Steady camera = Sharp pictures The most important point to remember when taking pictures is to keep the camera steady. To guarantee the sharpest pictures,

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Presentation transcript:

Steady camera = Sharp pictures The most important point to remember when taking pictures is to keep the camera steady. To guarantee the sharpest pictures, use a tripod or set the camera on a solid, flat surface.

When that is not possible, follow these tips: Stand with your feet firmly on the floor or ground with your weight distributed evenly on both feet. This will keep you from swaying or weaving. Grip the camera firmly with both hands. Brace your arms against your body and the camera against your head. Press the shutter release as smoothly as possible. Jabbing at it could make the camera drop, resulting in a picture with the subjects' heads cut off. Remember: Always hold the camera rock steady and press the shutter smoothly.

Don't always center your subject in the frame. A handy rule to follow that will help you to compose a quality photo every time is the rule of thirds. In your mind, divide the image into thirds, both horizontally and vertically.

Place the most important part of your picture--the center of interest--at one of the four places where the imaginary lines cross. A person who is the subject of interest should look or appear to be moving toward the center of the picture. When taking a picture with a horizon, place the horizon line on one of the horizontal thirds, depending on the emphasis you want in the picture. When taking photos of people, don't chop them off at the knees or ankles. Include the entire body or shoot your subject from the waist up. Remember: Place the subject about one third of the way into the frame from the left or right and about one third of the way into the frame from the top or bottom.

Keep the horizon level. One very important thing when taking a picture is easy to overlook but awfully noticeable when viewing it afterward. Make sure if you have a strong horizon line that you keep it level. Place the line one third of the way into the frame from the top or bottom depending on what your emphasis is Remember: Keep the horizon level with the top or bottom of the viewfinder.

Don't be shy! Get close. Compose your picture so it contains only the visual information you want. Try to get as close as you can to your subject so that it fills the viewfinder. Telephoto lenses are great to use for zooming in on a subject, but it is better to get as physically close to your subject as possible rather than zoom in on it. If you are showing people involved in an activity, be sure that you are close enough to be able to see what they are doing.

If desired, use the background to share the emphasis with the main subject by following the rule of thirds. Be careful, though, because busy backgrounds can compete with your subject, so keep the background plain and simple. Watch for poles, lines or other objects that could appear to be projecting from a person's head. Remember: Fill the frame with your subject.

Create a professional look. Framing is a very simple trick that will make your photos look more professional. Use tree branches, bushes, part of a building or even a person to frame your subject and give the photo a 3-D look. Framing is especially effective on overcast days when the sky is white or gray. Position yourself so that a branch, for example, covers most of the dull sky; such positioning may also result in a much more interesting point of view. Remember: Frame your subject for a professional look.

No light = No picture. Light is a basic ingredient for good photography. No light results in no picture. By considering your light source, you can create a variety of photos and moods. There are four kinds of lighting that come into play when taking photos: Front light Side light Back light Flat light

Front Light Most pictures use front lighting, where the light falls directly on the subject. This kind of light generally insures bright, well-exposed pictures, but it can cause people to squint as they look directly into a light source, such as the sun.

Side Light Just as it sounds, side lighting means that the subject is lighted from the side. This kind of lighting generally casts shadows on half of the subject and produces what photographers and artists call modeling, where the surface of the subject reveals any ripples, bumps or hollows.

Back Light When the source of light is in back of or directly above your subject, you probably will not get much detail in the subject, but you will get a strong silhouette and sometimes a halo effect. Back light can be very dramatic, but it can cause shadows and underexposed photos. Be aware of backlighting if the subject is in front of a window.

Flat Light Flat light occurs when the sky is hazy or overcast, so that it appears white or light gray rather than blue. There is no apparent direction to the light, so there are basically no shadows. This is the kind of light professional photographers prefer because they can control the light on their subjects using flash, if necessary. Flat light is very flattering, so it is the perfect time to take close-ups of faces. Flat light is softer than bright sunlight, so you will get more natural smiles because your subjects will not have to squint. Remember: Consider your light source to create the effect you want.

Different angles can produce some interesting pictures. There is no law that says all pictures have to be taken from eye level and straight on. By taking a picture from a different angle, you can produce a totally new feeling, mood or effect. The worm's eye view can be pretty interesting. By lying down on your stomach, you can get flowers in the foreground to frame your subject. If you are taking pictures of small children or pets, getting the camera down on their level can improve results. You can also avoid cluttered or ugly background by changing your point of view.

Climbing up on things and looking down from a high point of view offers lots of different opportunities. With people looking up at the camera, you will see just their faces without having to pose their bodies or lining them up. From above, you can also use grass or flowers as a background. Rather than having your subjects lined up all the time, position them in a relaxed or informal manner. Have them turn their shoulders slightly so they do not appear so stiff. Use something like a rock or fence for a prop to position them around. Remember: There is no law that says all pictures have to be taken from eye level and straight on.

Use lines to draw attention to your subject. A leading line can be almost anything: a road, path, sidewalk, fence, river, hedge, tree line or shadow. You will not find a strong leading line around every subject, but you should look for them if they are there and take advantage of them. Lines in a picture should lead into, not out of, the picture, and they should lead your eye toward the main subject. Sometimes it is a matter of choosing the right angle or point of view to make leading lines lead into the picture. Starting a leading line from the corner of your picture will often improve composition. Remember: Watch for strong lines that lead to your subject.