2. Video Editing
BASICs
Presets (System, format, resolution, bitrate, fps)
Reset your workspace
Select a new folder, save
Import (photos, videos, music, audio)
Introduction to common tools
Simple edit (cut, delete, ripple delete)
Rearrange order of shots if required
Titles, subtitles
Matching visuals to sound, voiceover
Storytelling through sequence
Avoid jar shots and jump cuts
Avoid audio jerks

3. Video Editing ADVANCED Cut Tight Matching Action
Multiple Tracks editing
Adding Key frames
Adding extra motion
Mixing Audio video
Continuity Editing
Cut on Action
Color Correction
Stabilizer, effects, transition

4. Adobe Premiere Pro Some Techniques CUT TIGHT
(remove unnecessary pauses between the lines using cutaways)
AVOID Dragnet Style editing
Camera moves to A – Character A delivers dialogue
Camera moves to B – Character B delivers dialogue
AVOIDING this by using L-cut & J-cut, Use B-roll
AVOID JUMP CUT
You encounter this specially while editing interviews, use different angle (if you have multiple cameras, Or use cutaways)

5. Adobe Premiere Pro Don’t break the rule of 180
If by chance you have missed this, try to use cutaways or B-roll between such shots. Use shots that have at least 45 degree angle variation.
Cut on motion
In order to make the cut invisible, make sure you cut on the motion or action of the character.
Change Focal Length
Interchange between close up and medium shots.
Use WIPES as transition
Like: when a bus comes into your frame and covers all of it then you can show entirely a different scene in the next shot.

6. Adobe Premiere Pro Matching Action & Matching the scene
Continuity of action and continuity of direction
Motivation
Sometimes you want to change the angle just because the shot starting shaking or someone walked in front of the camera.
Edit out Mistakes
Both technical errors and your subjects’ mistakes can be omitted as far as it is ethical and that doesn’t produce an entirely wrong impression about the subjects.

7. Adobe Premiere Pro Video Transitions
Cuts: simple cuts joining two footage together.
Used when the story flows, without changes in the scene, context and setting. Best when editing to the beat of music.
Don’t use it if there will appear video jars.
Dissolve: To keep the flow. To create some nostalgia (like going through the photographs of past using dissolve)
Do not use dissolve from A-roll to B-roll or vice versa. Also don’t use it if your video was done handheld. It looks messy. Dip to color is best when transitioning from live action to graphics.

8. Adobe Premiere Pro Video Transitions
Slide: One footage pushes or slides the previous one.
Used when there is a major shift in the story. Don’t use it when the pace of video is slow.
Wipe: When the next footage is of a different location or has a major transition between the occurrence of the two.
The best use is when someone comes into the frame covering all of it, and you want to move to another different setting or location. Don’t use it for no reason like when action or scene in the next footage is a continuation of the previous one.

9. Adobe Premiere Pro Watch some useful clips here
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10. Adobe Premiere Pro Exporting
Use Media Encoder if available. That will help you queue up multiple sequences while also working on your other projects.
Select the best settings
Video for Web
iPhone, android, tablets
Desktop
DVDs
Television

11. Review