INTRO TO IP LAW FALL 2009: CLASS 3 Professor Fischer Copyrightability: The Idea- Expression Dichotomy, Protection for Factual Works AUGUST 27, 2009.

Slides:



Advertisements
Similar presentations
COPYRIGHT AND COPYWRONG Respect Copyright, Celebrate Creativity.
Advertisements

Introduction to Copyright Principles © 2005 Patricia L. Bellia. May be reproduced, distributed or adapted for educational purposes only.
Tuesday, January 21, 2014 Review Copyright Basics and Fair Use (for test) Share “Case Research”
COPYRIGHT LAW 2002: CLASS 4 Professor Fischer Columbus School of Law The Catholic University of America January 23, 2002.
Copyright Law David G. Post Temple Law School Feb. 2004
Intellectual Property Boston College Law School January 12, 2007 Copyright – Fixation, Exclusions.
Ownership of Computer Software Ethical Questions and Concerns.
COPYRIGHT LAW 2004: CLASS 5 PROFESSOR FISCHER THE CATHOLIC UNIVERSITY OF AMERICA FEB 2, 2004.
Copyright Law Boston College Law School January 9, 2003 Requirements - Fixation.
Intro to Copyright: Originality, Expression, and More
Formalities, Fixation, Idea- Expression Intro to IP – Prof Merges
Copyright Law Boston College Law School January 16, 2003 Requirements - Idea/Expression.
© 2002 Regents of the University of Michigan For questions or permission requests, contact Jack Bernard,
Intellectual Property Boston College Law School January 17, 2007 Copyright – Useful Article, Works.
Intellectual Property Boston College Law School January 11, 2008 Copyright – Fixation, Exclusions.
Copyright and Podcasting: The Impact of Regulation on New Communication Technologies Edward L. Carter, J.D. Scott Lunt, M.A. candidate Brigham Young University.
Intro to Copyright: Originality, Expression, and More
COPYRIGHT LAW FALL 2008: CLASS 7 THE CATHOLIC UNIVERSITY OF AMERICA Sept. 10, 2008.
April 7, 2011 Copyright Law. Copyright Infringement?
What is copyright? the exclusive legal right, given to an originator or an assignee to print, publish, perform, film, or record literary, artistic, or.
General principles in Copyright Law LICCS
Copyright. US Constitution Article I – Section 8 Congress shall have the power to promote the Progress of Science and useful Arts, by securing for limited.
Subject Matter I  Software Copyright Oren Bracha, Summer 2015.
COPYRIGHT LAW 2003: CLASS 5 PROFESSOR FISCHER THE CATHOLIC UNIVERSITY OF AMERICA JANUARY 22, 2003.
Copyright Basics - the Highlights An introduction to copyright law drawn from the copyright statute and from Copyright Basics by the Library of Congress,
COPYRIGHT LAW FALL 2008 Class 5 September 3, 2008 Fixation.
Copyright Law – Ronald W. Staudt Class 4 September 10, 2013.
Class 1 Copyright, Spring, 2008 Introduction Randal C. Picker Leffmann Professor of Commercial Law The Law School The University of Chicago
COPYRIGHT LAW SPRING 2003: CLASS 3 Professor Fischer International Treaties and Institutions; Fixation January 13, 2003.
COPYRIGHT LAW FALL 2008 PROFESSOR FISCHER THE CATHOLIC UNIVERSITY OF AMERICA Class 8: September 15, 2008.
COPYRIGHT LAW FALL 2008: CLASS 2 Professor Fischer Introduction to Copyright 2: Historical Background AUGUST 20, 2008.
COPYRIGHT ESSENTIALS Module 1 Retrieved from:
What is intellectual property?
COPYRIGHT LAW 2004: CLASS 7 PROFESSOR FISCHER THE CATHOLIC UNIVERSITY OF AMERICA JANUARY
Copyright Laws & Regulations. Copyright © Texas Education Agency, All rights reserved. 22 A.Title 17 of U. S. Code 1. Protection provided by law.
Class 22 Copyright, Spring, 2008 Copyright and the Constitution Randal C. Picker Leffmann Professor of Commercial Law The Law School The University of.
INTRO TO IP LAW FALL 2009: CLASS 2 Professor Fischer Copyrightability: The Originality and Fixation Requirements AUGUST 25, 2009.
The Basics of Intellectual Property Law Understanding IP by A. David Spevack, Office of Naval Research.
Copyright Laws Copyright Protection and Fair Use.
Copyright II Class 4 Notes Law 507 | Intellectual Property | Spring 2004 Professor Wagner Copyright © R. Polk Wagner Last updated: 11/19/2015 1:12:27 AM.
COPYRIGHT LAW FALL 2006 PROFESSOR FISCHER THE CATHOLIC UNIVERSITY OF AMERICA Class 5 September
COPYRIGHT LAW FALL 2006 Class 5 September 11, 2006 Idea/Expression Dichotomy Functionality Professor Fischer.
COPYRIGHT LAW FALL 2006 PROFESSOR FISCHER THE CATHOLIC UNIVERSITY OF AMERICA Class 7: September 13, 2006.
From Article I, Section 8 of the U.S. Constitution: “To promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors.
COPYRIGHT LAW FALL 2008 THE CATHOLIC UNIVERSITY OF AMERICA Class 6: September Idea-Expression Dichotomy.
COPYRIGHT ESSENTIALS Module 1. Module One Overview  This module will teach you what copyright is and what is protected by copyright.  Questions this.
COPYRIGHT LAW 2001 Columbus School of Law The Catholic University of America Prof. Fischer Class 19 (MARCH 26, 2002)
© 2015 Saqib Haroon Chishti. May be reproduced, distributed or adapted for educational purposes only.
Copyright Fundamentals Copyrightability Victor H. Bouganim WCL, American University.
Intellectual Property and Copyright What is it and why does it matter?
COPYRIGHT LAW FALL 2006 PROFESSOR FISCHER THE CATHOLIC UNIVERSITY OF AMERICA Class 8: September 18, 2006.
COPYRIGHT ESSENTIALS Module 1. Module One Overview  This module will teach you what copyright is and what is protected by copyright.  Questions this.
Copyright Clause Congress shall have Power … To promote the Progress of Science and the useful Arts, by securing for limited Times to Authors and Inventors.
Introduction to Intellectual Property Law Fall 2003 Class of October Introduction to Copyright Law.
Intellectual property (IP) refers to creations of the mind: inventions, literary and artistic works, music, movies, symbols, names, images, and designs.
1 Lightening intro to intellectual property law – Sept. 26, 2002 Based in part on original notes by Randy Davis.
What is Copyright?
COPYRIGHT LAW 2006 CLASS 4 Columbus School of Law The Catholic University of America Professor Fischer Jan. 19, 2006.
COPYRIGHT FAIR USE CREATIVE COMMONS LICENSING OPEN EDUCATION CHARLOTTE ROH, SCHOLARLY COMMUNICATION RESIDENT LIBRARIAN UNIVERSITY OF MASSACHUSETTS AMHERST.
COPYRIGHT FAIR USE CREATIVE COMMONS LICENSING CHARLOTTE ROH, SCHOLARLY COMMUNICATION RESIDENT LIBRARIAN UNIVERSITY OF MASSACHUSETTS AMHERST MARCH 13, 2015.
Copyright Laws & Regulations
PLAGIARISM & COPYRIGHT
ENTERTAINMENT LAW INTELLECTUAL PROPERTY OVERVIEW
Copyright Basics - the Highlights
Copyright Law David G. Post Temple Law School Feb David
Intellectual Property:
Copyright Presentation
UNIT 5: COPYRIGHT “Respect Copyright, Celebrate Creativity”
Copyright Law: Feist & Databases
Principal Deputy County Counsel
Presentation transcript:

INTRO TO IP LAW FALL 2009: CLASS 3 Professor Fischer Copyrightability: The Idea- Expression Dichotomy, Protection for Factual Works AUGUST 27, 2009

Wrap-Up of Class 2 Wrap-up of Class 2: To be copyrightable, a work must be original (independently created and having some minimal degree of creativity) and fixed in a tangible medium of expression (either a copy or a phonorecord)

Review Problem 6-3 [C p. 334] PC can win the case only if it can establish that its parade is copyrightable. Is it? [note typo in hypo – Cincinnati should be Chicago] See Production Contractors, Inc. v. WGN Continental Broadcasting Co., 622 F.Supp (N.D. Ill. 1985)

17 U.S.C. § 101 “A work is “fixed” in a tangible medium of expression when its embodiment in a copy or phonorecord by or under the authority of the author, is sufficiently permanent or stable to permit it to be perceived, reproduced, or otherwise communicated for a period of more than transitory duration. A work consisting of sounds, images, or both, that are being transmitted, is “fixed”... if a fixation of the work is being made simultaneously with its transmission.”

Big Picture Theme Copyrightability (Unit II): What subject matter is protected by copyright law?

Constitutional Question U.S. Constitution Article I, § 8, cl. 8: “The Congress shall have power.... To promote the progress of science and useful arts, by securing for limited times to authors and inventors the exclusive right to their respective writings and discoveries”

Originality Requirement 17 U.S.C. § 102(a): “Copyright protection subsists in original works of authorship fixed in a any tangible medium of expression....”

Protection Limited to Expression: Why? 17 U.S.C. § 102(b): In no case does copyright protection for an original work of authorship extend to any idea, procedure, process, system, method of operation, concept, principle, or discovery, regardless of the form in which it is described, explained, illustrated, or embodied in such work

IDEA-EXPRESSION DICHOTOMY Brandeis (dissent in INS v. AP (1918): “The general rule of law is, that the noblest of human productions – knowledge, truths ascertained, conception and ideas – become after voluntary communication to others, free as the air to common use.”

Baker v. Selden (1879) [C p. 335]

Baker v. Selden (1879) Where the use of the ''art,'' i.e., the idea, which a copyrighted work explains (or embodies) necessarily requires a copying of the work itself, then such copying will not constitute an infringement of copyright. However, if such copying occurs not in using the art but rather in explaining it, then such copying will constitute an infringement.

To what extent is Baker v. Selden current law?

Blank Forms What is the blank form rule in Copyright Office Regulation 202.1(c)?

The Blank Forms Rule Copyright Office Regulation 202.1(c): The following are examples of works not subject to copyright... Blank forms, such as time cards, graph paper, account books, diaries, bank checks, scorecards, address books, report forms, order forms and the like, which are designed for recording information and do not in themselves convey information. Is this good law?

COPYRIGHTABILITY OF RECIPE Julia Grownup perfects a recipe for pumpkin pie. She writes down the ingredients and a straightforward set of instructions for making the dish using standard terms/style for recipe writers. Emeril copies her recipe verbatim in his bestselling cookbook. Can she win a copyright infringement case?

COPYRIGHT IN FACTUAL NARRATIVES To what extent are facts copyrightable? – see s. 102(b)

COPYRIGHT OFFICE REGULATION: No protection in [W]orks consisting entirely of information that is common property containing no original authorship, such as, for example: Standard calendars, height and weight charts, tape measures and rulers, schedules of sporting events, and lists of tables taken from public documents or other common sources. (§ 202.1(d)) Can you copyright a conversation?

Nash v. CBS (7 th Cir. 1990) [C p. 339] Extent of Copyright in historical facts? Extent of Copyright in interpretation of historical facts?

What did Nash think happened at the Biograph? Lady in Red (left) Biograph (below)

Abstractions Test Learned Hand (on left) was a judge with great influence on copyright doctrine

Is Nash consistent with Hoehling and Toksvig?

Merger Doctrine What is it? How does the First Amendment relate to it?

Wrap-Up Copyright does not protect ideas, only expression. It’s easy to state and hard to apply this fundamental principle. Copying ideas or facts is not copyright infringement. Copyright does not protect functionality. Both functional and factual works can receive copyright protection.