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Media Ecology of Marshall McLuhan
25 Media Ecology of Marshall McLuhan
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Media Ecology The Medium Is the Message The Challenge of Media Ecology
Slide 2 Media Ecology The Medium Is the Message The Challenge of Media Ecology Media Analysis of Human History Ethical Reflection: Postman’s Faustian Bargain Critique: How Could He Be Right? But What If He Is?
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Slide 3 Media Ecology For McLuhan, changes in technology alter the symbolic environment Symbolic environment – socially-constructed, sensory world of meanings
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The Medium Is the Message
Slide 4 The Medium Is the Message Media – generic term for all human-invented technology that extends the range, speed, or channels of communication
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The Medium Is the Message
Slide 5 The Medium Is the Message Medium – specific type of media: book, newspaper, radio, television, telephone, film, website, , etc. McLuhan saw message and medium as one and the same We focus on content and overlook medium even though content does not exist outside of the way it is mediated
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The Medium Is the Message
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The Medium Is the Message
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The Challenge of Media Ecology
Slide 8 The Challenge of Media Ecology Media ecology – study of different personal and social environments created by use of different communication technologies Evaluating the ecology of media is difficult because all environments are inherently intangible and interrelated
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The Challenge of Media Ecology
Slide 9 The Challenge of Media Ecology Invisibility of environments It is not technological abnormality that demands attention; we need to focus on the everyday experience of technology Technology – according to McLuhan, human inventions that enhance communication The ordinariness of media make them invisible
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The Challenge of Media Ecology
Slide 10 The Challenge of Media Ecology Complexity of environments Overdetermination – equifinality; a systems theory assumption that a given outcome could be effectively caused by any or many interconnected factors McLuhan traced major ecological shifts in media throughout human history
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A Media Analysis of Human History
Slide 11 A Media Analysis of Human History McLuhan divided human history into 4 periods or epochs Tribal age Literate age Print age Electronic age
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Media Analysis of Human History
Slide 12 Media Analysis of Human History 1. The Tribal Age: An Acoustic Place in History Tribal age – acoustic era; a time of community because the ear is the dominant sense organ
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Media Analysis of Human History
Slide 13 Media Analysis of Human History 2. The Age of Literacy: A Visual Point of View Literary age – a visual era; a time of private detachment because the eye is the dominant sense organ
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Media Analysis of Human History
Slide 14 Media Analysis of Human History 3. The Print Age: Prototype of the Industrial Revolution Print age – visual era; mass produced books usher in the industrial revolution and nationalism, yet individuals are isolated
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Media Analysis of Human History
Slide 15 Media Analysis of Human History 4. The Electronic Age: The Rise of the Global Village Electronic age – era of instant communication; a return to the global village with the all-at- once sound and touch
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Media Analysis of Human History
Slide 16 Media Analysis of Human History 5. The Digital Age? Rewiring the Global Village Digital age – possible fifth era of specialized electronic tribes, contentious over diverse beliefs and values
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Figure 25-1: Marshall McLuhan’s Media Map of History
Slide 18 Figure 25-1: Marshall McLuhan’s Media Map of History
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McLuhan
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Media Types Hot Media Cold Media Effect of media type convergance
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Ethical Reflection: Postman’s Faustian Bargain
Postman’s questions New technology always presents us with a Faustian bargain – deal with the devil; selling your soul for temporary earthly gain
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Critique: How Could He Be Right? But What If He Is?
Slide 23 Critique: How Could He Be Right? But What If He Is? McLuhan’s theory suggests objectivity without scientific evidence Faced harsh criticism from scholarly community Difficult to be certain what he said Has heightened awareness of possible cultural effects of new media technologies
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