1. English 1 Advanced: Class 10
Richard Wilson

2. Agenda
Registration
Idiom
Homework Review
Chapter 2: Third Reading

3. Notices

4. Quiz
Friday 18th April

5. Idiom

7. Thinking Outside the Box
“A way of solving a problem by thinking about it in different and unusual ways”
Thinking Outside the Box

9. Puzzle 1

10. The Ship

11. The Ship The ship is slowly sinking into the Pacific Ocean
None of the passengers are frightened or even worried.
How is this possible?

12. Answer

13. Puzzle 2

14. Murder in a Bar

15. Murder in a Bar
Dave & Paul met at a bar and both order vodka with ice.
Dave quickly drank his drink and ordered another, Paul was drinking slowly.
Paul suddenly falls dead. Dave is fine.
Someone had tried to kill both men.
Why did Paul die but Dave was ok?

16. Answer

17. Puzzle 3

18. The Cowboy

19. The Cowboy The Cowboy rode into town on Friday.
He stayed for 4 days, and then left on Friday.
How is this possible?

20. Answer
Friday

21. Puzzle 4

22. The Apartment

23. The Apartment A man lives on the 12th floor of the apartment block.
He always takes the elevator to the 8th floor, and then walks to the 12th floor.
Why does he do this?

24. Answer

25. Homework Review
Complete main ideas and close reading questions (chapter 2, reading 2). Then: Pg : Synonyms, Using the Dictionary, Word Forms

26. Main Ideas
Statements: 2 5 6 8

27. Close Reading
Statements: C B

28. Synonyms
Valuable
Food
Cross
Anger
Liquid

29. Using the Dictionary 1 4 3 1 2

30. Using the Dictionary 2 2 4 3 1

31. Word Forms 1 admire, admiring, admiringly
correspondence, corresponding, correspondingly
designation, designated
intensity, intensify, intense
permanent, permanently
pioneer, pioneer

32. Word Forms 2 designation pioneers correspond permanent intensity
admires

33. Reading 3: Abstract Impressionism
Pg. 47

34. Jackson Pollock ( )

36. Abstract
“art that does not attempt to represent reality, instead using only shapes, patterns and colours”

37. Expressionism
“a style of art where the painter attempts to express inner emotions rather than external reality”

38. Highlighting important information
Pg. 47

39. Paragraph 3
One of the best ways to understand Abstract Expressionism —or any art form— is through the words of an artist, while considering one of his paintings. One of the most famous Abstract Expressionists, or action painters, was Jackson Pollock (1912–1956), who created one of the most original forms of expression in the history of American painting.

40. Paragraph 4
In Pollock’s work Autumn Rhythm: No. 30, the paint is dribbled and flung upon the canvas , which, as Pollock worked on it, was placed flat on the floor rather than upright on an easel. The end result is unpremeditated, and the “happy accident” is an integral part of the imagery and a reference to its spontaneity. On an off-white ground, the primary color is black, with a secondary color of rust-orange and touches of numerous other hues.

41. Paragraph 5
The painting exists as an exciting aesthetic experience—an experience the viewer can share because the painting itself explains in an instant the process of its making. Typically of Pollock’s work, the overall effect is without depth of space or focal center. While the action glides across the surface, a structure, a unity, and even an order eventually evolve in the multitude of complexities.

42. Paragraph 6
It was noted in interviews that Pollock and other Abstract Expressionists “are not concerned with representing a preconceived idea , but rather with being involved with an experience of paint and canvas, without interference from the suggested forms and colors of existing objects. Pollock does not know beforehand how a particular work of his will end. He is impelled to work by the urge, the strong need, to create, and this urge and what it produces are forever unknowable. We can experience the unknowable but not understand it intellectually.”

43. Paragraph 7
“…when I am in my painting, I’m not aware of what I’m doing. It is only after a sort of ‘get acquainted’ period that I see what I have been about. I have no fear of making changes, destroying the image, etc., because the painting has a life of its own. I try to let it come through. It is only when I lose contact with the painting that the result is a mess. Otherwise there is pure harmony, an easy give and take, and the painting comes out well.”

44. Read In Full
Main Ideas & Close Reading Questions

45. Homework
Pg :
Vocabulary, Collocations, Synonyms & Antonyms