1. Introduction to world of digital photography
An Overview of digital camera technology, basic photographic techniques.

2. Digital Photography Technology
DSLR, Megapixels, Image stabilization, Dust Reduction, Live View, Sensors, facial recognition ????

3. Type of cameras
Point and Shoot
Prosumer
Digital SLR

4. Point and shoot cameras
Commonly referred to as “consumer digital cameras”.
Typically small, compact and lightweight
Targeted at broad majority
Typically very User-Friendly
Image Quality has improved drastically

5. Prosumer digital cameras
Common term used to describe advanced models of P&S (now also used to describe many entry level DSLR's)‏ Similar in shape and appearance to Digital SLR's Typically have extended zoom range (8-12X Optical Equiv)‏ Typically combine user friendly P&S features with more advanced manual features.

6. Digital Photography DSLR,
One should always spend 20% on Body and 80% on lens

7. Difference between DSLR and P&S

8. The short answer is.....Image Quality
But Why?
How can a 6 megapixel DSLR take a better picture than a 10 megapixel point and shoot?
Because Size Matters!

9. Digital sensor
Each digital image is made from millions of tiny squares, known as pixels.
An image is recorded by tiny micro lenses (pixels) which make up the cameras sensor

10. Digital sensor All Pixels are not created equal!
A digital sensor is essentially made up of millions of tiny micro-lenses (pixels)‏
Pixels are analog devices which record light and color data
Larger Sensors contain larger pixels, which are much better for collecting this data

11. Digital sensors
Full frame DSLR camera have 35 mm film camera size sensor.

12. Full-Frame versus APS-C Sized Sensors

13. Shutter Speed
Very Slow Shutter Speeds (5 sec. or slower) can be used in very low light situations to obtain correct exposure, or achieve dramatic effects.

14. Digital Camera Features and Technologies
Megapixels – Determine the total size (Dimensions) of the image recorded by camera
- More MP does not always mean a better picture
- Digital Image dimensions do not equal print dimensions
- For example a full quality image from an 8 megapixel camera
will produce a digital image measuring approximately 9X14 inches but printing standards say that you should not print to “Photo Quality” any larger than 8X10

15. What mega pixel do I need?
How many megapixels you need depends on the how you are going to use your images. 
Viewing On
Megapixels Needed
Computer Monitor / Online
1-3 megapixels
6x4 prints
2 megapixels
10x8 inch prints
5 megapixels
14x11 inch prints or larger
7 megapixels
If you only enjoy your photos on your computer screen, or uploading to a photo website to share with friends, you really only need a 1 megapixel camera. That is because your computer monitor is usually about 1000x1000 pixels = 1 megapixel! I'd err on the safe side and use a 3 megapixel camera or higher to enable cropping

16. Megapixel and output

17. Picture quality depends on?
The number of megapixels is only one aspect relating to actual quality of photo. Picture quality depends on camera sensor, lens and other elements like
Good lighting of a subject
Proper focus
Lens used
Camera shake
Proper camera settings used, highest resolution and quality camera setting

18. Camera Shake With Shake Without shaking
Modern camera comes with shake reduction technology called “Image stabilization” or “Vibration Reduction”

19. Image stabilization Nikon – VR – Vibration Reduction
Canon – IS – Image Stabilization
Pentax – SR – Shake Reduction
Sony – SSS – Super Steady-Shot
Sample images

20. How to hold the camera

21. Live View
Refers to the ability to use the lcd screen on the camera the same way you would use the viewfinder
Shots can be composed even while holding the camera away from your face
Originally only a feature in P&S, DSLR’s now use Live View also

22. Facial Recognition
Camera detects faces in your frame based on color, contrast change, etc.
Focus is automatically adjusted so detail in faces is high
Color and contrast are automatically adjusted to create pleasing skin tones

23. Shutter Speed
Refers to how long the shutter is open, exposing the image sensor to light.
(how long the camera “sees” the picture)‏
Measured in Seconds, from 30 down to 1/8000
Fast Shutter Speeds (600 and up) are used to stop motion and will freeze the subject.

24. Shutter Speed
Slow Shutter Speeds (1/60 or slower) can be used to portray movement or speed

25. Shutter Speed
Beware!
As your shutter speed decreases, your chances of getting a blurry image increase because you must hold the camera steady for a longer period.

26. Aperture
An aperture is defined as a hole or opening through which light is admitted.
Inside the camera lens is a system of blades which open and close to increase or decrease the opening through which light passes into the camera

27. Aperture
Often referred to as an f-stop, aperture is usually represented by: f/1.8, or f/5.6
A Smaller F number means a wider opening and is referred to as a larger value (eg. A large aperture of 2.0, a small aperture of 22)‏
The wider the lens is open(larger aperture value), the more light gets in (you can use faster shutter speeds)‏

28. Depth of field
Aperture also controls depth of field (DOF), which refers to how much of your image is in focus.
A wide aperture (small #) will give a shallow DOF and can be used to isolate a subject.

29. ISO - Sensitivity Refers to the light sensitivity of the sensor
HIGH ISO value means the sensor will be MORE sensitive to light, meaning it will take LESS LIGHT to get the right exposure
Similar to Film Speeds in 35mm format

30. ISO - Sensitivity
Noise is similar to film grain and causes loss of fine detail in images
It is more visible in dark parts of an image and is generally more noticeable when displayed on screen than in print

31. Exposure tringle

32. The fourth Element White Balance
White balance doesn't really affect your exposure, just the appearance of colors in the image
Different light sources cast their own colors, which cannot usually be noticed with the naked eye.
White Balance is essentially the camera compensating for the color cast of the light in order to reproduce the “correct” colors

33. Camera modes

34. Camera modes
Program Mode (P). Program Mode is a semi-automatic mode, and it's sometimes called Program Auto mode. The camera still controls most of the functions, but you are able to control ISO, white balance, and flash.
Auto Mode. This mode pretty much does exactly what it says on the dial. In Auto Mode, the camera will set everything for you -- from your aperture and shutter speed right through to your white balance and ISO. It will also automatically fire your pop-up

35. Camera modes
Aperture Priority Mode (A or AV). In Aperture Priority Mode, you have control over setting the aperture (or f-stop). This means that you can control both the amount of light that comes through the lens and the depth of field while photographing a stationary image that won't be affected by shutter speed.

36. Camera modes
Manual Mode (M). This is the mode that pro photographers use most of the time, as it allows complete control over all the camera's functions. Manual mode means that you can adjust all functions to suit lighting conditions and other factors. However, using manual mode requires a good understanding of the relationships between different functions -- in particular of the relationship between shutter speed and aperture.

37. The Rule of Thirds

38. Rule of Thirds
Again, the concept is simple: Place subjects along the lines, or near intersecting points
For portraits, the eyes are often positioned along one of the horizontal lines preferably near one of the power points to make the photograph more pleasing to look at, and naturally draw attention to the eyes.
For landscapes the horizon is aligned to any of the horizontal lines depending on how much land/water/sky you want to show.

39. Rule of Thirds Illustrated

40. Rule of Thirds Illustrated

41. Rule of Thirds Illustrated

42. Rule of Thirds Illustrated

43. Basic photography Visualize role in design and message
Composition & light
Visualize role in design and message
Survey different sources
Adjust or remove features to complement purpose
Choose simple, yet interesting composition
Select lighting that enhances subject or reinforces the message
Choose angle that best shows subject and reinforces the purpose
Use color when practical
Establish size, scale and orientation

44. Capture simple events

45. Keep it simple Keep background uncluttered Avoid mergers
Have single dominant subject

46. Single dominant subject

47. Avoid cluttered background

48. Avoid mergers

49. Angle Low angle High angle Avoid centered horizons Use the light
Clear sky backdrop
Accentuate movement or action
High angle
Eliminate cloudy sky
Avoid centered horizons
Use the light
Emphasize a point, tone

50. Angle

51. Framing Would this picture look better if I was closer?
Focus on subject
Detail
Start far and move closer
Fill the frame with objects that “fit”
Long range shots provide depth and perspective

52. Fill the frame

53. Fill the frame

54. Pick a good light direction
Three light directions
Front - sunny with high color
Side - depth and texture
Back - dynamic but challenging
Silhouettes and water effects

55. Light Direction?

56. Landscape tips Take pictures at the start and end of the day
Anticipate weather changes
Diffused light can highlight patterns and textures
Bright light highlights monochrome colors
Move around to exclude or block objects from view

57. Wildlife tips Fill the frame Avoid barriers
Shoot against the glass if in a car (no flash)
Use tripod
Blur background, or find simple one
Focus on the eyes
Go for natural poses, growls, yawns, etc.

58. Post Processing and Image Management
Digital Photo Professional by Canon
Nikon Capture Nx-D by Nikon
Photoscape
Photoshop

59. Thank You
HAPPY CLICKING With