Jane Austen An explorative journey through literature By Srijan Kushwaha An explorative journey through literature By Srijan Kushwaha.

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Presentation transcript:

Jane Austen An explorative journey through literature By Srijan Kushwaha An explorative journey through literature By Srijan Kushwaha

Author Jane Austen ( ) Jane Austen ( )

Jane Austen  Born in Hampshire, England in 1775  Received an education superior to that generally given to girls of her time  Began her first novel at age 14  Moved with family to Bath where she lived until her death, unmarried  Published novels anonymously  Writes about everyday lives of English gentry like herself, focuses a great deal on marriage  Played the piano  Died at age 42

Austen’s works  Sense and Sensibility, 1811  Pride and Prejudice, 1813  Mansfield Park, 1814  Emma, 1815  Persuasion,1817  Northanger Abbey, 1817

Biography  Jane Austen was an English novelist whose works of romantic fiction, set among the landed gentry, earned her a place as one of the most widely read writers in English literature. Her realism and biting social commentary has gained her historical importance among scholars and critics. Austen lived her entire life as part of a close-knit family located on the lower fringes of the English landed gentry. She was educated primarily by her father and older brothers as well as through her own reading. The steadfast support of her family was critical to her development as a professional writer. Her artistic apprenticeship lasted from her teenage years into her thirties. During this period, she experimented with various literary forms, including the epistolary novel which she tried then abandoned, and wrote and extensively revised three major novels and began a fourth. She wrote two additional novels, Northanger Abbey and Persuasion, both published posthumously in 1818, and began a third, which was eventually titled Sanditon, but died before completing it. Austen's works critique the novels of sensibility of the second half of the 18th century and are part of the transition to 19th-century realism. Her plots, though fundamentally comic, highlight the dependence of women on marriage to secure social standing and economic security. Biographical information concerning Jane Austen is "famously scarce", according to one biographer. Only some personal and family letters remain (by one estimate only 160 out of Austen's 3,000 letters are extant), and her sister Cassandra (to whom most of the letters were originally addressed) burned "the greater part" of the ones she kept and censored those she did not destroy. Other letters were destroyed by the heirs of Admiral Francis Austen, Jane's brother. Most of the biographical material produced for fifty years after Austen's death was written by her relatives and reflects the family's biases in favour of "good quiet Aunt Jane ".

Family  Austen's parents, George Austen (1731–1805), and his wife Cassandra (1739–1827), were members of substantial gentry families. George was descended from a family of woollen manufacturers, which had risen through the professions to the lower ranks of the landed gentry. Cassandra was a member of the prominent Leigh family; they married on 26 April 1764 at Walcot Church in Bath. From 1765 until 1801, that is, for much of Jane's life, George Austen served as the rector of the Anglican parishes at Steventon, Hampshire, and a nearby village. Austen's immediate family was large: six brothers—James (1765–1819), George (1766–1838), Edward (1767–1852), Henry Thomas (1771–1850), Francis William (Frank) (1774–1865), Charles John (1779–1852)—and one sister, Cassandra Elizabeth (Steventon, Hampshire, 9 January 1773–1845), who, like Jane, died unmarried. Cassandra was Austen's closest friend and confidante throughout her life. Of her brothers, Austen felt closest to Henry, who became a banker and, after his bank failed, an Anglican clergyman. Henry was also his sister's literary agent. His large circle of friends and acquaintances in London included bankers, merchants, publishers, painters, and actors: he provided Austen with a view of social worlds not normally visible from a small parish in rural Hampshire.

I've a Pain in my Head  'I've a pain in my head' Said the suffering Beckford; To her Doctor so dread. 'Oh! what shall I take for't?' Said this Doctor so dread Whose name it was Newnham. 'For this pain in your head Ah! What can you do Ma'am?' Said Miss Beckford, 'Suppose If you think there's no risk, I take a good Dose Of calomel brisk.'-- 'What a praise worthy Notion.' Replied Mr. Newnham. 'You shall have such a potion And so will I too Ma'am.‘ - Jane austin

Jane Austin House “

Writing Style  Jane austin was known for her ability to use sarcasm and humor to portray important issues such as social etiquitte,romance,and even politics. Her writing style was a mix of “neoclassicism and romanticism.

Quotations  ''What fine weather this is! Not very becoming perhaps early in the morning, but very pleasant out of doors at noon, and very wholesome—at least everybody fancies so, and imagination is everything.''  ''You are now collecting your People delightfully, getting them exactly into such as spot as is the delight of my life; 3 or 4 Families in a Country Village is the very thing to work on.'‘  ''Nothing is to be compared to the misery of being bound without Love, bound to one, & preferring another. That is a Punishment which you do not deserve.'' -all by Jane Austen 'An artist cannot do anything slovenly.'‘ -by Jane Austen

Sense and Sensibility  Characters: Mrs. Dashwood, Elinor and Marianne Dashwood, Edward Ferrars, Colonel Brandon, John Willoughby, Lucy Steele  Setting: English countryside and London  Plot: When the Dashwood women are forced to move into a small cottage in the country they become acquainted with a few new men who eventually move permanently into their lives.  Style: Formal diction, comedy of manners, told mostly from Elinor’s point of view  Tone: Ironic  Imagery: music, art, poetry, flowers, money  Themes: A balance of sense and sensibility will lead one to success. Disregard for propriety will endanger one’s reputation and even life. Overly passionate feelings can lead one to have misperceptions of the world. Rash sensibility leads one to moral danger. Idleness leads to bad decisions. Austen’s works

Emma  Characters: Emma Woodhouse, George Knightley, Harriet Smith, Frank Churchill, Miss Bates, Jane Fairfax, Mr. Elton, Robert Martin, the Coles, and the Westons  Setting: Highbury, England  Plot: Bored after her governess left to be married, Emma Woodhouse takes on the self proclaimed role of Matchmaker in Highbury. Having no success at all, the last thing she had in mind but which comes true is her own marriage.  Style: Comedy of Manners, formal diction, told in the perspective of Emma  Tone: Ironic  Imagery: riddles, music, musical instruments, dancing, letters  Themes: Meddling in the lives of others is foolish and will only have negative consequences. Boredom leads people to make foolish decisions. Thinking too highly of ones self leads one to be insensitive to others. It is dangerous to indulge in speculation. Austen’s works

Irony and Marriages in Austen’s works “Her irony, her delicate, ruthless irony, is of the very substance of her style. It never obtrudes itself; sometimes it only glints out in a turn of phrase. But it is never absent for more than a paragraph; and her most straightforward piece of exposition is tart with its perfume.” -Elizabeth Bowen on Emma  Elizabeth and Darcy  Marianne and Brandon  Emma and Knightley Salisbury Cathedral, from the Bishop's Grounds. 1823

Music  Music imagery is key in Austen’s works.  Characters reveal significant aspects of their personalities by their attitudes towards music.  The pianoforte is a central plot device in Emma.  The pieces that women or men would be typically playing for entertainment and leisure would be those of Cramer and composers with a similar style.

The End Thanks for listening! I hope you are inspired to read Jane Austen!