POST IMPRESSIONISM. Wanted art to be more substantial, not dedicated wholly to capturing fleeting moments Split PI into 2- like Neo and Rom from earlier.

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POST IMPRESSIONISM

Wanted art to be more substantial, not dedicated wholly to capturing fleeting moments Split PI into 2- like Neo and Rom from earlier Seurat and Cezanne more scientific design, formal (dots/ color planes) Gauguin, van Gogh and Lautrec- emphasis on emotions through color and light Cubism and Surrealism grew out of these movements

Georges Seurat, Bathers at Asnières, 1884, oil on canvas, 6.6 x 9.8 ft (National Gallery, London)

Georges Seurat, A Sunday on La Grande Jatte , , oil on canvas, 81-3/4 x 121-1/4 inches / x cm (The Art Institute of Chicago).

Henri de Toulouse-Lautrec, At the Moulin Rouge, , oil on canvas, 48-1/2 x 55-1/2 inches / 123 x 141 cm (Art Institute of Chicago)

Moulin Rouge: La Goulue, 1891, Henri de Toulouse– Lautrec, Lithograph printed in four colors; three sheets of wove paper; 74 13/16 x 45 7/8 in.

Paul Cezanne, Mont Sainte Victoire, , Philly Museums

Cézanne, Still Life with Apples, (MoMA).

Paul Cezanne, Large Bathers, 1906, Philly Museum

Vincent van Gogh, Self-Portrait with Bandaged Ear, 1889, oil on canvas, 60 x 49 cm (Courtauld Galleries, London)

Vincent van Gogh, The Bedroom, 1889, oil on canvas, 29 x 36-5/8 inches / 73.6 x 92.3 cm (Art Institute of Chicago)

Vincent van Gogh, Starry Night over the Rhone,1888, oil on canvas, 72 x 92 cm (Musée d'Orsay)

Paul Gauguin, The Vision after the Sermon (Jacob Wrestling with the Angel) Scottish National Gallery, 2′ 5″ x 3′ 0″, 1888, Oil paint

Paul Gauguin, Ia Orana Maria, 1891, Oil on canvas, Met

Paul Gauguin, The Day of the God (Mahana No Atua) 1894, Oil on canvas 26 ¾ x 36 3/4, Art Institute Chicago

artist ArtistSeuratToulouse- Lautrec CezanneGauginvan Gogh Subjects Signature/ brushstroke Style/ Mood Advice

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