Media argument - located bodies are always mediated and mediating bodies mediation - a process of negotiating, communicating, translating, representing.

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media argument - located bodies are always mediated and mediating bodies mediation - a process of negotiating, communicating, translating, representing

media? conventional understanding - writing, printing, painting, photography, TV, video, film the systems of production that accompany these

media - a question of representation? what is being represented in our five works? the Sims ‘simulation’? Richard’s dismay about his sovereignty ~ power, speech, physical presence, his standing for England (an issue of political representation) Lévi-Strauss’s self-conscious reflection back upon himself, the ‘intertextuality’ of TT Crito - a conversation in a prison cell? the acute observation in the Pillow Book, the lists, the artifice, and their relation to genres of diary and poetry - hardly representational in a naturalistic sense

some related themes interesting feature of these works is their recursivity the mirrors of reflection, representation, of ‘reality’ and its representation the language of Richard the simulated worlds of Sims the philosophy of forms of Plato the ethnographic other in Lévi-Strauss the urbane commentary of Sei Shonagon

bodies in place - materiality and immateriality

self and context - questions of identity

the search for some inner core of essential identity always becomes a matter of relationship and location/context dispersed distributed dislocated bodies this is the natural state of being

working out (mediating) some familiar dualities mind and body character and props self and other individual and society individual powers and social rules reality and representation mediation - not so much overcoming these as realizing them as processes

there is only ever re-presentation telling stories about selves simulating and modeling living up to ideals sifting out the ‘essential’ (in others, in oneself, in events, in scenarios) what, after all, is the original behind and before the representation? Socrates answer - a Platonic form?

re-presentation is always material

medium as mode of engagement breaking down these common notions of medium (movie, TV, book, theater) it is not so much whether something is movie, drama, manuscript, video, lithograph … but how it engages intimately one person as they walk the streets a large group as they sit in a darkened room a crowd in a public square a family in a home a child in a bedroom

located bodies are always (re)mediated and (re)mediating bodies think of chains of translation dynamic states rather than internally consistent and static forms as mind becomes body and body mind self becomes other character becomes its material props, and vice versa agent becomes social role, and vice versa