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Chapter 8 Using Television

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1 Chapter 8 Using Television
Kleppner’s Advertising Procedure, 18e Lane * King * Reichart

2 Learning Objectives Understand the diversified nature of the television industry. Describe the multiple roles of television as an advertising medium. Discuss the changing position of network television. Describe syndicated rating services and television research methodologies. Identify the various segments of television viewing. Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall

3 Pros of Using Television
99% of all U.S. households have television. TV’s combination of color, sound, and motion offer creative flexibility. Television is very efficient for large advertisers. Digital television will create new opportunities for advertising and programming. Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall

4 Exhibit 8.1 Creative Flexibility for Product Messages
Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall

5 Cons of Using Television
The television message is short-lived and easily forgotten without expensive repetition. The television audience is fragmented and skewed to lower income consumers. Shorter spots have contributed to commercial clutter. Channel surfing and recording have decreased the amount of time spent viewing commercials. Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall

6 Television Bureau of Advertising
Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall

7 Federal Communications Commission
The FCC is the federal authority empowered to license radio and television stations and to assign wavelengths to stations “in the public interest.” Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall

8 Limitations of Television
Cost: CPM for television still suggests medium can be cost-efficient compared to print Clutter: Commercials account for more than 80% of nonprogram material Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall

9 Rating Point A rating point is the basic measure of television audience; it is the percentage of television households in the market a television station reaches with a program. Rating = program audience /total TV households Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall

10 Gross Rating Points Gross rating points illustrate the weight of a schedule in terms of the total ratings for all spots bought. Each rating point represents 1% of the universe being measured for the market. GRPs are a function of reach and frequency. They are calculated by multiplying insertions by the rating. Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall

11 Exhibit 8.3 GRPs Measure Weight of a Schedule
Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall

12 Exhibit 8.4 Cost Per Point and Television Cost Efficiency
Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall

13 Share Share of audience is the percentage of households using television tuned to a particular program. Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall

14 Exhibit 8.5 Ad Spending by Type of Television
Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall

15 Exhibit 8.7 Historical Ratings
Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall

16 Network Television Networks are comprised of local stations that contract to carry network programming. Networks sell national advertising on the basis of station clearance. Compensation is a system whereby networks share advertising revenues with affiliates in return for using local station time for programs. Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall

17 Advertising Criteria for Network Television
Demographics CPM Demand Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall

18 Exhibit 8.8 Top Network Television Advertisers
Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall

19 Nuances in Television Availability (avails) of spot inventory are rationed so prime commercial spots are packaged with less popular spots Upfront buying refers to the season in which most prime-time spots are bought Scatter plan buys follow the up-front season and refer to quarterly buys throughout the year Make-goods are concessions to advertisers for a failure to achieve a guaranteed rating level Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall

20 Reasons to Buy Spot To allow network advertisers to provide additional GRPs in the markets with greatest sales potential To provide businesses with less than national distribution a means of avoiding waste circulation incurred by network television To allow network advertisers to control for uneven network ratings on a market-by-market basis To support local retailers Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall

21 Exhibit 8.10 Top Spot Television Advertisers
Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall

22 Dayparts Morning, 7:00-9:00am Monday-Friday
Daytime, 9:00am-4:30pm Monday-Friday Early fringe, 4:30-7:30pm Monday-Friday Prime-time access, 7:30-8:00pm Monday-Saturday Prime time, 8:00-11:00pm Monday-Saturday, 7:00-11:00pm Sunday Late news, 11:00-11:30pm Monday-Friday Late fringe, 11:30pm-1:00am Monday-Friday Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall

23 Local Television Advertising
Preemption rates Special features Run of schedule (ROS) Package rates Product protection Schedule rotation Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall

24 Television Syndication
Syndication is the sale of television programming on a station-by-station, market-by-market basis. Syndicated shows are sold on an advertiser-supported or barter basis. Syndicated shows may be off-network syndication or first-run programs. Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall

25 Need for Programming The number of television stations
means that there is a strong need for program content, like that offered by syndicated programs. Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall

26 Exhibit 8.12 Top Syndicated Television Advertisers
Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall

27 Exhibit 8.13 Top Cable Advertisers
Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall

28 Cable’s Success Factor: First-Run Programming
Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall

29 Reasons for Cable’s Attractiveness to Advertisers
Ability to target audiences Low cost Strong summer season Local and spot options Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall

30 Cable Operators Can Insert Commercials Such as This One into Their Local Systems
Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall

31 Time-Shift Viewing Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall

32 Exhibit 8.15 Top 10 Brands Appearing in a TV Program
Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall

33 Exhibit 8.15 Top 10 TV Programs Using Product Placement
Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall

34 Nielsen Media Research
is the primary supplier of syndicated television ratings. Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall

35 Nielsen’s People Meter
Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall

36 Nielsen Rating System: Areas of Concern
Sweeps weeks Diaries Exposure value Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall

37 TVQ Measures Show Popularity
Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall

38 For Discussion What has changed most for network television advertising over the last 25 years? Compare and contrast syndication and spot buying. What is the upfront buying season like? Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall


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