received so much publicity Result of shame

16 Petrarch, Sonnet #3 “Taken” by Laura on anniversary of Christ’s death
Didn’t think he needed to protect himself from love on such a day Love finds him disarmed

17 Petrarch, Sonnet 61 Blesses time and place when 1st saw Laura
Blesses pain and wounds of love Blesses despair of lovel Blesses his own fame derived from sonnets

18 Petrarch, Sonnet 90 Laura used to have wild golden hair and bright eyes Laura used to walk as angel—divine on earth Would of love still bleeds even if such may no longer be true

19 Petrarch, Sonnet 333 To go to Laura’s grave Poet sick of living
Only business is to praise Laura Asks Laura may be by his side as he dies

20 Sir Philip Sidney Great English sonneteer Modifies sonnet
Writes lengthy sonnet sequence—Astrophil and Stella Also known for prose romances and literary criticism

21 Sidney, Sonnet 1 English sonnet Opening sonnet of Astrophil and Stella
Poet to relate his pain to give beloved pleasure Hoping she’ll read them His words want invention Struggling to write Muse tells him to look to his heart to write

22 Sidney, Sonnet 2 Variation of English sonnet rhyme scheme
Wounded by love Forced to agree to love’s decrees Tries to convince himself he’s happy as he documents his misery

23 Sidney, sonnet 7 English sonnet Stella’s eyes as nature’s chief works
Questions why her eyes so bright Offers different explanations

24 Sidney, sonnet 39 English sonnet Calls on sleep Sleep as balm
Sleep to calm his internal civil wars If he doesn’t sleep—Stella’s image to be livelier

25 Sidney, Sonnet 72 Variation on rhyme scheme of English sonnet
Addresses desire as old companion Must depart beloved—virtue? Attempts to banish desire—how?

26 William Shakespeare, Sonnet 18
English sonnet Beloved more lovely than a summer’s day Beloved does not fade Endurance of poetry

27 Shakespeare, Sonnet 73 English sonnet
Autumnal tone—autumnal time of life Glow of fire on ashes of youth Fire consumed by source of nourishment

28 Shakespeare, Sonnet 116 English sonnet
Attempt to define love/absence of love Does not alter Does not bend Ever-fixed mark Not time’s fool Lasts till edge of doom Witty epigrammatic closing couplet

29 Shakespeare, Sonnet 130 Anti-blazon Parodies Petrarchan conceits
Coral more red than beloved’s lips Snow far more white than beloved’s breasts Wire as hair Does the poet still uphold his lady?

30 Edmund Spenser, Sonnet 1 Taken from Amoretti Spenserian sonnet
Slight variation on English sonnet Continues one rhyme from each couplet Love/captivity Writes with tears Devoted poet—poems aimed to please beloved alone

31 Spenser, Sonnet 54 Spenserian sonnet Poet’s love idly sits
Can make mirth or tragedy Beloved mocks his comedy and laughs at his tragedy Nothing can move this woman

32 Spenser, Sonnet 64 Spenserian sonnet Trying to kiss beloved
Blazon of woman Beloved’s smell better than smell of all these flowers

33 Christopher Marlowe, “The Passionate Shepherd to His Love”
Not a sonnet Contemporary of Shakespeare, Sidney, and Spenser Invitation to love poem—Carpe diem tropes Pastoral imagery Poet will adorn beloved with nature Dress “organically” Carpe diem trope dependent on pleasing beloved

34 John Milton, “How Soon Hath Time”
Italian sonnet New sonnet subject matter No longer concerned with love, desire, and courtship Far more personal sonnets Religious implications Time stealing youth Perhaps he can deceive Time pays evenly

35 Milton, “When I consider How My Light is Spent”
Italian sonnet Life half over Going blind Questions why he should continue How can he serve God? Told he need not see to serve God God happy when we bear our mild yoke—or when we simply stand and wait

36 William Wordsworth, “Composed upon Westminster Bridge”
Italian sonnet Natural splendor surrounds him City wears beauty of nature like garment Yet city still asleep—might heart of human energy and potential latent

37 Wordsworth, “London, 1802” Italian sonnet
Employs trope of occasional poem England needs Milton now England in state of turmoil Claims English are selfish men Great admiration for energy and vision of Milton

38 Wordsworth, “The world is too much with us”
Italian sonnet Have become too worldly Lost touch with nature Out of tune No longer moved by nature Turns to pagan alternatives for vivacious imagery of sestet

39 John Keats, “On First Looking into Chapman’s Homer”
Commemorates his reading of George Chapman’s English translation of Homer He’s traveled plenty He’s read plenty He’s heard of Homer Everything changes when he reads Chapman’s translation Images of astrology, conquest, exploration to describe experience of opening Chapman’s translation

40 Reading poetry Be attuned to unusual word order
Example from Paradise Lost Him the Almighty Power Hurled headlong, flaming from the ethereal sky With hideous ruin and combustion down To the bottomless perdition, there to dwell In adamantine chains and penal fire, Who durst defy the Omnipotent to arms. (lines 44-49)

41 Reading Poetry Example from Paradise Lost do s av John asked whom to the prom Mary, the girl whom John asked to the prom, is going a member of Key Club and Beta Club. subject verb do the Almighty Power [God] / Hurled him [Satan] down

42 Try asking the 6 Ws Who? (Subject) The Almighty Power [God]
Did What? (verb) What did God do? Hurled To whom? Him [Satan}, Where? Down to the bottomless perdition Why? [Satan did] defy the Omnipotent [God] to arms When? (does not say)

43 Ask- Under what condition? in adamantine [hard, inflexible] chains and penal [punishing] fire How? Headlong [pitched him headfirst], flaming from the ethereal sky with hideous ruin and combustion

44 Epigrams by Ben Franklin
There never was a good war nor a bad peace. Time is money. Love your neighbor, but don’t pull down your hedges. God helps them that help themselves. Fish and visitors smell after three days. Dost thou love life? Then do not squander time, for that is the stuff life’s made of.

45 Epigram by Ben Franklin
The Body of B. Franklin, Printer; Like the Cover of an old Book, Its Contents torn out, And stript of its Lettering and Gilding, Lies here, Food for Worms. But the work shall not be wholly lost: ,

46 A Printer’s Epitaph (1728) cont.
For it will as he believ’d appear once more, In a new and more perfect Edition Corrected and amended By the Author. He was born Jan. 6, Died 17—

Download ppt "Sonnets 14 line lyric Single stanza Iambic pentameter line"

Similar presentations

Ads by Google