1. Interpreting Art Library Research Workshop, Spring 2018

2. Research Help

3. Something, something, fashion in art ….
The Topic:
Something, something, fashion in art ….
Books

5. Books Start with a simple keyword search. Ex: fashion and art
Use hyperlinked subjects to narrow your results. Ex: “fashion in art” – “clothing and dress in art”
Expand your search further with WorldCat.
Narrow your search by focusing on a single artist or art style.
Books

6. Journals

8. Journals

9. Images
Figure 1 Adélaïde Labille-Guiard, Portrait of a Woman (ca. 1787), oil on canvas. Musée des Beaux-arts de Quimper, [Public domain], via Wikimedia Commons

10. Images
Figure 2 Louise-Elisabeth Vigée-Lebrun, self portrait (1800), oil on canvas. Hermitage Museum.

11. Images

12. Images
Figure 3 Thomas Eakins, The Old-Fashioned Dress (Portrait of Helen Montanverde Parker) (c. 1908), oil on canvas. Philadelphia Museum of Art, gift of Mrs. Thomas Eakins and Miss Mary Adeline Williams, 1929.

13. Images Make your own Scan, copy, or click
Hyde, Melissa. "The "Makeup" of the Marquise: Boucher's Portrait of Pompadour at Her Toilette." The Art Bulletin 82, no. 3 (2000): doi: /
Figure 4 François Boucher, Jeanne-Antoinette Poisson, Marquise de Pompadour (1758), oil on canvas. Cambridge, Mass., Fogg Art Museum, Bequest of Charles E. Dunlap.

14. Digital Copies Galore Pick the best
Images
Figure 4 François Boucher, Jeanne-Antoinette Poisson, Marquise de Pompadour (1758), oil on canvas. Fogg Museum, [Public domain], via Wikimedia Commons

15. Chicago-style

16. Images
Chicago-style
A note that describes the image stays with the image. Typically the note is below the image.

17. Images
Figure 17 Adélaïde Labille-Guiard, Self-Portrait with Two Pupils, Oil on canvas, 83 x 59.5 in. The Metropolitan Museum of Art. Wikimedia Commons. [URL]
Chicago-style

18. Book
Chicago-style
Write the first note, the subsequent note and the citation for the bibliography.

19. Chicago-style Book Note:
2. Aileen Ribeiro, Ingres in Fashion: Representations of Dress and Appearance in Ingres’s Images of Women (New Haven: Yale University Press, 1999), 12.
Shortened Note:
4. Ribeiro, Ingres in Fashion, 37.
Bibliography:
Ribeiro, Aileen. Ingres in Fashion: Representations of Dress and Appearance in Ingres’s Images of Women. New Haven: Yale University Press, 1999.
Chicago-style

20. Chicago-style Book Chapter
Write the first note, the subsequent note and the citation for the bibliography.

21. Chicago-style Book Chapter Note:
2. Bella Mirabella, “Embellishing Herself with a Cloth: The Contradictory Life of the Handkerchief,” in Ornamentalism: The Art of Renaissance Accessories, ed. Bella Mirabella (Ann Arbor: University of Michigan Press, 2011), 62.
Shortened Note:
4. Mirabella, “Embellishing Herself,” 73.
Bibliography:
Mirabella, Bella. “Embellishing Herself with a Cloth: The Contradictory Life of the Handkerchief.” In Ornamentalism: The Art of Renaissance Accessories, edited by Bella Mirabella, Ann Arbor: University of Michigan Press,
Chicago-style

22. Chicago-style Journal Article
Write the first note, the subsequent note and the citation for the bibliography.

23. Chicago-style Journal Article Note:
2. Susan L. Siegfried, “The Visual Culture of Fashion and the Classical Ideal in Post-Revolutionary France,” Art Bulletin 97, no. 1 (2015): 79,
Shortened Note:
4. Siegfried, “The Visual Culture of Fashion,” 77.
Bibliography:
Siegfried, Susan L. "The Visual Culture of Fashion and the Classical Ideal in Post-Revolutionary France." Art Bulletin 97, no. 1 (2015):

24. Chicago-style Website
It is often sufficient simply to describe web pages and other website content in the text (“As of May 1, 2017, Yale’s home page listed . . .”). If a more formal citation is needed, it may be styled like the examples below. For a source that does not list a date of publication or revision, include an access date (as in example note 2).
Chicago-style

25. Chicago-style Website
Write the first note, the subsequent note and the citation for the bibliography.

26. Chicago-style Website Note:
2. “Vigée Le Brun: Woman Artist in Revolutionary France,” Metropolitan Museum of Art exhibition, February 15 – May 15, 2016, accessed January 30, 2018,
Shortened Note:
4. “Vigée Le Brun.”
Bibliography:
“Vigée Le Brun: Woman Artist in Revolutionary France.” Metropolitan Museum of Art exhibition, February 15 – May 15, Accessed January 30,

27. Ibid.
An abbreviation of ibidem, meaning “in the same place”
Use “Ibid.” when citing the same source multiple times in a row.
_______________
1. Levi-Strauss, Structural Anthropology, 131.
2. Ibid., 135.
3. Ibid.
4. Levi-Strauss, The Raw and the Cooked, 52.
5. Ibid.
Chicago-style

28. Chicago-style Instead of ibid.
Use of “ibid.” The abbreviation ibid. (from ibidem, “in the same place”) traditionally refers to a single work cited in the note immediately preceding. In electronic formats that link to one note at a time, however, ibid. risks confusing the reader. Thus, in a departure from previous editions, CMOS 17 will discourage the use of ibid. in favor of shortened citations. To avoid repetition, the title of a work just cited may be omitted. (NB: CMOS 17 does not prohibit the use of ibid. and continues to explain how to use it.) An example of notes avoiding the use of ibid.:
Chicago-style
1. Morrison, Beloved, Morrison, Morrison, Morrison, 24– Morrison, Song of Solomon, 401–2. 6. Morrison, Díaz, Oscar Wao, 37– Morrison, Song of Solomon, Díaz, Oscar Wao, Díaz, 201– Morrison, Song of Solomon, 240; Beloved, Morrison, Beloved, 33.

29. Chicago-style Electronic Sources OR
For sources consulted online, include a URL or the name of the database. Many journal articles, ebooks and chapters in ebooks list a DOI (Digital Object Identifier). A DOI forms a permanent URL that begins This URL is preferable to the URL that appears in your browser’s address bar.
Chicago-style
Radisich, Paula Rea. "Que Peut Définir Les Femmes?: Vigée-Lebrun's Portraits of an Artist." Eighteenth-Century Studies 25, no. 4 (1992): doi: / OR
Radisich, Paula Rea. "Que Peut Définir Les Femmes?: Vigée-Lebrun's Portraits of an Artist." Eighteenth-Century Studies 25, no. 4 (1992):
Radisich, Paula Rea. "Que Peut Définir Les Femmes?: Vigée-Lebrun's Portraits of an Artist." Eighteenth-Century Studies 25, no. 4 (1992):
Radisich, Paula Rea. "Que Peut Définir Les Femmes?: Vigée-Lebrun's Portraits of an Artist." Eighteenth-Century Studies 25, no. 4 (1992): JSTOR.

30. Chicago-style Bibliography
1. The bibliography includes all sources consulted, and is arranged in alphabetical order by last name of author, or by title if no author is given.
2. Each source is cited in a separate paragraph formatted with a hanging indent.
3. Authors’ first names are spelled out when known, middle names are given as initials only.
4. Only the first author’s name is inverted. Use “and”, not “&” to add the last author’s name.
Jacobs, Sue-Ellen, Wesley Thomas, and Sabine Lang, eds. Two- Spirit People: Native American Gender Identity, Sexuality, and Spirituality. Urbana: University of Illinois Press, 1997.
Chicago-style

31. Chicago-style Bibliography
5. In the case of multiple entries for the same author, replace the author’s name in subsequent entries with a 3-em dash.
Judt, Tony. A Grand Illusion? An Essay on Europe. New York: Hill and Wang, ———. Reappraisals: Reflections on the Forgotten Twentieth Century. New York: Penguin Press, 2008.
6. Capitalize important words in titles and italicize book and journal titles.
History of Philosophy Quarterly
7. Volume number follows journal title—no italics. Issue number is preceded by “no.” and followed by the year in parentheses.
History of Philosophy Quarterly 103, no. 2 (2008)
8. Quotation marks go around article and chapter titles. Weinstein, Joshua I. “The Market in Plato’s Republic.” Classical Philology 104 (2009): 439–58.
Chicago-style

32. Questions?