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MLA 2 (7 th edition) Publisher Imprints Multiple Publishers Introductions, etcIntroductions, etc.

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Presentation on theme: "MLA 2 (7 th edition) Publisher Imprints Multiple Publishers Introductions, etcIntroductions, etc."— Presentation transcript:

1 MLA 2 (7 th edition) Publisher Imprints Multiple Publishers Introductions, etcIntroductions, etc.

2 Publisher’s Imprint  Imprints are special names  Doubleday Publishers  Anchor Books  Crime Club  Double D Western

3 Publisher’s Imprint  If an imprint is on the title page with the publisher’s name: PERENNIAL LIBRARY HARPER & ROW, PUBLISHERS, New York Cambridge, Philadephia, San Francisco, Washington, London, Mexico City, Sao Paulo, Singapore, Sydney

4 Publisher’s Imprint  State the imprint  Follow it by a hyphen and the name of the publisher  New York: Perennial-Harper,  Anchor-Doubleday  Collier-Macmillan  Vintage-Random

5 Multiple Publisher’s  If title page lists more than one publisher  Not just two or more offices of the same publisher  Include all of them In the order given Putting a semi-colon (;) after the name of each but the last.

6 Multiple Publisher’s UNIVERSITY OF TORONTO PRESS Toronto and Buffalo ROUTLEDGE London Toronto: U of Toronto P; London: Routledge,

7 Multiple Publisher’s Wells, H.G. The Time Machine. London: Dent; Rutland: Tuttle, 1992. Print. Tomlinson, Janis A., ed. Goya: Images of Women. Washington: Natl. Gallery of Art; New Haven: Yale UP, 2002. Print.

8 An Introduction, a Preface, a Foreword, or an Afterword  An introduction subject of the book introduce the topic explain the author’s the point of view discuss the organization/approach taken in the book and state the purpose and goals of the book.

9 An Introduction, a Preface, a Foreword, or an Afterword  A preface written by the book’s author remarks from the author to the reader address where the idea for the book came from the purpose and scope of the book  can also include acknowledgments and thanks to people who helped the author create the book. should end with the initials, date, and location of the author.

10 An Introduction, a Preface, a Foreword, or an Afterword  A foreword  written by a content expert or leader other than the book’s author  discusses the relationship between the content expert and the subject of the book  is signed by its creator  for a subsequent edition, the foreword should also discuss what is different from the previous edition.

11 An Introduction, a Preface, a Foreword, or an Afterword  Afterword end section of book a short concluding section added at the end of a literary work  as an epilogue Usually written by the author  or a commentary of some kind Usually written by an expert or critic

12 An Introduction, a Preface, a Foreword, or an Afterword  Name of its author  Name of the part being cited Capitalized Neither italicized nor enclosed in quotation marks Sears, Barry. Afterword.

13 An Introduction, a Preface, a Foreword, or an Afterword  Cite the author of the complete work after its title, giving the full name in normal order.  Precede by the word By. Sears, Barry. Afterword. The Jungle. ……By Upton Sinclair.

14 An Introduction, a Preface, a Foreword, or an Afterword  If the author of the introduction, preface, etc. is also the writer of the complete work, Use only the last name after By. Borges, Jorge Luis. Foreword. Selected ‘’’’’’’’’’’ Poems, 1923-1967. By Borges.

15 An Introduction, a Preface, a Foreword, or an Afterword  Continue with full publication info.,  The inclusive page numbers of the part you are citing,  And, finally, the medium of publication. Sears, Barry. Afterword. The Jungle. ……..…By Upton Sinclair. New York: ……..Signet, 2001. 343-47. Print.

16 An Introduction, a Preface, a Foreword, or an Afterword Coetzee, J. M. Introduction. The Confusions of Young Torless. By Robert Musil. Trans. Shaun Whiteside. New York: Penguin, 2001. v-xiii. Print.


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