How Advertising Works. CHICK-FIL-A BUILDS BRAND WITH RENEGADE COWS \ They’re outnumbered 15 to 1 in store count and outspent 60 to 1 in media by the big.

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Presentation transcript:

How Advertising Works

CHICK-FIL-A BUILDS BRAND WITH RENEGADE COWS \ They’re outnumbered 15 to 1 in store count and outspent 60 to 1 in media by the big fast food chains. So how did they build their brand? Closed on sundays #1 in sales per branch $2.7 Mil.

HOW DOES ADVERTISING WORK AS COMMUNICATION? EFFECTIVE ADVERTISING IS A MESSAGE TO A CONSUMER ABOUT A BRAND. IT GETS ATTENTION, PROVIDES INFORMATION, AND SOMETIMES ENTERTAINS. IT SEEKS TO CREATE A RESPONSE, SUCH AS AN INQUIRY, A SALE, OR WEB SITE VISIT. 4-11

THE COMMUNICATION MODEL MASS COMMUNICATION IS GENERALLY A ONE-WAY PROCESS WITH THE MESSAGE MOVING FROM SENDER TO RECEIVER. FEEDBACK IS OBTAINED BY MONITORING THE RECEIVER’S RESPONSE TO THE MESSAGE.

THE COMMUNICATION MODEL INTERACTIVE COMMUNICATION IS TWO- WAY—A DIALOGUE—AND THIS IS WHERE MARKETING COMMUNICATION IS HEADED. THE SOURCE AND RECEIVER CHANGE POSITIONS AS THE MESSAGE BOUNCES BACK AND FORTH BETWEEN THEM.

ADDING INTERACTION TO ADVERTISING IF ADVERTISERS WANT TO OVERCOME THE IMPERSONAL NATURE OF MASS COMMUNICATION, THEY NEED TO LEARN TO RECEIVE (LISTEN) AS WELL AS SEND INFORMATION. THE INTERNET HAS CREATED OPPORTUNITIES FOR WEB SITES, CHAT ROOMS, , AND BLOGS TO INTERACT TWO-WAY INTERACTION IS AN OBJECTIVE OF INTEGRATED MARKETING COMMUNICATIONS NOW, FEEDBACK IS OCCURRING IN REAL TIME. THROUGH PERSONAL SELLING, CUSTOMER SERVICE, ONLINE MARKETING, RESPONSE DEVICES, TOLL-FREE NUMBERS, AND .

The Facets Model of Effects Does a more complete job of explaining how advertising creates consumer responses. Useful in both setting objectives and evaluating advertising effectiveness The six facets come together to make up a unique customer response to an advertising message.

SEE/HEAR: THE PERCEPTION FACET Perception: the process by which we receive information through our five senses and assign meaning to it. Selective perception: Consumers select messages to which they pay attention.

SEE/HEAR: KEY FACTORS DRIVING PERCEPTION Exposure –Media planners want consumers to see or hear the message. Selection and attention –Selective attention: consumers choose to attend to the message. Interest and relevance –Interest: receiver mentally engages with the ad or product. –Relevance: message connects on some personal level. Awareness –An ad makes an impression; it registers with the consumer Recognition –Recognition: people remember the ad. –Recall: people remember what the ad said.

FEEL: THE AFFECTIVE OR EMOTIONAL FACET Affective responses mirror our feelings about something. “Affective” describes something that stimulates wants, touches the emotions, and elicits feelings. Subliminal effects are message cues given below the threshold of perception.

Feel: Factors Driving the Affective Response Wants –Driven by emotions; based on desires, wishes, longings, cravings Feelings –Emotional appeals based on humor, love, or fear Liking (the brand and the ad) –If you like the ad, those positive feelings transfer to the brand. Resonate –A feeling that the message rings true –Consumer identifies with the brand on a personal level

UNDERSTAND: THE COGNITIVE FACET Cognition: how consumers search for and respond to information; learn and understand something.. To creatively communicate its new seating in coach, American Airlines used the left-brain/right brain approach in this ad.

UNDERSTAND: FACTORS DRIVING COGNITIVE RESPONSE Need –Something you think about –Ad messages describe something missing in consumer’s lives. Cognitive Learning –Presenting facts, information, and explanations leads to understanding. –Comprehension: process by which we understand, make sense of things, or acquire knowledge. Differentiation –The consumer’s ability to separate one brand from another, based on an understanding of a competitive advantage. Recall –A measure of learning or understanding –You remember the ad, the brand, and the copy points.

CONNECT: THE ASSOCIATION FACET Association: using symbols to communicate. The primary tool used in brand communication. Brand linkage reflects the degree to which the associations presented in the message, as well as the consumer's interest, are connected to the brand.

CONNECT: FACTORS DRIVING ASSOCIATION Symbolism –A brand takes on a symbolic meaning. –It stands for certain, usually abstract, qualities. Conditional Learning –Thoughts and feelings associated with the brand. –Beer is about sporting events, beach parties, and pretty women. Transformation –A product is transformed into something special, differentiated by its brand image symbolism and personality..

BELIEVE: THE PERSUASION FACET Persuasion: influencing or motivating the receiver of a message to believe or do something Attitude: an inclination to react in a given way Attitudes become beliefs when people are convinced.

BELIEVE: FACTORS DRIVING PERSUASION Motivation –Something (e.g., hunger) prompts one to act in a certain way. Influence –Opinion leaders may influence other peoples’ attitudes. –Bandwagon appeals: messages say “everyone is doing it.” –Word of mouth is created by strategies that engage influencers. Involvement –How engaged you are in paying attention. –The process you go through in responding to a message and making a product decision. –High involvement vs. low involvement.

BELIEVE: FACTORS DRIVING PERSUASION Loyalty –Brand loyalty is both attitude (liking, respect, preference) and action (repeat purchases). –It’s built on customer satisfaction. Believability and Credibility –Believability: the credibility of the arguments in a message. –Credibility: indication of the trustworthiness of the source.

ACT: THE BEHAVIOR FACET Behavior: the action response. Involves a number of actions including: –Trying or buying the product –Visit a store –Return an inquiry card –Call a toll-free number –Click on a Web site Direct action vs. indirect action